Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

Feast days

Fontana della Ninfa Zizza, public water in the town

Between white and black

A new entrance for Santa Chiara (St. Claire)

The Burgos crucifix

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From International Gothic to present day

The senses tell the story of the church of San Giovanni Battista

The disastrous earthquake

The senses tell the Cathedral of Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

Modica, a city with ancient origins

The Feast of San Giacomo (St. James)

A talking palace

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

The role of the religious orders in rebuilding the Val di Noto

The character of Badia Sant’Agata

The Benedictine Monastery, one of the largest in Europe

A long reconstruction

A Nobel Prize in Modica

The city of museums

The senses tell the story of the staircase of Santa Maria del Monte

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of the Annunciation

Some masterpieces

A feast only for Scicli

The wall comes to life

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A small room with a golden entrance

From St. Thomas to St. Joseph

A majestic and luminous church

Discovering the mother church

San Nicolò l’Arena: an unfinished church

A colourful floor

Two illustrious patron saints

San Benedetto: a treasure reopened to the public

Wonderful quick decorations

The senses tell about Palazzo La Rocca

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Rosario Gagliardi, the maestro of the Val di Noto

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of San Giuseppe

Places of knowledge: the Benedictines’ library

A new palace for the La Rocca lords

Feasting in Palazzolo

Searching for colour

One city, three sites

The senses tell the story of the Badia di Sant’Agata

The Staircase of Angels

The senses tell the story of the Church of San Benedetto

Garden of Novices and the restorations by Giancarlo De Carlo

A half-Baroque church

A miniature city

Norman apses

The church of Carmine

Connections with other UNESCO sites

A square as the heart of the city

The chocolate of Modica

Militello, the story of an enlightened fiefdom

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Napolino Tommasi Rosso

A symbol for the town

A prominent church

The internal colours

A new site for a new church

One city, two sites

Some prestigious works

Palazzo Nicolaci di Villadorata, who is the architect?

Limestone, the colour of harmony

Prominent façade

A design by Vincenzo Sinatra

An eagle-shaped city

The façade used as a puppet theatre

The Barresi-Branciforte lords

The two churches

A new site for a new city

St. Agatha and the giant candelabras

The Maiolica of the staircase

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Giovanni Evangelista

A city in colour

A museum to save a tradition

From the contrast of the exterior to the internal jubilation of colours

St. Sebastian, so much work!

New roads for Catania

The kitchen, a treasure chest of colours

A triumph of colour

The theatre of taste

The colours of the cathedral

A hall for the feasts

The Baroque town by the sea

The senses tell about Palazzo Nicolaci

The cathedral of Sant’Agata: a lengthy reconstruction

The interior and its masterpieces

Many owners, one palace