Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
foto zoom gelosia foto particolare colonna libera e parasta lato portale
Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
foto statue su mensole foto statue su mensole foto statue su mensole foto statue su mensole
foto statue su mensole foto statue su mensole

Garden of Novices and the restorations by Giancarlo De Carlo

The two churches

Places of knowledge: the Benedictines’ library

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A Nobel Prize in Modica

From the contrast of the exterior to the internal jubilation of colours

A design by Vincenzo Sinatra

Modica, a city with ancient origins

A symbol for the town

The Infiorata, a feast of colours and flowers

The disastrous earthquake

The senses tell the story of the Badia di Sant’Agata

From St. Thomas to St. Joseph

San Benedetto: a treasure reopened to the public

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of the Annunciation

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The interior and its masterpieces

A half-Baroque church

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of San Giovanni Battista

A prominent church

The theatre of taste

A square as the heart of the city

Limestone, the colour of harmony

Prominent façade

Militello, the story of an enlightened fiefdom

Wonderful quick decorations

The Burgos crucifix

Corbels: a celebration of the Nicolaci family

A triumph of colour

The city of museums

The senses tell the story of the Church of Santa Chiara

The senses tell the Cathedral of Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

The colours of the cathedral

New roads for Catania

Many owners, one palace

A feast only for Scicli

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Benedetto

Between white and black

A new site for a new church

The senses tell the story of the church of San Giuseppe

The Supernatural dimension of the chapel of the Santissimo Sacramento

From International Gothic to present day

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of Santa Maria del Carmelo

The Barresi-Branciforte lords

The senses tell the story of the staircase of Santa Maria del Monte

A new site for a new city

St. Sebastian, so much work!

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

One city, three sites

The senses tell the story of the Church of San Giuliano ai Crociferi

The kitchen, a treasure chest of colours

Some prestigious works

The senses tell the Benedictine Monastery and San NicoIò l’Arena

An eagle-shaped city

San Nicolò l’Arena: an unfinished church

A colourful floor

Some masterpieces

A new palace for the La Rocca lords

The wall comes to life

The Staircase of Angels

A small room with a golden entrance

A hall for the feasts

The Benedictine Monastery, one of the largest in Europe

A city in colour

Rosario Gagliardi, the maestro of the Val di Noto

Feasting in Palazzolo

The church of Carmine

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo La Rocca

A new entrance for Santa Chiara (St. Claire)

Fontana della Ninfa Zizza, public water in the town

A talking palace

Feast days

Discovering the mother church

Connections with other UNESCO sites

The character of Badia Sant’Agata

A miniature city

A museum to save a tradition

Baroque and the loss of equilibrium in the 16th century

The Maiolica of the staircase

A majestic and luminous church

Searching for colour

Two illustrious patron saints

The façade used as a puppet theatre

The senses tell the story of the Church of San Sebastiano

The Baroque town by the sea

The senses tell about Palazzo Nicolaci

Norman apses

A long reconstruction

The senses tell the story of the Church of Santa Chiara

The internal colours

One city, two sites

The chocolate of Modica