Caltagirone

The Madonna dei Conadomini and the art of devotion

This precious work was brought to Caltagirone by the noble Campochiaro family and donated to the Mother Church at the end of the 16th century.
The work consists of two painted sides, i.e. two icons or “cone“. During celebrations the work would be displayed showing the side of Christ, also called Dominus, hence the name Cona Domini. Whenever the city was struck by natural disasters or other evils, the side of the Virgin was shown so that worshippers could pray to her as they waited for a miracle. The masterpiece was so important and adored by the community that on 10 July 1644, she was declared patron saint of the city by public deed and was crowned with a golden crown on 31st May by Monsignor Luigi Bignami, the same day she is still celebrated today.
The Feast of the Madonna di Conadomini is celebrated in a particularly solemn way culminating in the offering of gifts from the earth following a large procession.
The procession is formed of farmers’ wagons and tractors decorated with rusedda, or bundles of cistus plant, accompanied by the sound of brogne, large seashells turned into sombre-sounding wind instruments.
Preceded by a banner called the triunfu with the sacred image of the Madonna di Conadomini, the procession climbs the 142 steps of the monumental and multicoloured Staircase of St. Mary of the Mountain, which is also coloured by the infiorata , as the city’s solemn and devout homage to its co-patron saint.

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The senses tell the Cathedral of San Giorgio

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The Church of Madonna della Stella

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Madonna of the Militia: a singular warrior virgin

The Monastery of the Benedictine nuns

The Palazzo dei due mori

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Fountain of the Nymph Zizza: public water in the town

The Church of St. John the Evangelist

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The palace, the town, the church

The senses tell the Church of San Michele

The articulated interior spaces

A casket of precious works

The art of maiolica

A stone garden

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Unusual iconographies: the Burgos crucifix

A unifying project for the city of Catania

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Altars, saints and sculptural works

Palazzo Trigona di Canicarao

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A heritage of votive works

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The two churches

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The senses tell the Church of San Domenico

Virtuosity, decorations and altars

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The eagle-shaped city

The Church of St. Francis

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Palazzo Zacco, a balance between sobriety and decoration

St. Agatha and the candelore

The neo-Gothic seminary chapel: symbols, light and space

Scicli, the city of Baroque scenery

A compromise between Neoclassicism and Baroque

Baroque and the loss of balance in the 16th century

The senses tell of the Cathedral of San Pietro

A story of rebirth

Religious architecture

Scenography and devotion for St. Agatha

The dynamics of the Church of San Michele

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Reconstruction after the earthquake

The interior of the church: space and colour

Akrai and Syracuse: an unbreakable bond

The city within the city

From the end of the world to rebirth from the rubble

Garden of Novices and the restorations by Giancarlo De Carlo

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Luminous sacred spaces

The illusion of light and the decorative splendour

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The new roads of the city

The Franciscan convent

A Nobel Prize in Modica

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The Church of St. Mary of the Mountain

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The Antonino Uccello Birthplace Museum

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The smallest Greek theatre in the world

The Madonna dei Conadomini and the art of devotion

The triumph of Baroque: expansion of spaces

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Scenography, lights and colours of the cathedral

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The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Trigona: a building with a complex shape

Views denied, views conquered: the power of the devout Benedictines

The senses tell about Palazzo Trigona

The beginning of an authentic Baroque conception

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The Infiorata of Noto, a modern tradition

Expanded spaces, stucco and colourful lights

The senses tell the story of the Church of San Paolo

A new site for the church of San Giorgio

Militello: The story of an enlightened fiefdom

The Monte delle Prestanze in the new city layout