Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
foto zoom gelosia foto particolare colonna libera e parasta lato portale
Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
foto statue su mensole foto statue su mensole foto statue su mensole foto statue su mensole
foto statue su mensole foto statue su mensole

A design by Vincenzo Sinatra

A miniature city

The wall comes to life

The Supernatural dimension of the chapel of the Santissimo Sacramento

The colours of the cathedral

A symbol for the town

From the contrast of the exterior to the internal jubilation of colours

The senses tell about Palazzo La Rocca

Norman apses

St. Sebastian, so much work!

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Giovanni Evangelista

Prominent façade

Between white and black

A city in colour

The character of Badia Sant’Agata

The senses tell the story of the Church of San Benedetto

Some masterpieces

A long reconstruction

The chocolate of Modica

The kitchen, a treasure chest of colours

A hall for the feasts

The disastrous earthquake

The city of museums

The Staircase of Angels

Fontana della Ninfa Zizza, public water in the town

A small room with a golden entrance

The Burgos crucifix

Feasting in Palazzolo

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new site for a new city

The senses tell the story of the church of San Giuseppe

Wonderful quick decorations

The two churches

The church of Carmine

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A square as the heart of the city

A feast only for Scicli

The senses tell about Palazzo Napolino Tommasi Rosso

A half-Baroque church

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of San Giuliano ai Crociferi

Two illustrious patron saints

A new site for a new church

Rosario Gagliardi, the maestro of the Val di Noto

Modica, a city with ancient origins

St. Agatha and the giant candelabras

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Infiorata, a feast of colours and flowers

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of San Giovanni Battista

A Nobel Prize in Modica

The Benedictine Monastery, one of the largest in Europe

Feast days

San Nicolò l’Arena: an unfinished church

The Maiolica of the staircase

Discovering the mother church

The Barresi-Branciforte lords

The senses tell the story of the Church of Santa Chiara

The theatre of taste

The Feast of San Giacomo (St. James)

San Benedetto: a treasure reopened to the public

The Baroque town by the sea

From St. Thomas to St. Joseph

Garden of Novices and the restorations by Giancarlo De Carlo

Palazzo Nicolaci di Villadorata, who is the architect?

Corbels: a celebration of the Nicolaci family

A colourful floor

A new palace for the La Rocca lords

The senses tell about Palazzo Nicolaci

A majestic and luminous church

The façade used as a puppet theatre

The senses tell the story of the Church of Santa Chiara

The senses tell the Cathedral of Sant’Agata

The interior and its masterpieces

Many owners, one palace

The senses tell the story of the Church of the Annunciation

Searching for colour

One city, three sites

A triumph of colour

Some prestigious works

From International Gothic to present day

Limestone, the colour of harmony

A museum to save a tradition

A new entrance for Santa Chiara (St. Claire)

A prominent church

Militello, the story of an enlightened fiefdom

The role of the religious orders in rebuilding the Val di Noto

The cathedral of Sant’Agata: a lengthy reconstruction

A talking palace

The senses tell the story of the Badia di Sant’Agata

An eagle-shaped city

New roads for Catania

One city, two sites

Connections with other UNESCO sites

Baroque and the loss of equilibrium in the 16th century

The internal colours