Introduction to Val di Noto

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by the conflicts between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
The strong scenographic impact and monumental dimension involved in all art forms from this period, interpreted the idea of centrality and greatness of spiritual power used to convince worshippers.

Rebirth and urban planning of the city of Noto

The Church of St. Mary of the Mountain

The articulated interior spaces

The Madonna dei Conadomini and the art of devotion

The art of maiolica

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Virtuosity, decorations and altars

Verticality and dynamism of the façade of the Church of San Carlo

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The casket of austerity under the great dome

The senses tell the story of the Church of San Benedetto

City and nature

A new site for the church of San Giorgio

The city of Modica, a balance between nature and urbanism

The senses tell about Palazzo Ducezio

The city palace

The senses tell the story of the Church of the Badia di Sant’Agata

A Nobel Prize in Modica

The illusion of light and the decorative splendour

A story of rebirth

One city, three sites

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

A unifying project for the city of Catania

The city within the city

The neo-Gothic seminary chapel: symbols, light and space

Religious architecture

The Infiorata of Noto, a modern tradition

The church and the monastery

Piazza Duomo, the elephant fountain, the heart of the city

The smallest Greek theatre in the world

Reconstruction after the earthquake

The eagle-shaped city

Views denied, views conquered: the power of the devout Benedictines

Expanded spaces, stucco and colourful lights

The senses tell about Palazzo Zacco

Palazzo della Cancelleria: from former stable to the Nicastro family

The Duomo di San Giorgio (Cathedral of St. George)

The Benedictines’ library

The Church of St. Paul

The Church of Madonna della Stella

Militello: The story of an enlightened fiefdom

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The palace, the town, the church

Scicli, the city of Baroque scenery

Palazzo Trigona di Canicarao

The Palazzo dei due mori

The two churches

The Church of St. Julian on Via dei Crociferi

Palazzo Trigona: a building with a complex shape

The Church of St. Benedict

The Monastery of the Benedictine nuns

The Church of St. Francis

The senses tell the story of the Church of Santa Maria del Monte

The senses tell of the Cathedral of San Pietro

Garden of Novices and the restorations by Giancarlo De Carlo

Majestic exteriors, grandiose interiors

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Church of San Michele

The senses tell about Palazzo Trigona

A heritage of votive works

The works in the church

Scenography, lights and colours of the cathedral

The Franciscan convent

Luminous sacred spaces

The senses tell about Palazzo Beneventano

The Antonino Uccello Birthplace Museum

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The new roads of the city

The senses tell the Cathedral of San Giorgio

The senses tell of Palazzo della Cancelleria

St. Agatha and the candelore

A casket of precious works

From the end of the world to rebirth from the rubble

The Church of St. John the Evangelist

The Staircase of Angels

Expansion, spatiality and light in the church of San Domenico

The interior and works of art

The interiors: diffused light and Byzantine relics

Unusual iconographies: the Burgos crucifix

Fountain of the Nymph Zizza: public water in the town

Scenography and devotion for St. Agatha

Madonna of the Militia: a singular warrior virgin

Akrai and Syracuse: an unbreakable bond

The senses tell the story of the Church of San Carlo and the former Jesuit college

Altars, saints and sculptural works

The beginning of an authentic Baroque conception

The interior of the church: space and colour

The senses tell the Cathedral of Sant’Agata

The dynamics of the Church of San Michele

The senses tell the story of the Church of San Giovanni Evangelista

The triumph of Baroque: expansion of spaces

A compromise between Neoclassicism and Baroque

The church and the college

A stone garden

Palazzo Zacco, a balance between sobriety and decoration

The Monte delle Prestanze in the new city layout

Baroque and the loss of balance in the 16th century

Baroque creativity: recurring themes

The senses tell the Church of San Domenico

The senses tell the story of the Church of San Paolo

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

San Domenico and Gagliardi’s work

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell the Cathedral of San Giorgio

Art in the cathedral

The expansion of space and changing reality