Catania

The Benedictine Monastery, one of the largest in Europe

Located on the hill of Montevergine is one of the city’s largest complexes and the second largest monastic complex in Europe.
Benedictine monastery of Catania has a very long history marked by the passage of time (one testimony includes the remains of a Roman domus, or house), civilisations and natural disasters which have made it one of the most resistant and richest cultural sites on the entire island.
Founded by the monks of Cassino in the 16th century, when the west cloister was constructed, with the large Carrara marble fountain completed in 1608, most of the rooms were used for monastery life: the kitchens, the basement cellars, the monks’ cells over two floors, the refectory and the parlour. foto d'insiemeDuring the eruption of 1669 the monastery was hit by magma that surrounded the building: it burst through the walls and reached the first-storey windows.
Traces of the exceptional lava flow are still visible along the retaining walls, which were built specially to divert it. In 1693 the monastery was hit by the great earthquake and suffered serious damage.
The new design involved the construction of four large courtyards that would make it the largest in the world, but only two were completed: the cloister with the fountain and one in the east where the caffeaos (coffee house) was placed.

foto caffeaos foto Coffeaos da dentro la struttura
The structure was reminiscent of a gazebo, made with white stone featuring an interesting decoration in colourful maiolica with an abstract design.

A small room with a golden entrance

The wall comes to life

A symbol for the town

Connections with other UNESCO sites

The senses tell the story of the Church of San Sebastiano

One city, three sites

From International Gothic to present day

Modica, a city with ancient origins

A new palace for the La Rocca lords

A hall for the feasts

Some prestigious works

A long reconstruction

San Benedetto: a treasure reopened to the public

The senses tell the story of the Badia di Sant’Agata

The Feast of San Giacomo (St. James)

A square as the heart of the city

The Barresi-Branciforte lords

A new site for a new city

Wonderful quick decorations

A colourful floor

The Maiolica of the staircase

The disastrous earthquake

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Giovanni Evangelista

St. Sebastian, so much work!

A museum to save a tradition

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

The colours of the cathedral

A new entrance for Santa Chiara (St. Claire)

The chocolate of Modica

New roads for Catania

A half-Baroque church

The role of the religious orders in rebuilding the Val di Noto

A talking palace

The internal colours

Searching for colour

An eagle-shaped city

The senses tell the story of the Church of the Annunciation

A triumph of colour

Feast days

The senses tell about Palazzo Napolino Tommasi Rosso

A feast only for Scicli

The kitchen, a treasure chest of colours

Palazzo Nicolaci di Villadorata, who is the architect?

A city in colour

The senses tell the story of the staircase of Santa Maria del Monte

The Baroque town by the sea

The city of museums

The Staircase of Angels

Prominent façade

The cathedral of Sant’Agata: a lengthy reconstruction

Two illustrious patron saints

Militello, the story of an enlightened fiefdom

Feasting in Palazzolo

The theatre of taste

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Benedictine Monastery, one of the largest in Europe

The façade used as a puppet theatre

The senses tell the story of the church of Santa Maria del Carmelo

One city, two sites

The character of Badia Sant’Agata

The senses tell the story of the church of San Giovanni Battista

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A prominent church

The interior and its masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

Rosario Gagliardi, the maestro of the Val di Noto

St. Agatha and the giant candelabras

The two churches

San Nicolò l’Arena: an unfinished church

A new site for a new church

A design by Vincenzo Sinatra

Norman apses

Between white and black

Corbels: a celebration of the Nicolaci family

The church of Carmine

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of Santa Chiara

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Infiorata, a feast of colours and flowers

Places of knowledge: the Benedictines’ library

Many owners, one palace

The Burgos crucifix

A majestic and luminous church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Some masterpieces

The senses tell about Palazzo Nicolaci

A Nobel Prize in Modica

From the contrast of the exterior to the internal jubilation of colours

The senses tell about Palazzo La Rocca

Discovering the mother church

A miniature city

Limestone, the colour of harmony

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Benedetto