Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

The Staircase of Angels

The theatre of taste

The wall comes to life

The kitchen, a treasure chest of colours

San Nicolò l’Arena: an unfinished church

The senses tell the story of the church of San Giovanni Battista

From International Gothic to present day

From St. Thomas to St. Joseph

Many owners, one palace

Militello, the story of an enlightened fiefdom

A colourful floor

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Feasting in Palazzolo

One city, two sites

St. Sebastian, so much work!

The senses tell the story of the church of Santa Maria del Carmelo

The façade used as a puppet theatre

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Maiolica of the staircase

The Barresi-Branciforte lords

A miniature city

The two churches

A new entrance for Santa Chiara (St. Claire)

San Benedetto: a treasure reopened to the public

A new palace for the La Rocca lords

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of San Giuseppe

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Feast of San Giacomo (St. James)

The disastrous earthquake

New roads for Catania

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of Santa Chiara

A hall for the feasts

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the staircase of Santa Maria del Monte

Norman apses

The senses tell about Palazzo Nicolaci

Searching for colour

Wonderful quick decorations

The senses tell the story of the Church of San Sebastiano

Baroque and the loss of equilibrium in the 16th century

The internal colours

Rosario Gagliardi, the maestro of the Val di Noto

Some prestigious works

The Benedictine Monastery, one of the largest in Europe

A museum to save a tradition

From the contrast of the exterior to the internal jubilation of colours

Places of knowledge: the Benedictines’ library

The character of Badia Sant’Agata

A symbol for the town

A new site for a new church

The role of the religious orders in rebuilding the Val di Noto

Limestone, the colour of harmony

A new site for a new city

Fontana della Ninfa Zizza, public water in the town

A square as the heart of the city

Connections with other UNESCO sites

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Agatha and the giant candelabras

Between white and black

Garden of Novices and the restorations by Giancarlo De Carlo

The Baroque town by the sea

Feast days

The colours of the cathedral

Modica, a city with ancient origins

A small room with a golden entrance

The senses tell the story of the Church of the Annunciation

Some masterpieces

A feast only for Scicli

A Nobel Prize in Modica

The senses tell the story of the Church of San Giovanni Evangelista

An eagle-shaped city

The Supernatural dimension of the chapel of the Santissimo Sacramento

A half-Baroque church

A prominent church

Two illustrious patron saints

A design by Vincenzo Sinatra

The senses tell about Palazzo Napolino Tommasi Rosso

The chocolate of Modica

Discovering the mother church

A talking palace

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A triumph of colour

The church of Carmine

A majestic and luminous church

The interior and its masterpieces

Prominent façade

The Burgos crucifix

The city of museums

The senses tell the story of the Church of San Benedetto

Corbels: a celebration of the Nicolaci family

A long reconstruction

The senses tell about Palazzo La Rocca

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of Santa Chiara

A city in colour

The senses tell the Cathedral of Sant’Agata

One city, three sites