Caltagirone

The Church of St. Francis

Across the bridge of San Francesco, on the square of the same name, stands the majestic church of San Francesco D’Assisi all’Immacolata. The original building was built in 1236 by Beato Riccardo, one of the most devout followers of St. Francis, then enlarged a few centuries later under the supervision of Father Gerardo Arcolaci.
The church was destroyed by the earthquake of 1693, after which it was rebuilt in 1724 in Baroque style, and is preceded by a winding staircase. Some Gothic-style remains of the original structure, characterised by the finish of the local sandstone used in that period, are located in the rooms adjacent to the sacristy and the portal in the cloister.
In 1727, the works were revised by the architects Tommaso Amato and Francesco Battaglia , who changed the majestic Baroque stone façade, taking inspiration from examples from Palermo , making it one of the most interesting façades in Caltagirone.
chiesa san francesco facciata
Divided into two levels and marked by staggered columns that accentuate the contrasts of light and shadow, it had four niches with Franciscan saints placed in the lateral sections.
These were replaced with four Marian symbols distributed on “ large boards “, as if to frame the central niche with the statue of the Immaculate Conception. In 1807, a small apse with a small dome was built on the right side of the façade.
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The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Church of Madonna della Stella

The senses tell about Palazzo Beneventano

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Expansion, spatiality and light in the church of San Domenico

The Monte delle Prestanze in the new city layout

Garden of Novices and the restorations by Giancarlo De Carlo

Scicli, the city of Baroque scenery

The Church of St. Paul

Fountain of the Nymph Zizza: public water in the town

The new roads of the city

The interiors: diffused light and Byzantine relics

A stone garden

A story of rebirth

The Benedictines’ library

Madonna of the Militia: a singular warrior virgin

The interior of the church: space and colour

The church and the monastery

The triumph of Baroque: expansion of spaces

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St. Agatha and the candelore

A heritage of votive works

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Unusual iconographies: the Burgos crucifix

Verticality and dynamism of the façade of the Church of San Carlo

The Palazzo dei due mori

Palazzo Trigona: a building with a complex shape

The expansion of space and changing reality

Art in the cathedral

A casket of precious works

The Infiorata of Noto, a modern tradition

The church and the college

The interior and works of art

The casket of austerity under the great dome

The Church of St. Francis

The senses tell the Cathedral of Sant’Agata

Baroque creativity: recurring themes

The Madonna dei Conadomini and the art of devotion

Virtuosity, decorations and altars

The smallest Greek theatre in the world

Reconstruction after the earthquake

The Church of St. Benedict

Palazzo della Cancelleria: from former stable to the Nicastro family

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Monastery of the Benedictine nuns

A Nobel Prize in Modica

The senses tell the Cathedral of San Giorgio

Scenography, lights and colours of the cathedral

The senses tell the story of the Church of San Benedetto

The two churches

Rebirth and urban planning of the city of Noto

The articulated interior spaces

Views denied, views conquered: the power of the devout Benedictines

The senses tell the Church of San Domenico

The Badia di Sant’Agata (St. Agatha’s Abbey)

Religious architecture

Palazzo Zacco, a balance between sobriety and decoration

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

A unifying project for the city of Catania

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The Church of St. John the Evangelist

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Palazzo Trigona di Canicarao

The senses tell the story of the Church of San Paolo

The Church of St. Mary of the Mountain

Baroque and the loss of balance in the 16th century

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Duomo di San Giorgio (Cathedral of St. George)

The city of Modica, a balance between nature and urbanism

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell about Palazzo Zacco

The senses tell the Cathedral of San Giorgio

The illusion of light and the decorative splendour

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Luminous sacred spaces

The works in the church

The senses tell the Church of San Michele

From the end of the world to rebirth from the rubble

The Antonino Uccello Birthplace Museum

Expanded spaces, stucco and colourful lights

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The Staircase of Angels

The dynamics of the Church of San Michele

The senses tell about Palazzo Trigona

A new site for the church of San Giorgio

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The church of San Nicolò l’Arena: the majesty of an unfinished beauty

A compromise between Neoclassicism and Baroque

The city palace

Militello: The story of an enlightened fiefdom

The city within the city

The senses tell of Palazzo della Cancelleria

Altars, saints and sculptural works

The beginning of an authentic Baroque conception

San Domenico and Gagliardi’s work

The neo-Gothic seminary chapel: symbols, light and space

The Church of St. Julian on Via dei Crociferi

The senses tell of the Cathedral of San Pietro

The senses tell the story of the Church of San Giuliano ai Crociferi

City and nature

The art of maiolica

The Franciscan convent