Introduction to Val di Noto

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by the conflicts between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
The strong scenographic impact and monumental dimension involved in all art forms from this period, interpreted the idea of centrality and greatness of spiritual power used to convince worshippers.

The works in the church

The illusion of light and the decorative splendour

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Palazzo Zacco, a balance between sobriety and decoration

Reconstruction after the earthquake

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Church of San Domenico

The interior and works of art

The Antonino Uccello Birthplace Museum

The Church of Madonna della Stella

Palazzo Trigona: a building with a complex shape

Militello: The story of an enlightened fiefdom

Altars, saints and sculptural works

The Church of St. Mary of the Mountain

The Benedictines’ library

The dynamics of the Church of San Michele

The interior of the church: space and colour

A unifying project for the city of Catania

The senses tell the story of the Church of San Paolo

The casket of austerity under the great dome

The senses tell the story of the Church of the Badia di Sant’Agata

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Baroque creativity: recurring themes

Akrai and Syracuse: an unbreakable bond

Piazza Duomo, the elephant fountain, the heart of the city

From the end of the world to rebirth from the rubble

Views denied, views conquered: the power of the devout Benedictines

Verticality and dynamism of the façade of the Church of San Carlo

The church and the monastery

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

A heritage of votive works

A Nobel Prize in Modica

The Badia di Sant’Agata (St. Agatha’s Abbey)

The triumph of Baroque: expansion of spaces

The senses tell the story of the Church of San Giovanni Evangelista

A stone garden

The palace, the town, the church

The new roads of the city

The senses tell the Cathedral of San Giorgio

The Church of St. Benedict

The senses tell the story of the Church of San Benedetto

The eagle-shaped city

Rebirth and urban planning of the city of Noto

The Church of St. Francis

A casket of precious works

Scenography, lights and colours of the cathedral

The Monastery of the Benedictine nuns

Art in the cathedral

The interiors: diffused light and Byzantine relics

The expansion of space and changing reality

St. Agatha and the candelore

The Staircase of Angels

Religious architecture

The city within the city

Madonna of the Militia: a singular warrior virgin

The senses tell about Palazzo Trigona

Luminous sacred spaces

Palazzo Trigona di Canicarao

The Franciscan convent

The senses tell the story of the Church of San Carlo and the former Jesuit college

Expanded spaces, stucco and colourful lights

Virtuosity, decorations and altars

The beginning of an authentic Baroque conception

The Infiorata of Noto, a modern tradition

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

A story of rebirth

The city of Modica, a balance between nature and urbanism

A compromise between Neoclassicism and Baroque

The Duomo di San Giorgio (Cathedral of St. George)

The art of maiolica

The senses tell the Church of San Michele

Scicli, the city of Baroque scenery

The Church of St. Julian on Via dei Crociferi

Majestic exteriors, grandiose interiors

The senses tell of the Cathedral of San Pietro

The Church of St. John the Evangelist

The senses tell the Cathedral of Sant’Agata

The Madonna dei Conadomini and the art of devotion

The senses tell about Palazzo Beneventano

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

A new site for the church of San Giorgio

Baroque and the loss of balance in the 16th century

The senses tell about Palazzo Zacco

Fountain of the Nymph Zizza: public water in the town

The church and the college

The senses tell the Cathedral of San Giorgio

Scenography and devotion for St. Agatha

The two churches

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell of Palazzo della Cancelleria

City and nature

The city palace

The neo-Gothic seminary chapel: symbols, light and space

The Palazzo dei due mori

The senses tell about Palazzo Ducezio

The senses tell the story of the Church of Santa Maria del Monte

The Church of St. Paul

Unusual iconographies: the Burgos crucifix

The Monte delle Prestanze in the new city layout

Expansion, spatiality and light in the church of San Domenico

The smallest Greek theatre in the world

Garden of Novices and the restorations by Giancarlo De Carlo

One city, three sites

San Domenico and Gagliardi’s work

Palazzo della Cancelleria: from former stable to the Nicastro family

The articulated interior spaces