Catania

The city within the city

The Benedictine monastery of Catania, with its long stratigraphic history, is also known as “the city within the city”.
Its large size and the events that have taken place within it over the centuries elevate it to the status of a small city, bordered by large walls, which has always interacted with the surrounding fabric in a relationship of cultural exchange. In the 1970s, it became the seat of the Faculty of Literature, Language and Philosophy of the University of Catania. What does the monastery look like today?
cortileToday it is accessed from the surrounding wall through a majestic portal that leads to the large courtyard surrounding the Abbey, passing the main staircase with its ninety-five steps in Carrara marble.
A remarkable work of architecture, a white scenic staircase punctuated by sinuous balustrades, with the surrounding walls totally frescoed and stuccoed, which, however, maintain an austere aura thanks to the elegant two-toned effect. This neoclassical vestibule leads to the corridors and the monks’ cells. The corridors also lead to the two cloisters.
The first cloister, in the east, is surrounded by a splendid portico in white Syracuse stone raised on a dark base and embellished in the centre by the Caffeaos .
The second cloister was rebuilt after the earthquake of 1693, and is characterised by a strong two-tone colour scheme: there are just over 50 white marble columns and arcades located on the lower floor, and large windows decorated with white frames emerge from the dark plaster wall. In the centre, the majestic marble quatrefoil fountain provides a focal point for the space.
scalone da pianerottolo volte piano superiore

The two churches

Reconstruction after the earthquake

The smallest Greek theatre in the world

The palace, the town, the church

The senses tell the story of the Church of San Benedetto

Scicli, the city of Baroque scenery

The Madonna dei Conadomini and the art of devotion

The illusion of light and the decorative splendour

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell about Palazzo Trigona

The church and the monastery

The church and the college

Scenography and devotion for St. Agatha

The senses tell the story of the Church of San Paolo

The interiors: diffused light and Byzantine relics

A new site for the church of San Giorgio

A heritage of votive works

The senses tell the story of the Church of the Badia di Sant’Agata

Altars, saints and sculptural works

Baroque creativity: recurring themes

A Nobel Prize in Modica

The senses tell the Church of San Michele

City and nature

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Church of San Domenico

The interior of the church: space and colour

A casket of precious works

The senses tell the Cathedral of San Giorgio

The senses tell about Palazzo Zacco

A stone garden

Unusual iconographies: the Burgos crucifix

The Staircase of Angels

The city of Modica, a balance between nature and urbanism

Verticality and dynamism of the façade of the Church of San Carlo

San Domenico and Gagliardi’s work

The Church of St. Paul

The senses tell the story of the Church of Santa Maria del Monte

The senses tell of the Cathedral of San Pietro

From the end of the world to rebirth from the rubble

The beginning of an authentic Baroque conception

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The interior and works of art

Religious architecture

The Palazzo dei due mori

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Church of St. Benedict

Expansion, spatiality and light in the church of San Domenico

Militello: The story of an enlightened fiefdom

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Piazza Duomo, the elephant fountain, the heart of the city

The Infiorata of Noto, a modern tradition

The Church of St. Francis

The senses tell the Cathedral of Sant’Agata

The dynamics of the Church of San Michele

Palazzo Trigona: a building with a complex shape

The senses tell the story of the Church of San Giuliano ai Crociferi

The casket of austerity under the great dome

The Antonino Uccello Birthplace Museum

The Benedictines’ library

Palazzo Zacco, a balance between sobriety and decoration

The eagle-shaped city

Madonna of the Militia: a singular warrior virgin

Palazzo della Cancelleria: from former stable to the Nicastro family

A unifying project for the city of Catania

Art in the cathedral

Baroque and the loss of balance in the 16th century

Akrai and Syracuse: an unbreakable bond

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Ducezio

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The city within the city

The new roads of the city

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Church of Madonna della Stella

The triumph of Baroque: expansion of spaces

The Church of St. Julian on Via dei Crociferi

The Duomo di San Giorgio (Cathedral of St. George)

The Franciscan convent

Rebirth and urban planning of the city of Noto

The Badia di Sant’Agata (St. Agatha’s Abbey)

The expansion of space and changing reality

The senses tell of Palazzo della Cancelleria

A compromise between Neoclassicism and Baroque

Virtuosity, decorations and altars

Fountain of the Nymph Zizza: public water in the town

The Monastery of the Benedictine nuns

One city, three sites

The Church of St. John the Evangelist

The Monte delle Prestanze in the new city layout

The senses tell the Cathedral of San Giorgio

The articulated interior spaces

Luminous sacred spaces

The art of maiolica

Views denied, views conquered: the power of the devout Benedictines

Palazzo Trigona di Canicarao

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Majestic exteriors, grandiose interiors

A story of rebirth

The city palace

The Church of St. Mary of the Mountain

Scenography, lights and colours of the cathedral

The neo-Gothic seminary chapel: symbols, light and space

Expanded spaces, stucco and colourful lights

St. Agatha and the candelore

The senses tell about Palazzo Beneventano

The works in the church