Catania

The cathedral of Sant’Agata: a lengthy reconstruction

The Cathedral of Sant’Agata (St. Agatha) is undoubtedly one of the most important buildings in Piazza Duomo. The foundation of the first cathedral dates back to Roger I, a Norman king around the late 11th century.
From that moment onwards, the church underwent numerous modifications at the hands of the various sovereigns who ascended to the throne. But it was the catastrophe in 1693 that destroyed the old building and forced the bishop to order a new church to be built.
The work phases were long and various architects took part in the project. The first was Girolamo Palazzotto, called upon by the bishop of the city, Ignazio Riggio; in 1709 he started the works and chose to reuse structures that had remained standing, such as the three Norman apses .
In 1729, Palermo-born Pietro Galletti was appointed bishop. He decided to entrust the supervision of the work to architect Giovan Battista Vaccarini who was responsible for completing the remaining sections, including the main façade and the external side wall on Via Vittorio Emanuele.


His design for the façade was so highly criticised that he went to Rome to the Accademia di San Luca (Academy of St. Luke) to ask for approval, as did Charles of Bourbon, who asked his architects to verify the proposal.
Once Vaccarini’s design was accepted, he was able to build the façade, the lateral structure and the internal altars that had remained unfinished. The works were finally completed by Antonino Battaglia, who built the dome. In the 19th century the bell tower was built.
zoom cupola  foto del campanile

Wonderful quick decorations

The façade used as a puppet theatre

The wall comes to life

From the contrast of the exterior to the internal jubilation of colours

St. Agatha and the giant candelabras

A hall for the feasts

A majestic and luminous church

The senses tell the story of the Church of San Sebastiano

A long reconstruction

A feast only for Scicli

The cathedral of Sant’Agata: a lengthy reconstruction

From International Gothic to present day

The senses tell about Palazzo Napolino Tommasi Rosso

The internal colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Feast days

Rosario Gagliardi, the maestro of the Val di Noto

New roads for Catania

Garden of Novices and the restorations by Giancarlo De Carlo

A museum to save a tradition

Norman apses

The Supernatural dimension of the chapel of the Santissimo Sacramento

The two churches

Some prestigious works

San Benedetto: a treasure reopened to the public

San Nicolò l’Arena: an unfinished church

Baroque and the loss of equilibrium in the 16th century

The Benedictine Monastery, one of the largest in Europe

The Infiorata, a feast of colours and flowers

A talking palace

One city, two sites

A design by Vincenzo Sinatra

A triumph of colour

The senses tell the Cathedral of Sant’Agata

A Nobel Prize in Modica

A new palace for the La Rocca lords

The theatre of taste

The senses tell the story of the Church of San Giuliano ai Crociferi

The Baroque town by the sea

The city of museums

A symbol for the town

A prominent church

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of San Giovanni Battista

From St. Thomas to St. Joseph

St. Sebastian, so much work!

The senses tell the story of the Badia di Sant’Agata

A city in colour

Places of knowledge: the Benedictines’ library

The character of Badia Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The kitchen, a treasure chest of colours

Limestone, the colour of harmony

The senses tell the story of the church of Santa Maria del Carmelo

Some masterpieces

Fontana della Ninfa Zizza, public water in the town

Modica, a city with ancient origins

Discovering the mother church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Maiolica of the staircase

The senses tell the story of the church of San Giuseppe

Prominent façade

The interior and its masterpieces

A miniature city

A new site for a new church

A half-Baroque church

Palazzo Nicolaci di Villadorata, who is the architect?

The colours of the cathedral

The Staircase of Angels

Militello, the story of an enlightened fiefdom

A new site for a new city

The Barresi-Branciforte lords

Two illustrious patron saints

A new entrance for Santa Chiara (St. Claire)

An eagle-shaped city

The Burgos crucifix

The senses tell the story of the Church of Santa Chiara

Many owners, one palace

A square as the heart of the city

The church of Carmine

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of the Annunciation

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A small room with a golden entrance

The senses tell about Palazzo Nicolaci

Connections with other UNESCO sites

Searching for colour

The senses tell the story of the staircase of Santa Maria del Monte

The disastrous earthquake

The senses tell the story of the Church of San Giovanni Evangelista

The role of the religious orders in rebuilding the Val di Noto

The senses tell about Palazzo La Rocca

A colourful floor

The Feast of San Giacomo (St. James)

Between white and black

One city, three sites

The senses tell the story of the Church of Santa Chiara

The chocolate of Modica

Feasting in Palazzolo