Introduction to Val di Noto

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by the conflicts between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
The strong scenographic impact and monumental dimension involved in all art forms from this period, interpreted the idea of centrality and greatness of spiritual power used to convince worshippers.

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell of Palazzo della Cancelleria

The senses tell about Palazzo Beneventano

Scicli, the city of Baroque scenery

Expanded spaces, stucco and colourful lights

A story of rebirth

The Church of St. Benedict

Religious architecture

Rebirth and urban planning of the city of Noto

Luminous sacred spaces

Militello: The story of an enlightened fiefdom

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The church and the college

The new roads of the city

Palazzo Trigona di Canicarao

The Franciscan convent

St. Agatha and the candelore

The interiors: diffused light and Byzantine relics

The neo-Gothic seminary chapel: symbols, light and space

Altars, saints and sculptural works

Palazzo Trigona: a building with a complex shape

The senses tell the story of the Church of San Benedetto

Palazzo della Cancelleria: from former stable to the Nicastro family

City and nature

The senses tell the story of the Church of the Badia di Sant’Agata

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Infiorata of Noto, a modern tradition

The illusion of light and the decorative splendour

A unifying project for the city of Catania

Baroque and the loss of balance in the 16th century

Virtuosity, decorations and altars

The church and the monastery

The senses tell the Church of San Michele

The Monte delle Prestanze in the new city layout

Expansion, spatiality and light in the church of San Domenico

The senses tell about Palazzo Ducezio

Majestic exteriors, grandiose interiors

Garden of Novices and the restorations by Giancarlo De Carlo

The Church of St. Julian on Via dei Crociferi

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Church of Madonna della Stella

The senses tell the Cathedral of San Giorgio

A heritage of votive works

Madonna of the Militia: a singular warrior virgin

The senses tell the Church of San Domenico

Fountain of the Nymph Zizza: public water in the town

The senses tell about Palazzo Trigona

The senses tell the story of the Church of Santa Maria del Monte

The senses tell the story of the Church of San Paolo

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Church of St. Paul

The Monastery of the Benedictine nuns

The Madonna dei Conadomini and the art of devotion

Baroque creativity: recurring themes

A stone garden

The Benedictines’ library

The Antonino Uccello Birthplace Museum

Art in the cathedral

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The palace, the town, the church

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Palazzo dei due mori

The senses tell the story of the Church of San Giovanni Evangelista

Scenography and devotion for St. Agatha

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the story of the Church of San Giuliano ai Crociferi

The beginning of an authentic Baroque conception

A new site for the church of San Giorgio

The Badia di Sant’Agata (St. Agatha’s Abbey)

The interior and works of art

Unusual iconographies: the Burgos crucifix

The Staircase of Angels

The smallest Greek theatre in the world

Reconstruction after the earthquake

The senses tell the story of the Church of San Carlo and the former Jesuit college

The city within the city

Palazzo Zacco, a balance between sobriety and decoration

The triumph of Baroque: expansion of spaces

The eagle-shaped city

The two churches

The Church of St. Francis

The articulated interior spaces

The Church of St. Mary of the Mountain

The casket of austerity under the great dome

The senses tell the Cathedral of San Giorgio

The city palace

A compromise between Neoclassicism and Baroque

The Church of St. John the Evangelist

The art of maiolica

San Domenico and Gagliardi’s work

The city of Modica, a balance between nature and urbanism

Scenography, lights and colours of the cathedral

The interior of the church: space and colour

Views denied, views conquered: the power of the devout Benedictines

The expansion of space and changing reality

The senses tell the Cathedral of Sant’Agata

A Nobel Prize in Modica

From the end of the world to rebirth from the rubble

One city, three sites

A casket of precious works

The dynamics of the Church of San Michele

The works in the church

The senses tell about Palazzo Zacco

The senses tell of the Cathedral of San Pietro

Akrai and Syracuse: an unbreakable bond