Noto

Palazzo Nicolaci di Villadorata, who is the architect?

The city was rebuilt in the aftermath of the tragic earthquake, and when the significant powers, clergy and aristocracy asked for their palaces to be rebuilt, it was the Baron Asmundo who divided the land perfectly.
Since the heart of the city in the lower area was the Cathedral, that was where the new palaces were built.Palazzo Nicolaci salendo via Nicolaci verso la chiesa To the right of the church are the religious buildings, the Archbishop’s Palace and the monastery of the Holy Saviour; on the land to the left the residences of the most influential aristocratic families in Noto were built, Palazzo Landolina and Palazzo Nicolaci di Villadorata.
The latter was built between 1720 and 1750 by Don Giacomo Nicolaci , on the present day Via Corrado Nicolaci.
The question of who the architect was has never been resolved; there are many theories and few certainties. However, it remains one of the most interesting and surprising buildings in Noto for the exuberant corbels that support the balconies of the façade and the round-bottomed wrought iron railings.

The Maiolica of the staircase

Searching for colour

The cathedral of Sant’Agata: a lengthy reconstruction

Norman apses

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A new site for a new church

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Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

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A city in colour

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Rosario Gagliardi, the maestro of the Val di Noto

San Benedetto: a treasure reopened to the public

San Nicolò l’Arena: an unfinished church

Corbels: a celebration of the Nicolaci family

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The role of the religious orders in rebuilding the Val di Noto

Many owners, one palace

The Benedictine Monastery, one of the largest in Europe

A small room with a golden entrance

Wonderful quick decorations

The Infiorata, a feast of colours and flowers

Garden of Novices and the restorations by Giancarlo De Carlo

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A triumph of colour

Some prestigious works

The two churches

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The church of Carmine

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Some masterpieces

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Baroque and the loss of equilibrium in the 16th century

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The façade used as a puppet theatre

From International Gothic to present day

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From the contrast of the exterior to the internal jubilation of colours

From St. Thomas to St. Joseph

The senses tell the Cathedral of Sant’Agata

A colourful floor

Prominent façade

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The colours of the cathedral

St. Agatha and the giant candelabras

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The disastrous earthquake

Connections with other UNESCO sites

A prominent church

The internal colours

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A miniature city

The city of museums

A symbol for the town

The senses tell about Palazzo Napolino Tommasi Rosso

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The senses tell the story of the Church of Santa Chiara

Two illustrious patron saints

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A long reconstruction

A Nobel Prize in Modica

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Palazzo Nicolaci di Villadorata, who is the architect?

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A design by Vincenzo Sinatra

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A new entrance for Santa Chiara (St. Claire)

Between white and black