Catania

San Nicolò l’Arena: an unfinished church

Located in Piazza Dante in the historic centre of Catania, the church of San Nicolò l’Arena is the spiritual heart of the monastery. It was built after Etna’s eruption in 1669, replacing an older building from the Renaissance period.
The façade is striking for the giant proportions of the eight columns, which, in pairs placed on large bases, flank the main and side portals.ta chiesa da piazza dante The large rectangular windows and the two oval openings above the portals light up the heavy, white marble structure. Work was started in 1774 by the architect Carmelo Battaglia Santangelo and left unfinished in 1802 by his cousin Antonino Battaglia. What is most surprising is the strong contrast between the incompleteness of the exterior and the large spaces of the interior.
foto cupola foto interno centrando l'altare
The church has a Latin cross plan, divided into three naves , separated by large arcades; crossing the main nave leads you to the main altar.
The walls have no particular decorations; as a matter of fact, they are white, but the interior shines thanks to light from the windows. The brightness is also created by the majestic dome designed by architect Stefano Ittar in 1780. Its large windows create plays of light that are reflected between the naves, altar and precious colourful marble floor.
69 foto dettaglio cupola foto parete navata con arcate e finestre
Inside, the church contains precious works of art , a valuable organ and a splendid sundial .
foto cappella foto organo foto meridiana su pavimento

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New roads for Catania

A triumph of colour

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Feast days

Norman apses

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From the contrast of the exterior to the internal jubilation of colours

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Some masterpieces

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The theatre of taste

San Nicolò l’Arena: an unfinished church

Garden of Novices and the restorations by Giancarlo De Carlo

The interior and its masterpieces

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Fontana della Ninfa Zizza, public water in the town

The Staircase of Angels

A feast only for Scicli

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Baroque and the loss of equilibrium in the 16th century

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St. Agatha and the giant candelabras

Two illustrious patron saints

The Supernatural dimension of the chapel of the Santissimo Sacramento

Prominent façade

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A city in colour

The façade used as a puppet theatre

A design by Vincenzo Sinatra

Between white and black

A small room with a golden entrance

Searching for colour

A talking palace

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Places of knowledge: the Benedictines’ library

From International Gothic to present day