Caltagirone

The Monte delle Prestanze in the new city layout

The city, hit by the earthquake, was rebuilt in the same place, maintaining the previous urban plan and inserting beautiful new buildings in Baroque style.
The city of Caltagirone became an example of urban planning for the other cities affected by the earthquake of 1693. In particular, its plan was adopted in the reconstruction of Catania by the Duke of Camastra. The new buildings within the modern urban layout include the Monte delle Prestanze or Monte di Pietà in the square bordered by the Senatorial Palace, and opposite the church of San Giuliano (St. Julian).
monte prestanze prospetto frontale
dettaglio colonne ingressoBuilt at the start of the 18th century by architect Natale Bonaiuto, the building has a square plan. Its uniqueness manifests in the elevation.
In fact, it has a series of giant half columns on tall plinths, i.e. extending from the ground up to the upper floor, arranged in a tight pattern.
The absence of corbels and the thicker columns near the entrance are newer elements than the local tradition.
It was a symbol of great modernity and a very representative style for a building used as a civic bank.

Militello: The story of an enlightened fiefdom

Palazzo Zacco, a balance between sobriety and decoration

Akrai and Syracuse: an unbreakable bond

The Antonino Uccello Birthplace Museum

The Duomo di San Giorgio (Cathedral of St. George)

Luminous sacred spaces

The Infiorata of Noto, a modern tradition

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell the Church of San Michele

Baroque and the loss of balance in the 16th century

Baroque creativity: recurring themes

A stone garden

Scicli, the city of Baroque scenery

Reconstruction after the earthquake

The smallest Greek theatre in the world

The Church of St. Mary of the Mountain

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The beginning of an authentic Baroque conception

Altars, saints and sculptural works

The interiors: diffused light and Byzantine relics

The interior of the church: space and colour

The art of maiolica

The interior and works of art

City and nature

The two churches

The Church of St. John the Evangelist

Madonna of the Militia: a singular warrior virgin

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell of Palazzo della Cancelleria

A new site for the church of San Giorgio

The senses tell about Palazzo Beneventano

The Madonna dei Conadomini and the art of devotion

The senses tell about Palazzo Trigona

Expanded spaces, stucco and colourful lights

The illusion of light and the decorative splendour

The dynamics of the Church of San Michele

A compromise between Neoclassicism and Baroque

A unifying project for the city of Catania

The senses tell the Cathedral of San Giorgio

The articulated interior spaces

Palazzo della Cancelleria: from former stable to the Nicastro family

The expansion of space and changing reality

Fountain of the Nymph Zizza: public water in the town

The senses tell the story of the Church of Santa Maria del Monte

The city of Modica, a balance between nature and urbanism

Religious architecture

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Church of San Paolo

Virtuosity, decorations and altars

The Church of St. Francis

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell about Palazzo Zacco

One city, three sites

A Nobel Prize in Modica

A casket of precious works

Majestic exteriors, grandiose interiors

The Monte delle Prestanze in the new city layout

The Benedictines’ library

Palazzo Trigona: a building with a complex shape

The senses tell the story of the Church of San Giovanni Evangelista

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the story of the Church of San Carlo and the former Jesuit college

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Church of San Benedetto

A story of rebirth

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Monastery of the Benedictine nuns

The Church of St. Julian on Via dei Crociferi

The senses tell the story of the Church of the Badia di Sant’Agata

The neo-Gothic seminary chapel: symbols, light and space

Scenography, lights and colours of the cathedral

Scenography and devotion for St. Agatha

The Badia di Sant’Agata (St. Agatha’s Abbey)

The palace, the town, the church

The works in the church

The Franciscan convent

The city palace

The casket of austerity under the great dome

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The city within the city

The triumph of Baroque: expansion of spaces

The senses tell of the Cathedral of San Pietro

The Palazzo dei due mori

The church and the monastery

The Church of St. Paul

The senses tell the Cathedral of Sant’Agata

San Domenico and Gagliardi’s work

The senses tell about Palazzo Ducezio

The church and the college

The new roads of the city

Expansion, spatiality and light in the church of San Domenico

Art in the cathedral

Palazzo Trigona di Canicarao

A heritage of votive works

Rebirth and urban planning of the city of Noto

The Staircase of Angels

The senses tell the story of the Church of San Giuliano ai Crociferi

Unusual iconographies: the Burgos crucifix

St. Agatha and the candelore

From the end of the world to rebirth from the rubble

The Church of St. Benedict

The senses tell the Church of San Domenico

Views denied, views conquered: the power of the devout Benedictines

The Church of Madonna della Stella

The eagle-shaped city