Noto

The articulated interior spaces

The palace is accessed through the large monumental portal, large enough for carriages to pass through. The portal leads into the inner garden, or up two staircases you can reach the first floor.
The internal elevation on the south courtyard is reminiscent of the main one but is more articulated.
It has two levels marked by windows and two large round arcades in the centre.
On the piano nobile (main floor), the first floor, the reception rooms are distributed one after the other along the corridor in an “enfilade”, and all overlook the internal garden lit with natural light thanks to the large windows dotted on the internal elevation.
Foto dal giardino interno frontale
foto sala e volte a padiglioneIn the rooms there are frescoed and richly decorated cloister vaults, the walls are covered with fabric wallpaper and the windows concealed by precious curtains.
The floors are typically tiled and decorated with geometric and curvilinear motifs.
It was also customary for the Baron’s bedroom to be adjacent to the reception rooms.
On the mezzanine floor, the one at a smaller height than the others, there were the children’s and staff rooms with their respective service rooms.
The other mezzanine floor located in the north-east corner, which now houses the municipal library and other spaces owned by the Municipality of Noto, was intended for the extended family.
Lastly, the attics housed the servants’ apartments, pantries and kitchens.

 

The interior and works of art

Scenography, lights and colours of the cathedral

Piazza Duomo, the elephant fountain, the heart of the city

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Palazzo Zacco, a balance between sobriety and decoration

St. Agatha and the candelore

The senses tell of the Cathedral of San Pietro

A casket of precious works

Virtuosity, decorations and altars

The illusion of light and the decorative splendour

The Infiorata of Noto, a modern tradition

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the story of the Church of San Paolo

The senses tell the story of the Church of the Badia di Sant’Agata

Expanded spaces, stucco and colourful lights

City and nature

Akrai and Syracuse: an unbreakable bond

A Nobel Prize in Modica

The Church of St. Julian on Via dei Crociferi

Views denied, views conquered: the power of the devout Benedictines

Palazzo Trigona: a building with a complex shape

Verticality and dynamism of the façade of the Church of San Carlo

Altars, saints and sculptural works

Art in the cathedral

Unusual iconographies: the Burgos crucifix

Religious architecture

The dynamics of the Church of San Michele

Scenography and devotion for St. Agatha

Luminous sacred spaces

The casket of austerity under the great dome

The senses tell about Palazzo Ducezio

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Church of St. Paul

The city within the city

The Antonino Uccello Birthplace Museum

Scicli, the city of Baroque scenery

The church and the college

The eagle-shaped city

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Palazzo Trigona di Canicarao

The smallest Greek theatre in the world

The senses tell the story of the Church of San Giuliano ai Crociferi

The Monastery of the Benedictine nuns

The expansion of space and changing reality

The beginning of an authentic Baroque conception

The Duomo di San Giorgio (Cathedral of St. George)

Fountain of the Nymph Zizza: public water in the town

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The senses tell the Church of San Domenico

San Domenico and Gagliardi’s work

The Badia di Sant’Agata (St. Agatha’s Abbey)

Reconstruction after the earthquake

The two churches

The senses tell the story of the Church of San Benedetto

The Church of St. Benedict

The Church of St. John the Evangelist

The Church of St. Mary of the Mountain

A new site for the church of San Giorgio

The senses tell about Palazzo Beneventano

The city of Modica, a balance between nature and urbanism

The church and the monastery

Majestic exteriors, grandiose interiors

From the end of the world to rebirth from the rubble

The senses tell about Palazzo Zacco

The senses tell the story of the Church of San Giovanni Evangelista

The new roads of the city

The art of maiolica

The Monte delle Prestanze in the new city layout

The senses tell of Palazzo della Cancelleria

Baroque and the loss of balance in the 16th century

Palazzo della Cancelleria: from former stable to the Nicastro family

The palace, the town, the church

The Church of Madonna della Stella

A story of rebirth

The Church of St. Francis

The interiors: diffused light and Byzantine relics

The senses tell the story of the Church of Santa Maria del Monte

The senses tell the story of the Church of San Carlo and the former Jesuit college

The triumph of Baroque: expansion of spaces

Expansion, spatiality and light in the church of San Domenico

A stone garden

Baroque creativity: recurring themes

The senses tell the Church of San Michele

The Franciscan convent

The senses tell the Cathedral of Sant’Agata

A heritage of votive works

The articulated interior spaces

The senses tell the Cathedral of San Giorgio

The neo-Gothic seminary chapel: symbols, light and space

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Madonna dei Conadomini and the art of devotion

The Benedictines’ library

Rebirth and urban planning of the city of Noto

Madonna of the Militia: a singular warrior virgin

A unifying project for the city of Catania

The works in the church

A compromise between Neoclassicism and Baroque

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Trigona

The Palazzo dei due mori

The senses tell the Cathedral of San Giorgio

The Staircase of Angels

Militello: The story of an enlightened fiefdom

The interior of the church: space and colour

The city palace

One city, three sites