The 1693 earthquake destroyed the church and forced Bishop Riggio to order its reconstruction.
The first task was entrusted to the Capuchin friar Girolamo Palazzotto who began work in 1709, choosing to reuse the structures that had remained standing, i.e. the three Norman apses
and the transept.
In 1729, Palermo-born Pietro Galletti was appointed bishop, and decided to entrust the supervision of the work to the abbot architect Giovanni Battista Vaccarini
.
Vaccarini made great changes to the façade and the side elevation on Via Vittorio Emanuele, where he inserted a portal from 1577 belonging to the previous destroyed church.
La cattedrale di Sant’Agata si affaccia su l’ampia piazza Duomo dominandola con la sua imponente facciata scenografica. Per accedere alla chiesa è necessario superare la breve scalinata d’ingresso delimitata dalla cancellata in ferro battuto e superare il sagrato. La facciata è suddivisa in tre piani orizzontali che si restringono verso l’alto. La fascia più basse, il primo ordine, è scandito verticalmente da sei alte colonne. Queste sono intervallate dai tre portali di ingresso, di cui quello centrale è il più grande ed è sormontato da un timpano curvo. La seconda fascia è scandita da sei colonnine ravvicinate e al centro presenta in una nicchia la statua di Sant’Agata con lo sguardo rivolto al cielo. L’ultima fascia è scandita da quattro colonnine e un timpano triangolare.
La cattedrale di Sant’Agata si affaccia su l’ampia piazza Duomo dominandola con la sua imponente facciata scenografica. Per accedere alla chiesa è necessario superare la breve scalinata d’ingresso delimitata dalla cancellata in ferro battuto e superare il sagrato. La facciata è suddivisa in tre piani orizzontali che si restringono verso l’alto. La fascia più basse, il primo ordine, è scandito verticalmente da sei alte colonne. Queste sono intervallate dai tre portali di ingresso, di cui quello centrale è il più grande ed è sormontato da un timpano curvo. La seconda fascia è scandita da sei colonnine ravvicinate e al centro presenta in una nicchia la statua di Sant’Agata con lo sguardo rivolto al cielo. L’ultima fascia è scandita da quattro colonnine e un timpano triangolare.
The design for the façade was highly criticised despite its obvious architectural qualities.
It was completed between 1730 and 1761, with the aim of adapting the building to the new Baroque style.
The architect designed a three-level elevation with vertical tension, with the image of St. Agatha in the centre inside a niche. Here, Baroque is expressed in all its grandeur: the trabeation
that divides the three levels “moves” angularly, breaking up around each capital, creating a movement and depth emphasised by the richness of the marble and the 14 granite columns detached from the façade.
The project was finally completed by Battaglia who built the dome, and in the 19th century the bell tower was rebuilt.
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Piazza Duomo, the elephant fountain, the heart of the city
Palazzo Trigona: a building with a complex shape
Palazzo Trigona di Canicarao
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The Church of Madonna della Stella
Palazzo della Cancelleria: from former stable to the Nicastro family
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St. Agatha and the candelore
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The Antonino Uccello Birthplace Museum
Unusual iconographies: the Burgos crucifix
Akrai and Syracuse: an unbreakable bond
Rebirth and urban planning of the city of Noto
A story of rebirth
Palazzo Zacco, a balance between sobriety and decoration
The interiors: diffused light and Byzantine relics
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The eagle-shaped city
The senses tell the Church of San Michele
The Badia di Sant’Agata (St. Agatha’s Abbey)
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The illusion of light and the decorative splendour
The Madonna dei Conadomini and the art of devotion
The Church of St. John the Evangelist
Geometry and wonder in civic architecture in the Baroque of the Val di Noto
A stone garden
Militello: The story of an enlightened fiefdom
The senses tell about Palazzo Ducezio
Expanded spaces, stucco and colourful lights
The Church of St. Francis
Luminous sacred spaces
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A compromise between Neoclassicism and Baroque
The smallest Greek theatre in the world
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Religious architecture
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The art of maiolica
Fountain of the Nymph Zizza: public water in the town
The two churches
The interior of the church: space and colour
The Palazzo dei due mori
The Church of St. Benedict
San Domenico and Gagliardi’s work
The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena
A Nobel Prize in Modica
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MiC – Ministero della Cultura
Legge 77/2006 - Misure Speciali di Tutela e Fruizione dei Siti Italiani di Interesse Culturale, Paesaggistico e Ambientale, inseriti nella “Lista Del Patrimonio Mondiale”, posti sotto la Tutela dell’ UNESCO Regione Siciliana.
Assessorato dei Beni Culturali e dell’Identità Siciliana, Dipartimento dei Beni Culturali e dell’Identità Siciliana.
Parco archeologico della Valle dei Templi di Agrigento.