Caltagirone

The eagle-shaped city

The city of Caltagirone has very ancient origins; the first traces of settlements date back to the Neolithic age. Thanks to its strategic position on the fertile plain of the Hyblaean mountains, it became a destination for the Normans and the Greeks and Romans before them.
The city, which has always been very active, began its urban renewal even before the catastrophic earthquake of 1693. At the end of the 16th century the city was expanding.
The mother church and the castle were the focal point of the city, but with the construction of new districts it was necessary to build specific connecting roads.
In this way, roads were inserted to connect the area of San Giorgio with that of San Giacomo from east to west, and from north to south between the mother church and the southern quarter.
It was during this time that the extraordinary Scalinata di Santa Maria del Monte (Staircase of St. Mary of the Mountain) and the bridge of San Francesco were built, both highly coveted by the Franciscans. Seen from above, the town’s new configuration was shaped like an eagle: the head was the former castle, the wings the quarters of San Giacomo and San Giorgio, and the tail the quarter of San Francesco.
aerea con drone

The senses tell the story of the Church of San Giuliano ai Crociferi

Fountain of the Nymph Zizza: public water in the town

The triumph of Baroque: expansion of spaces

Verticality and dynamism of the façade of the Church of San Carlo

The dynamics of the Church of San Michele

A stone garden

Palazzo Trigona: a building with a complex shape

Majestic exteriors, grandiose interiors

The Church of St. Mary of the Mountain

The Duomo di San Giorgio (Cathedral of St. George)

Luminous sacred spaces

The senses tell about Palazzo Trigona

The city palace

The Infiorata of Noto, a modern tradition

One city, three sites

From the end of the world to rebirth from the rubble

The new roads of the city

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Church of San Benedetto

The Franciscan convent

The Benedictines’ library

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Madonna dei Conadomini and the art of devotion

Expanded spaces, stucco and colourful lights

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Monastery of the Benedictine nuns

The eagle-shaped city

The city within the city

The senses tell of Palazzo della Cancelleria

The interiors: diffused light and Byzantine relics

Palazzo Trigona di Canicarao

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The smallest Greek theatre in the world

Madonna of the Militia: a singular warrior virgin

Rebirth and urban planning of the city of Noto

The senses tell about Palazzo Ducezio

The senses tell the story of the Church of San Giovanni Evangelista

The Church of Madonna della Stella

The works in the church

The interior and works of art

The neo-Gothic seminary chapel: symbols, light and space

Akrai and Syracuse: an unbreakable bond

The beginning of an authentic Baroque conception

Altars, saints and sculptural works

The Staircase of Angels

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Antonino Uccello Birthplace Museum

Art in the cathedral

A Nobel Prize in Modica

The Church of St. Francis

Baroque and the loss of balance in the 16th century

A unifying project for the city of Catania

The Church of St. John the Evangelist

Reconstruction after the earthquake

The Church of St. Paul

The Church of St. Benedict

Expansion, spatiality and light in the church of San Domenico

Unusual iconographies: the Burgos crucifix

The Church of St. Julian on Via dei Crociferi

Scicli, the city of Baroque scenery

The two churches

Virtuosity, decorations and altars

San Domenico and Gagliardi’s work

Baroque creativity: recurring themes

The senses tell the Cathedral of Sant’Agata

A casket of precious works

The illusion of light and the decorative splendour

The senses tell about Palazzo Zacco

The city of Modica, a balance between nature and urbanism

St. Agatha and the candelore

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell the Cathedral of San Giorgio

The interior of the church: space and colour

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

A story of rebirth

Religious architecture

Piazza Duomo, the elephant fountain, the heart of the city

The art of maiolica

The senses tell the Church of San Michele

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The expansion of space and changing reality

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Scenography and devotion for St. Agatha

A new site for the church of San Giorgio

City and nature

The church and the monastery

The senses tell the story of the Church of San Paolo

The palace, the town, the church

A heritage of votive works

The Palazzo dei due mori

A compromise between Neoclassicism and Baroque

The Monte delle Prestanze in the new city layout

Garden of Novices and the restorations by Giancarlo De Carlo

The casket of austerity under the great dome

The senses tell the story of the Church of Santa Maria del Monte

The church and the college

Views denied, views conquered: the power of the devout Benedictines

Scenography, lights and colours of the cathedral

The senses tell the Church of San Domenico

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell of the Cathedral of San Pietro

The senses tell about Palazzo Beneventano

The articulated interior spaces

Militello: The story of an enlightened fiefdom