Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

The Benedictine Monastery, one of the largest in Europe

Feast days

The colours of the cathedral

A new site for a new church

The senses tell the story of the staircase of Santa Maria del Monte

A hall for the feasts

Baroque and the loss of equilibrium in the 16th century

The cathedral of Sant’Agata: a lengthy reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

A new palace for the La Rocca lords

The two churches

The internal colours

The senses tell the story of the church of Santa Maria del Carmelo

From the contrast of the exterior to the internal jubilation of colours

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Feast of San Giacomo (St. James)

Fontana della Ninfa Zizza, public water in the town

The Maiolica of the staircase

Garden of Novices and the restorations by Giancarlo De Carlo

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A city in colour

St. Sebastian, so much work!

A long reconstruction

Modica, a city with ancient origins

The façade used as a puppet theatre

An eagle-shaped city

A symbol for the town

The Baroque town by the sea

One city, two sites

The senses tell the story of the church of San Giuseppe

Militello, the story of an enlightened fiefdom

Wonderful quick decorations

From International Gothic to present day

The interior and its masterpieces

The wall comes to life

Searching for colour

Limestone, the colour of harmony

Feasting in Palazzolo

A design by Vincenzo Sinatra

Places of knowledge: the Benedictines’ library

A triumph of colour

A museum to save a tradition

A majestic and luminous church

The senses tell about Palazzo La Rocca

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The disastrous earthquake

The Staircase of Angels

The senses tell the story of the Church of San Sebastiano

A small room with a golden entrance

Two illustrious patron saints

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Giuliano ai Crociferi

The kitchen, a treasure chest of colours

A miniature city

Norman apses

Connections with other UNESCO sites

A talking palace

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell about Palazzo Nicolaci

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A half-Baroque church

The senses tell the story of the Church of the Annunciation

A new entrance for Santa Chiara (St. Claire)

The senses tell the Cathedral of Sant’Agata

San Benedetto: a treasure reopened to the public

Discovering the mother church

The Barresi-Branciforte lords

The church of Carmine

The theatre of taste

The senses tell the story of the Badia di Sant’Agata

St. Agatha and the giant candelabras

From St. Thomas to St. Joseph

Many owners, one palace

The senses tell the story of the Church of Santa Chiara

The character of Badia Sant’Agata

A colourful floor

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of San Giovanni Battista

Between white and black

A Nobel Prize in Modica

New roads for Catania

Some masterpieces

The role of the religious orders in rebuilding the Val di Noto

A new site for a new city

A prominent church

The Burgos crucifix

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A feast only for Scicli

Prominent façade

The senses tell the story of the Church of Santa Chiara

One city, three sites

The city of museums

Some prestigious works

A square as the heart of the city

Corbels: a celebration of the Nicolaci family

The chocolate of Modica