Caltagirone

The Monte delle Prestanze in the new city layout

The city, hit by the earthquake, was rebuilt in the same place, maintaining the previous urban plan and inserting beautiful new buildings in Baroque style.
The city of Caltagirone became an example of urban planning for the other cities affected by the earthquake of 1693. In particular, its plan was adopted in the reconstruction of Catania by the Duke of Camastra. The new buildings within the modern urban layout include the Monte delle Prestanze or Monte di Pietà in the square bordered by the Senatorial Palace, and opposite the church of San Giuliano (St. Julian).
monte prestanze prospetto frontale
dettaglio colonne ingressoBuilt at the start of the 18th century by architect Natale Bonaiuto, the building has a square plan. Its uniqueness manifests in the elevation.
In fact, it has a series of giant half columns on tall plinths, i.e. extending from the ground up to the upper floor, arranged in a tight pattern.
The absence of corbels and the thicker columns near the entrance are newer elements than the local tradition.
It was a symbol of great modernity and a very representative style for a building used as a civic bank.

The dynamics of the Church of San Michele

A stone garden

City and nature

Scenography, lights and colours of the cathedral

The smallest Greek theatre in the world

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell about Palazzo Zacco

The Benedictines’ library

The eagle-shaped city

From the end of the world to rebirth from the rubble

Piazza Duomo, the elephant fountain, the heart of the city

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Reconstruction after the earthquake

The Monastery of the Benedictine nuns

The expansion of space and changing reality

Expanded spaces, stucco and colourful lights

The Duomo di San Giorgio (Cathedral of St. George)

St. Agatha and the candelore

Madonna of the Militia: a singular warrior virgin

Art in the cathedral

Baroque and the loss of balance in the 16th century

Palazzo della Cancelleria: from former stable to the Nicastro family

The city palace

Expansion, spatiality and light in the church of San Domenico

Views denied, views conquered: the power of the devout Benedictines

Militello: The story of an enlightened fiefdom

The Monte delle Prestanze in the new city layout

The works in the church

A story of rebirth

The senses tell the story of the Church of San Giovanni Evangelista

A compromise between Neoclassicism and Baroque

The senses tell of Palazzo della Cancelleria

The Church of St. John the Evangelist

The Antonino Uccello Birthplace Museum

The senses tell about Palazzo Ducezio

The senses tell the Cathedral of San Giorgio

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the story of the Church of San Paolo

The Church of St. Mary of the Mountain

Palazzo Trigona: a building with a complex shape

The city of Modica, a balance between nature and urbanism

The articulated interior spaces

The Franciscan convent

Luminous sacred spaces

Rebirth and urban planning of the city of Noto

The interior and works of art

The beginning of an authentic Baroque conception

The church and the monastery

The Staircase of Angels

The interiors: diffused light and Byzantine relics

Garden of Novices and the restorations by Giancarlo De Carlo

Akrai and Syracuse: an unbreakable bond

The church and the college

The senses tell the Cathedral of San Giorgio

The Church of St. Julian on Via dei Crociferi

One city, three sites

The Church of Madonna della Stella

The senses tell about Palazzo Beneventano

The Church of St. Benedict

A Nobel Prize in Modica

Scicli, the city of Baroque scenery

The senses tell about Palazzo Trigona

A new site for the church of San Giorgio

The triumph of Baroque: expansion of spaces

The senses tell the story of the Church of San Giuliano ai Crociferi

The Madonna dei Conadomini and the art of devotion

Palazzo Zacco, a balance between sobriety and decoration

Majestic exteriors, grandiose interiors

The illusion of light and the decorative splendour

The senses tell the Cathedral of Sant’Agata

The senses tell the Church of San Domenico

A casket of precious works

The senses tell the story of the Church of Santa Maria del Monte

The senses tell of the Cathedral of San Pietro

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The city within the city

Altars, saints and sculptural works

The senses tell the story of the Church of the Badia di Sant’Agata

The art of maiolica

Scenography and devotion for St. Agatha

Virtuosity, decorations and altars

The new roads of the city

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Church of St. Paul

The Palazzo dei due mori

Fountain of the Nymph Zizza: public water in the town

The neo-Gothic seminary chapel: symbols, light and space

Verticality and dynamism of the façade of the Church of San Carlo

The Infiorata of Noto, a modern tradition

The senses tell the Church of San Michele

The two churches

Unusual iconographies: the Burgos crucifix

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The casket of austerity under the great dome

Religious architecture

A heritage of votive works

Baroque creativity: recurring themes

A unifying project for the city of Catania

The interior of the church: space and colour

The palace, the town, the church

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

San Domenico and Gagliardi’s work

Palazzo Trigona di Canicarao

The Church of St. Francis

The Badia di Sant’Agata (St. Agatha’s Abbey)