Introduction to Val di Noto

Religious architecture

For religious buildings, the architecture of the Baroque period sought to become a guiding principle for a journey of faith through the very form of the construction and its ornaments.
The façade features the characteristic elements of the sacred building and reveals its symbolic contents in its sculptural decorations, allegories of saints, votive scrolls and dedications, kept within the rigid geometric and compositional rules typical of the architecture of this period.
The sculptural and “moved” façades lead to an interior that is rich and exciting due to the triumph of colour, stuccoes and decorations that captivate worshippers, rousing wonder and amazement, right up to the crowning moment in the vault with the mystical sight of the triumph of the Saints.

The senses tell about Palazzo Ducezio

Palazzo Zacco, a balance between sobriety and decoration

The new roads of the city

The senses tell the story of the Church of San Benedetto

Palazzo Trigona: a building with a complex shape

The Antonino Uccello Birthplace Museum

A casket of precious works

The city palace

The Church of St. Francis

Reconstruction after the earthquake

The casket of austerity under the great dome

Scicli, the city of Baroque scenery

The Church of St. Mary of the Mountain

The senses tell the story of the Church of Santa Maria del Monte

The senses tell the Church of San Domenico

St. Agatha and the candelore

The interiors: diffused light and Byzantine relics

The senses tell the story of the Church of San Giuliano ai Crociferi

Piazza Duomo, the elephant fountain, the heart of the city

Madonna of the Militia: a singular warrior virgin

The senses tell about Palazzo Zacco

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell the Church of San Michele

The expansion of space and changing reality

A heritage of votive works

Scenography and devotion for St. Agatha

The eagle-shaped city

Expansion, spatiality and light in the church of San Domenico

The works in the church

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The church and the college

The neo-Gothic seminary chapel: symbols, light and space

The Monastery of the Benedictine nuns

The senses tell about Palazzo Trigona

The city of Modica, a balance between nature and urbanism

The city within the city

The Church of St. Benedict

The Benedictines’ library

The interior and works of art

The Church of St. Julian on Via dei Crociferi

San Domenico and Gagliardi’s work

The Monte delle Prestanze in the new city layout

The senses tell of Palazzo della Cancelleria

Expanded spaces, stucco and colourful lights

The Church of Madonna della Stella

The beginning of an authentic Baroque conception

The smallest Greek theatre in the world

Art in the cathedral

The senses tell the story of the Church of San Giovanni Evangelista

Religious architecture

A story of rebirth

Virtuosity, decorations and altars

The two churches

Majestic exteriors, grandiose interiors

Scenography, lights and colours of the cathedral

Palazzo Trigona di Canicarao

A compromise between Neoclassicism and Baroque

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Unusual iconographies: the Burgos crucifix

A unifying project for the city of Catania

The Church of St. Paul

From the end of the world to rebirth from the rubble

The illusion of light and the decorative splendour

Akrai and Syracuse: an unbreakable bond

Views denied, views conquered: the power of the devout Benedictines

A new site for the church of San Giorgio

Verticality and dynamism of the façade of the Church of San Carlo

The triumph of Baroque: expansion of spaces

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Altars, saints and sculptural works

Fountain of the Nymph Zizza: public water in the town

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

One city, three sites

A stone garden

The senses tell the Cathedral of San Giorgio

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell the Cathedral of San Giorgio

The church and the monastery

The Madonna dei Conadomini and the art of devotion

The senses tell about Palazzo Beneventano

Baroque and the loss of balance in the 16th century

The Staircase of Angels

Garden of Novices and the restorations by Giancarlo De Carlo

A Nobel Prize in Modica

The art of maiolica

The palace, the town, the church

The Franciscan convent

Rebirth and urban planning of the city of Noto

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Palazzo della Cancelleria: from former stable to the Nicastro family

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Infiorata of Noto, a modern tradition

The senses tell the story of the Church of San Carlo and the former Jesuit college

Baroque creativity: recurring themes

The senses tell the Cathedral of Sant’Agata

The Palazzo dei due mori

Luminous sacred spaces

The Church of St. John the Evangelist

The senses tell of the Cathedral of San Pietro

Militello: The story of an enlightened fiefdom

The articulated interior spaces

The dynamics of the Church of San Michele

The interior of the church: space and colour

City and nature

The senses tell the story of the Church of San Paolo

The senses tell the story of the Church of the Badia di Sant’Agata