Caltagirone

The Madonna dei Conadomini and the art of devotion

This precious work was brought to Caltagirone by the noble Campochiaro family and donated to the Mother Church at the end of the 16th century.
The work consists of two painted sides, i.e. two icons or “cone“. During celebrations the work would be displayed showing the side of Christ, also called Dominus, hence the name Cona Domini. Whenever the city was struck by natural disasters or other evils, the side of the Virgin was shown so that worshippers could pray to her as they waited for a miracle. The masterpiece was so important and adored by the community that on 10 July 1644, she was declared patron saint of the city by public deed and was crowned with a golden crown on 31st May by Monsignor Luigi Bignami, the same day she is still celebrated today.
The Feast of the Madonna di Conadomini is celebrated in a particularly solemn way culminating in the offering of gifts from the earth following a large procession.
The procession is formed of farmers’ wagons and tractors decorated with rusedda, or bundles of cistus plant, accompanied by the sound of brogne, large seashells turned into sombre-sounding wind instruments.
Preceded by a banner called the triunfu with the sacred image of the Madonna di Conadomini, the procession climbs the 142 steps of the monumental and multicoloured Staircase of St. Mary of the Mountain, which is also coloured by the infiorata , as the city’s solemn and devout homage to its co-patron saint.

The beginning of an authentic Baroque conception

The triumph of Baroque: expansion of spaces

The senses tell the story of the Church of San Giuliano ai Crociferi

The interior of the church: space and colour

The senses tell the story of the Church of the Badia di Sant’Agata

The city of Modica, a balance between nature and urbanism

The senses tell of the Cathedral of San Pietro

The Church of St. Francis

Altars, saints and sculptural works

The senses tell the story of the Church of San Benedetto

The Church of St. Benedict

A casket of precious works

The two churches

City and nature

Baroque creativity: recurring themes

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Scenography and devotion for St. Agatha

The Monastery of the Benedictine nuns

The illusion of light and the decorative splendour

The Church of Madonna della Stella

Scicli, the city of Baroque scenery

The interior and works of art

The city within the city

Piazza Duomo, the elephant fountain, the heart of the city

The Franciscan convent

Virtuosity, decorations and altars

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Church of St. Paul

Religious architecture

The senses tell the Cathedral of San Giorgio

The senses tell about Palazzo Ducezio

Expansion, spatiality and light in the church of San Domenico

The Church of St. Julian on Via dei Crociferi

The senses tell the Church of San Domenico

The smallest Greek theatre in the world

A story of rebirth

A unifying project for the city of Catania

Reconstruction after the earthquake

A stone garden

The senses tell the story of the Church of Santa Maria del Monte

A new site for the church of San Giorgio

The Madonna dei Conadomini and the art of devotion

The Infiorata of Noto, a modern tradition

Rebirth and urban planning of the city of Noto

Expanded spaces, stucco and colourful lights

Verticality and dynamism of the façade of the Church of San Carlo

The Badia di Sant’Agata (St. Agatha’s Abbey)

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The church and the monastery

The interiors: diffused light and Byzantine relics

Baroque and the loss of balance in the 16th century

The expansion of space and changing reality

The Benedictines’ library

From the end of the world to rebirth from the rubble

The Antonino Uccello Birthplace Museum

One city, three sites

The art of maiolica

Unusual iconographies: the Burgos crucifix

The works in the church

The articulated interior spaces

The Staircase of Angels

The Church of St. Mary of the Mountain

Art in the cathedral

The senses tell the story of the Church of San Giovanni Evangelista

The church and the college

Luminous sacred spaces

The palace, the town, the church

A Nobel Prize in Modica

A compromise between Neoclassicism and Baroque

Akrai and Syracuse: an unbreakable bond

Garden of Novices and the restorations by Giancarlo De Carlo

Majestic exteriors, grandiose interiors

Madonna of the Militia: a singular warrior virgin

Scenography, lights and colours of the cathedral

The senses tell the Cathedral of Sant’Agata

The city palace

Palazzo Zacco, a balance between sobriety and decoration

St. Agatha and the candelore

Palazzo Trigona: a building with a complex shape

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Church of St. John the Evangelist

The Monte delle Prestanze in the new city layout

The senses tell about Palazzo Trigona

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Palazzo dei due mori

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the story of the Church of San Paolo

Palazzo Trigona di Canicarao

Militello: The story of an enlightened fiefdom

San Domenico and Gagliardi’s work

The casket of austerity under the great dome

A heritage of votive works

The senses tell the Cathedral of San Giorgio

The dynamics of the Church of San Michele

The neo-Gothic seminary chapel: symbols, light and space

The senses tell of Palazzo della Cancelleria

The eagle-shaped city

Views denied, views conquered: the power of the devout Benedictines

The senses tell the Church of San Michele

The new roads of the city

The senses tell about Palazzo Beneventano

Fountain of the Nymph Zizza: public water in the town

The senses tell about Palazzo Zacco