Noto

The Infiorata of Noto, a modern tradition

The Infiorata, or Greeting to Spring, is a popular feast started in 1979. It takes place every year in Via Corrado Nicolaci, on the third Sunday of May.
The first Infiorata brought the masters of Genzano (a province in Rome) to Noto. They arranged flowers in geometric and imaginative patterns. With the passage of time, the experience has been handed down and has become a veritable local tradition.
Sixteen large pictures are created on Via Corrado Nicolaci using petals, and each year a different theme is decided by the local government to inspire the master infioratori. The artists present their sketches to the municipal government, which selects the best ones.
The decoration covers the entire street for over 120 metres and each artist has a picture measuring 6 metres wide by 4 metres long.
This way, they create a beautiful floral carpet, formed mostly of petals from daisies, carnations, gerberas, roses and wildflowers of various sizes and colours.
The theme changes year after year, but the Infiorata is always opened by the city’s coat of arms made by the Istituto d’Arte di Noto (Noto Art Institute).
In recent years the Infiorata has been accompanied by the “Corteo Barocco” (Baroque Parade) that evokes the splendour of the families that made the city of Noto great.

The eagle-shaped city

Verticality and dynamism of the façade of the Church of San Carlo

The Madonna dei Conadomini and the art of devotion

The illusion of light and the decorative splendour

The senses tell about Palazzo Trigona

Baroque creativity: recurring themes

The Antonino Uccello Birthplace Museum

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Church of St. Mary of the Mountain

Militello: The story of an enlightened fiefdom

The Franciscan convent

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the Church of San Domenico

The Church of St. Francis

The senses tell about Palazzo Ducezio

The Church of St. Paul

Madonna of the Militia: a singular warrior virgin

The Infiorata of Noto, a modern tradition

The art of maiolica

The Church of Madonna della Stella

The triumph of Baroque: expansion of spaces

A new site for the church of San Giorgio

The senses tell the story of the Church of San Paolo

The articulated interior spaces

The senses tell of Palazzo della Cancelleria

One city, three sites

The senses tell the Cathedral of Sant’Agata

Akrai and Syracuse: an unbreakable bond

The Staircase of Angels

Expanded spaces, stucco and colourful lights

Scicli, the city of Baroque scenery

The senses tell the Cathedral of San Giorgio

Views denied, views conquered: the power of the devout Benedictines

The Church of St. Julian on Via dei Crociferi

The city of Modica, a balance between nature and urbanism

A story of rebirth

Palazzo Trigona di Canicarao

The city within the city

The senses tell the story of the Church of San Giuliano ai Crociferi

The Monte delle Prestanze in the new city layout

The casket of austerity under the great dome

Rebirth and urban planning of the city of Noto

Fountain of the Nymph Zizza: public water in the town

The palace, the town, the church

The city palace

Reconstruction after the earthquake

A Nobel Prize in Modica

The works in the church

Scenography, lights and colours of the cathedral

Scenography and devotion for St. Agatha

Art in the cathedral

Palazzo della Cancelleria: from former stable to the Nicastro family

The expansion of space and changing reality

The senses tell the Cathedral of San Giorgio

City and nature

St. Agatha and the candelore

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Unusual iconographies: the Burgos crucifix

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Monastery of the Benedictine nuns

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell about Palazzo Zacco

From the end of the world to rebirth from the rubble

The senses tell the story of the Church of the Badia di Sant’Agata

The Badia di Sant’Agata (St. Agatha’s Abbey)

Altars, saints and sculptural works

The beginning of an authentic Baroque conception

The senses tell the story of the Church of Santa Maria del Monte

Baroque and the loss of balance in the 16th century

A stone garden

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Majestic exteriors, grandiose interiors

A heritage of votive works

The church and the college

The senses tell of the Cathedral of San Pietro

The dynamics of the Church of San Michele

The interior of the church: space and colour

Virtuosity, decorations and altars

The neo-Gothic seminary chapel: symbols, light and space

The two churches

A unifying project for the city of Catania

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell the story of the Church of San Giovanni Evangelista

A casket of precious works

Piazza Duomo, the elephant fountain, the heart of the city

Expansion, spatiality and light in the church of San Domenico

The new roads of the city

San Domenico and Gagliardi’s work

The senses tell the story of the Church of San Carlo and the former Jesuit college

Religious architecture

The senses tell about Palazzo Beneventano

The interior and works of art

The Duomo di San Giorgio (Cathedral of St. George)

Palazzo Trigona: a building with a complex shape

A compromise between Neoclassicism and Baroque

The Benedictines’ library

Luminous sacred spaces

The Church of St. Benedict

The senses tell the story of the Church of San Benedetto

The interiors: diffused light and Byzantine relics

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Church of San Michele

The Palazzo dei due mori

The church and the monastery

The smallest Greek theatre in the world

The Church of St. John the Evangelist