Modica

The chocolate of Modica

A visit to Modica means a visit to its churches, walks along Via Umberto and tasting chocolate . Cioccolato di ModicaCocoa has very ancient and not very Sicilian origins. The first people to work the seeds were the Aztecs in distant Central America. It was later in the 16th century that the Spaniards brought the tasty seeds to the County of Modica . What makes Modica’s chocolate unique is its special cold processing, which gives it a grainy and irregular appearance. The first flavours to be added were vanilla and cinnamon, and over the centuries new ones were experimented with. Over the years the techniques were changed and refined, but the master chocolatiers of Modica did not want to modify the original recipe or process in any way.
This means that we can still taste the ancient flavours of an ancient tradition today. In 2003 the city’s twenty producers formed the Modica Chocolate Consortium in the aim of protecting and defining the processing and production techniques.

A feast only for Scicli

The city of museums

From International Gothic to present day

A small room with a golden entrance

The Burgos crucifix

An eagle-shaped city

The senses tell about Palazzo La Rocca

The Baroque town by the sea

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of San Giovanni Battista

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Fontana della Ninfa Zizza, public water in the town

A talking palace

The Benedictine Monastery, one of the largest in Europe

The disastrous earthquake

St. Sebastian, so much work!

Modica, a city with ancient origins

A Nobel Prize in Modica

Between white and black

The senses tell the story of the Church of the Annunciation

The Staircase of Angels

New roads for Catania

The senses tell about Palazzo Nicolaci

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The role of the religious orders in rebuilding the Val di Noto

The Infiorata, a feast of colours and flowers

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The interior and its masterpieces

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of Santa Chiara

A new entrance for Santa Chiara (St. Claire)

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, three sites

Discovering the mother church

Some masterpieces

A city in colour

Rosario Gagliardi, the maestro of the Val di Noto

The chocolate of Modica

Prominent façade

The church of Carmine

The senses tell the story of the church of Santa Maria del Carmelo

Limestone, the colour of harmony

Connections with other UNESCO sites

A hall for the feasts

The cathedral of Sant’Agata: a lengthy reconstruction

Garden of Novices and the restorations by Giancarlo De Carlo

Some prestigious works

Searching for colour

A new palace for the La Rocca lords

The senses tell the story of the Church of San Giovanni Evangelista

The Feast of San Giacomo (St. James)

Militello, the story of an enlightened fiefdom

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Sebastiano

The character of Badia Sant’Agata

The two churches

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Cathedral of Sant’Agata

San Nicolò l’Arena: an unfinished church

A symbol for the town

Wonderful quick decorations

Feast days

A triumph of colour

Baroque and the loss of equilibrium in the 16th century

A colourful floor

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Giuliano ai Crociferi

A prominent church

The senses tell the story of the Badia di Sant’Agata

The colours of the cathedral

One city, two sites

A design by Vincenzo Sinatra

The façade used as a puppet theatre

Feasting in Palazzolo

Many owners, one palace

The kitchen, a treasure chest of colours

The senses tell about Palazzo Napolino Tommasi Rosso

A new site for a new church

A museum to save a tradition

St. Agatha and the giant candelabras

Two illustrious patron saints

The wall comes to life

From St. Thomas to St. Joseph

Norman apses

A long reconstruction

A majestic and luminous church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Maiolica of the staircase

The theatre of taste

The internal colours

A miniature city

Corbels: a celebration of the Nicolaci family

A new site for a new city

A square as the heart of the city

The Barresi-Branciforte lords