Noto

The Infiorata of Noto, a modern tradition

The Infiorata, or Greeting to Spring, is a popular feast started in 1979. It takes place every year in Via Corrado Nicolaci, on the third Sunday of May.
The first Infiorata brought the masters of Genzano (a province in Rome) to Noto. They arranged flowers in geometric and imaginative patterns. With the passage of time, the experience has been handed down and has become a veritable local tradition.
Sixteen large pictures are created on Via Corrado Nicolaci using petals, and each year a different theme is decided by the local government to inspire the master infioratori. The artists present their sketches to the municipal government, which selects the best ones.
The decoration covers the entire street for over 120 metres and each artist has a picture measuring 6 metres wide by 4 metres long.
This way, they create a beautiful floral carpet, formed mostly of petals from daisies, carnations, gerberas, roses and wildflowers of various sizes and colours.
The theme changes year after year, but the Infiorata is always opened by the city’s coat of arms made by the Istituto d’Arte di Noto (Noto Art Institute).
In recent years the Infiorata has been accompanied by the “Corteo Barocco” (Baroque Parade) that evokes the splendour of the families that made the city of Noto great.

The illusion of light and the decorative splendour

The senses tell the Cathedral of Sant’Agata

The two churches

Fountain of the Nymph Zizza: public water in the town

The beginning of an authentic Baroque conception

The dynamics of the Church of San Michele

The art of maiolica

The city palace

The senses tell the story of the Church of San Paolo

The senses tell the Church of San Domenico

The senses tell the story of the Church of the Badia di Sant’Agata

The works in the church

Palazzo Zacco, a balance between sobriety and decoration

The Staircase of Angels

The church and the monastery

Garden of Novices and the restorations by Giancarlo De Carlo

Expansion, spatiality and light in the church of San Domenico

The senses tell about Palazzo Zacco

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The neo-Gothic seminary chapel: symbols, light and space

The palace, the town, the church

The senses tell the story of the Church of San Carlo and the former Jesuit college

Piazza Duomo, the elephant fountain, the heart of the city

The Madonna dei Conadomini and the art of devotion

Unusual iconographies: the Burgos crucifix

Militello: The story of an enlightened fiefdom

Rebirth and urban planning of the city of Noto

A heritage of votive works

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The interiors: diffused light and Byzantine relics

Majestic exteriors, grandiose interiors

The interior and works of art

Expanded spaces, stucco and colourful lights

The senses tell the Cathedral of San Giorgio

The eagle-shaped city

The Monastery of the Benedictine nuns

The new roads of the city

San Domenico and Gagliardi’s work

A new site for the church of San Giorgio

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Church of St. John the Evangelist

The senses tell the story of the Church of San Giovanni Evangelista

Verticality and dynamism of the façade of the Church of San Carlo

The Church of St. Francis

The senses tell of Palazzo della Cancelleria

The senses tell the story of the Church of San Giuliano ai Crociferi

The Church of St. Mary of the Mountain

The senses tell the Cathedral of San Giorgio

The Church of St. Julian on Via dei Crociferi

A stone garden

City and nature

The senses tell the Church of San Michele

The Antonino Uccello Birthplace Museum

A Nobel Prize in Modica

One city, three sites

Palazzo Trigona di Canicarao

Scenography, lights and colours of the cathedral

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Church of St. Benedict

The senses tell about Palazzo Trigona

The interior of the church: space and colour

The Infiorata of Noto, a modern tradition

Baroque and the loss of balance in the 16th century

The church and the college

The Palazzo dei due mori

Palazzo della Cancelleria: from former stable to the Nicastro family

The smallest Greek theatre in the world

The triumph of Baroque: expansion of spaces

The expansion of space and changing reality

The senses tell about Palazzo Ducezio

A casket of precious works

The Monte delle Prestanze in the new city layout

Religious architecture

Madonna of the Militia: a singular warrior virgin

The senses tell the story of the Church of Santa Maria del Monte

The Church of Madonna della Stella

The senses tell about Palazzo Beneventano

A story of rebirth

The senses tell of the Cathedral of San Pietro

The city within the city

The Church of St. Paul

Scenography and devotion for St. Agatha

Akrai and Syracuse: an unbreakable bond

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell the story of the Church of San Benedetto

Baroque creativity: recurring themes

Luminous sacred spaces

The Benedictines’ library

A unifying project for the city of Catania

The casket of austerity under the great dome

The Badia di Sant’Agata (St. Agatha’s Abbey)

Scicli, the city of Baroque scenery

St. Agatha and the candelore

The city of Modica, a balance between nature and urbanism

Palazzo Trigona: a building with a complex shape

The Duomo di San Giorgio (Cathedral of St. George)

Altars, saints and sculptural works

Virtuosity, decorations and altars

The Franciscan convent

Reconstruction after the earthquake

Views denied, views conquered: the power of the devout Benedictines

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The articulated interior spaces

Art in the cathedral

A compromise between Neoclassicism and Baroque

From the end of the world to rebirth from the rubble