Caltagirone

The Church of St. Mary of the Mountain

The church stands with its austere size on the hill in the historic centre of Caltagirone.
To reach it from below you need to take the 142 maiolica steps of the monumental staircase of the same name, built in 1606 to unite the Church with the Town Hall.
The view from below of the long and majestic staircase, where there are small side openings similar to theatre flats, reveals the church elevation, which can be seen from the final steps, opening onto the square. The building’s foundation dates back to the 12th century and like most ecclesiastical buildings in the Val di Noto, it suffered from damage caused by the earthquake of 1693.
The long reconstruction was distinguished by some projects.
In 1739 the church was already well under way but, a few years after its completion, the bell tower collapsed, damaging other parts of the building.
chiesa santa Maria del Monte facciata frontalezoom sul portaleThis was when the architect Francesco Battaglia from Catania intervened and designed the new project.
The façade, entirely made of carved stone, is austere and sober, divided into two superimposed levels, with no dynamic ornaments apart from the two volutes and curved top that soften its severe lines.
In the more articulated central part, there is a portal with a large Venetian window above, with two small free-standing columns and the two side entrances framed by an elegant curved design and embellished by an oval opening.

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Scenography and devotion for St. Agatha

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The two churches

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Palazzo Zacco, a balance between sobriety and decoration

The Monastery of the Benedictine nuns

The senses tell the Church of San Michele

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Benedictines’ library

The interior of the church: space and colour

The Staircase of Angels

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The dynamics of the Church of San Michele

Baroque creativity: recurring themes

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

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City and nature

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Luminous sacred spaces

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A compromise between Neoclassicism and Baroque

The senses tell the story of the Church of San Giuliano ai Crociferi

The beginning of an authentic Baroque conception

Baroque and the loss of balance in the 16th century

St. Agatha and the candelore

A stone garden

The Church of St. John the Evangelist

The Church of St. Mary of the Mountain

The interior and works of art

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The Church of St. Francis

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The Madonna dei Conadomini and the art of devotion

Palazzo della Cancelleria: from former stable to the Nicastro family

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The neo-Gothic seminary chapel: symbols, light and space

The senses tell the story of the Church of the Badia di Sant’Agata

The Antonino Uccello Birthplace Museum

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Virtuosity, decorations and altars

The works in the church

Majestic exteriors, grandiose interiors

The illusion of light and the decorative splendour

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Unusual iconographies: the Burgos crucifix

Militello: The story of an enlightened fiefdom

The interiors: diffused light and Byzantine relics

The city within the city

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Garden of Novices and the restorations by Giancarlo De Carlo

Art in the cathedral

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The eagle-shaped city

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Altars, saints and sculptural works

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The city palace

The Franciscan convent

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The smallest Greek theatre in the world

The senses tell the story of the Church of Santa Maria del Monte

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The Palazzo dei due mori

Expanded spaces, stucco and colourful lights

San Domenico and Gagliardi’s work

The palace, the town, the church

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The senses tell the Cathedral of San Giorgio

Expansion, spatiality and light in the church of San Domenico

Religious architecture

The casket of austerity under the great dome

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The Church of St. Benedict

A heritage of votive works

The articulated interior spaces

The Badia di Sant’Agata (St. Agatha’s Abbey)

Reconstruction after the earthquake

Scenography, lights and colours of the cathedral

Rebirth and urban planning of the city of Noto

The Infiorata of Noto, a modern tradition

Palazzo Trigona: a building with a complex shape

A casket of precious works