Catania

Scenography and devotion for St. Agatha

The minor apse mof the right aisle is home to the highest concentration of votive artwork dedicated to St. Agatha .
The apse walls are completely frescoed and the floor is richly decorated. The wall decorations, gilding and all the decorative elements give the room a sense of triumphant theatricality.
dattaglio retablo della gloria di sant'Agata
Here we find the Retablo della Gloria di Sant’Agata (Retablo of the Glory of St. Agatha), the monument to Ferdinando d’Acuňa and the precious sacellum of St. Agatha.
The concept of scenography is found in these works. In fact, the retablo, a structure placed behind the altar, often focuses on events of the Passion of Christ, and served as a backdrop for the Holy Communion.

reliquiario di sant'Agata
foto alla cappella nel suo insieme
In the lower section some angels are depicted carrying the instruments of the crucifixion; in the centre we find the glorification of St. Agatha, or the same scene offered by Corradini in the fresco in the apsidal vault ; and on the sides there are St. Peter and St. Paul, while the four evangelists are placed in the upper section. The golden portal guards a veritable treasure .
The sacellum is the place where the remains of the Catanese saint are still kept today, in a reliquary bust and various anthropomorphic reliquaries kept in the Casket.

Religious architecture

The interior and works of art

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Rebirth and urban planning of the city of Noto

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The city of Modica, a balance between nature and urbanism

Virtuosity, decorations and altars

One city, three sites

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Majestic exteriors, grandiose interiors

The works in the church

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The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

A heritage of votive works

A story of rebirth

The illusion of light and the decorative splendour

The church and the monastery

The smallest Greek theatre in the world

The Badia di Sant’Agata (St. Agatha’s Abbey)

Scenography, lights and colours of the cathedral

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The Monastery of the Benedictine nuns

Palazzo Zacco, a balance between sobriety and decoration

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The Franciscan convent

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The Benedictines’ library

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Fountain of the Nymph Zizza: public water in the town

The Staircase of Angels

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The Infiorata of Noto, a modern tradition

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Garden of Novices and the restorations by Giancarlo De Carlo

The Palazzo dei due mori

Art in the cathedral

The Monte delle Prestanze in the new city layout

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San Domenico and Gagliardi’s work

Scicli, the city of Baroque scenery

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Madonna of the Militia: a singular warrior virgin

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Views denied, views conquered: the power of the devout Benedictines

City and nature

St. Agatha and the candelore

The dynamics of the Church of San Michele

The casket of austerity under the great dome

The articulated interior spaces

The beginning of an authentic Baroque conception

The interior of the church: space and colour

The city palace

A compromise between Neoclassicism and Baroque

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A casket of precious works

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The eagle-shaped city

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Reconstruction after the earthquake

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Scenography and devotion for St. Agatha

Expanded spaces, stucco and colourful lights

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Baroque and the loss of balance in the 16th century

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A Nobel Prize in Modica

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