Scicli

The Baroque town by the sea

Scicli is one of the towns of the ancient County of Modica and is divided into three areas of interest, as described by the great Syracusan writer Elio Vittorini .
The town’s historical centre, included on the World Heritage List in 2002, is situated on the San Matteo hill and characterised by narrow, irregular streets that trace the medieval urban fabric.
The outermost areas near the “quarries” of San Bartolomeo and Santa Maria la Nova are also inhabited.
These important sites prove the presence of settlements since the Copper Age. The new township, a result of the earthquake of 1693, then extends along the Hyblaean plateau towards the sea.
In the mid-17th century Scicli had 11000 inhabitants and around forty churches, but the earthquake destroyed everything.
The most important church, San Matteo (St. Matthew), collapsed and many monasteries and convents suffered the same tragic fate.
Only a few buildings remained standing. What could be done? It was time to act. In this case they chose not to abandon Scicli, but to rebuild it. The town was extended around the oldest area. New civic and religious buildings were built such as the Palazzo Beneventano and the church of San Giovanni Evangelista (St. John the Evangelist).
White limestone was used for the new buildings. A typical material of the area, it was easy to work and sculpt, and bestowed the landscape with a bright and brilliant appearance.
foto della città

The Barresi-Branciforte lords

The wall comes to life

Connections with other UNESCO sites

The internal colours

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giovanni Battista

Places of knowledge: the Benedictines’ library

Prominent façade

The senses tell the story of the Church of San Giovanni Evangelista

A square as the heart of the city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

The Maiolica of the staircase

The Benedictine Monastery, one of the largest in Europe

Limestone, the colour of harmony

From the contrast of the exterior to the internal jubilation of colours

A city in colour

One city, two sites

Wonderful quick decorations

A triumph of colour

One city, three sites

San Benedetto: a treasure reopened to the public

A new site for a new city

From International Gothic to present day

The senses tell the story of the Church of the Annunciation

Feasting in Palazzolo

From St. Thomas to St. Joseph

A colourful floor

A new palace for the La Rocca lords

The chocolate of Modica

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of Santa Chiara

A new entrance for Santa Chiara (St. Claire)

Two illustrious patron saints

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of Santa Maria del Carmelo

The church of Carmine

Fontana della Ninfa Zizza, public water in the town

Baroque and the loss of equilibrium in the 16th century

New roads for Catania

A Nobel Prize in Modica

Some masterpieces

Discovering the mother church

The Feast of San Giacomo (St. James)

The senses tell the story of the Badia di Sant’Agata

The theatre of taste

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A symbol for the town

The city of museums

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo La Rocca

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the staircase of Santa Maria del Monte

The interior and its masterpieces

Modica, a city with ancient origins

Searching for colour

The Infiorata, a feast of colours and flowers

The disastrous earthquake

The façade used as a puppet theatre

The senses tell the story of the Church of San Giuliano ai Crociferi

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Some prestigious works

Many owners, one palace

The character of Badia Sant’Agata

St. Sebastian, so much work!

The kitchen, a treasure chest of colours

A small room with a golden entrance

A new site for a new church

A design by Vincenzo Sinatra

The Baroque town by the sea

The Burgos crucifix

A hall for the feasts

A feast only for Scicli

A prominent church

Feast days

The two churches

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A majestic and luminous church

A half-Baroque church

A long reconstruction

The role of the religious orders in rebuilding the Val di Noto

A miniature city

Militello, the story of an enlightened fiefdom

Norman apses

Corbels: a celebration of the Nicolaci family

San Nicolò l’Arena: an unfinished church

A talking palace

The cathedral of Sant’Agata: a lengthy reconstruction

An eagle-shaped city

The senses tell the story of the church of San Giuseppe

The senses tell about Palazzo Nicolaci

The colours of the cathedral

The Staircase of Angels

Rosario Gagliardi, the maestro of the Val di Noto

Between white and black

A museum to save a tradition