Catania

Scenography and devotion for St. Agatha

The minor apse mof the right aisle is home to the highest concentration of votive artwork dedicated to St. Agatha .
The apse walls are completely frescoed and the floor is richly decorated. The wall decorations, gilding and all the decorative elements give the room a sense of triumphant theatricality.
dattaglio retablo della gloria di sant'Agata
Here we find the Retablo della Gloria di Sant’Agata (Retablo of the Glory of St. Agatha), the monument to Ferdinando d’Acuňa and the precious sacellum of St. Agatha.
The concept of scenography is found in these works. In fact, the retablo, a structure placed behind the altar, often focuses on events of the Passion of Christ, and served as a backdrop for the Holy Communion.

reliquiario di sant'Agata
foto alla cappella nel suo insieme
In the lower section some angels are depicted carrying the instruments of the crucifixion; in the centre we find the glorification of St. Agatha, or the same scene offered by Corradini in the fresco in the apsidal vault ; and on the sides there are St. Peter and St. Paul, while the four evangelists are placed in the upper section. The golden portal guards a veritable treasure .
The sacellum is the place where the remains of the Catanese saint are still kept today, in a reliquary bust and various anthropomorphic reliquaries kept in the Casket.

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The senses tell the Cathedral of Sant’Agata

A compromise between Neoclassicism and Baroque

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Palazzo Trigona di Canicarao

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The senses tell the story of the Sanctuary Church of Santa Maria della Stella

One city, three sites

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The Staircase of Angels

Majestic exteriors, grandiose interiors

Fountain of the Nymph Zizza: public water in the town

A heritage of votive works

A story of rebirth

Scicli, the city of Baroque scenery

A Nobel Prize in Modica

Baroque and the loss of balance in the 16th century

Scenography and devotion for St. Agatha

From the end of the world to rebirth from the rubble

Rebirth and urban planning of the city of Noto

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Luminous sacred spaces

The Benedictines’ library

The Franciscan convent

The church and the college

Madonna of the Militia: a singular warrior virgin

The Madonna dei Conadomini and the art of devotion

The smallest Greek theatre in the world

The expansion of space and changing reality

Reconstruction after the earthquake

The casket of austerity under the great dome

The city within the city

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The articulated interior spaces

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Palazzo Zacco, a balance between sobriety and decoration

The illusion of light and the decorative splendour

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Altars, saints and sculptural works

The two churches

Militello: The story of an enlightened fiefdom

Piazza Duomo, the elephant fountain, the heart of the city

The interiors: diffused light and Byzantine relics

The palace, the town, the church

The city of Modica, a balance between nature and urbanism

The Church of St. Paul

Scenography, lights and colours of the cathedral

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Baroque creativity: recurring themes

The Church of St. Benedict

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The dynamics of the Church of San Michele

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A unifying project for the city of Catania

Art in the cathedral

Garden of Novices and the restorations by Giancarlo De Carlo

The Church of St. Julian on Via dei Crociferi

The works in the church

The interior of the church: space and colour

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A stone garden

City and nature

The senses tell of the Cathedral of San Pietro

The senses tell the story of the Church of San Giovanni Evangelista

The new roads of the city

Religious architecture

Expansion, spatiality and light in the church of San Domenico

Virtuosity, decorations and altars

The beginning of an authentic Baroque conception

The Church of Madonna della Stella

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Duomo di San Giorgio (Cathedral of St. George)

The Monte delle Prestanze in the new city layout

The Infiorata of Noto, a modern tradition

Palazzo Trigona: a building with a complex shape

Views denied, views conquered: the power of the devout Benedictines

The eagle-shaped city

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The triumph of Baroque: expansion of spaces

San Domenico and Gagliardi’s work

Unusual iconographies: the Burgos crucifix

A new site for the church of San Giorgio

The interior and works of art

The city palace

St. Agatha and the candelore

The neo-Gothic seminary chapel: symbols, light and space

The art of maiolica

Palazzo della Cancelleria: from former stable to the Nicastro family

Verticality and dynamism of the façade of the Church of San Carlo

Akrai and Syracuse: an unbreakable bond

The Antonino Uccello Birthplace Museum

The Church of St. Mary of the Mountain

The senses tell about Palazzo Ducezio

The church and the monastery

The senses tell the story of the Church of San Giuliano ai Crociferi

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

A casket of precious works

The senses tell the Church of San Michele

The Palazzo dei due mori

The Monastery of the Benedictine nuns

The Church of St. Francis

The senses tell the Church of San Domenico

Expanded spaces, stucco and colourful lights

The senses tell the story of the Church of the Badia di Sant’Agata