Noto

The palace, the town, the church

Palazzo Ducezio
Palazzo Ducezio is located in the center of Noto in the Town Hall Square on one of the main roads right in front of the Cathedral located at the top of the staircase. It was named in honor of Ducezio, the founder of the city of Noto, and built between 1742 and 1761 by one of the major architects of the time: Vincenzo Sinatra. The building is very compact and has an elongated rectangular plan with no courtyard. It is formed by two overlapping floors but the original plan provided for a single-storey loggia with eleven arches on the main front characterized by a convexity in the central part, preceded by a semicircular staircase. The ground floor has, in fact, an elegant continuous portico on three sides with arches framed by Ionic columns. In 1950 it was crowned by an elevation with stone balustrade.

Palazzo Ducezio is located in the centre of Noto in Piazza del Municipio, on one of the main roads of the city’s urban grid.
It was named in honour of Ducezio , the founder of the city of Noto in the 5th century, and was built between 1742 and 1761 by one of the greatest architects of the time: Vincenzo Sinatra .
The building design included a single-storey loggia with eleven arcades on the main front characterised by a convexity in the central part, preceded by a semi-circular staircase.

foto fildi ferro griglia urbana
griglia urbana

The building is inserted into the design of the square and harmoniously interacts with the majestic staircase of the Cathedral. It was subsequently raised by one floor in 1951, to give more space to local administration offices.
With its very dilated shape, the Piazza del Municipio (Piazza XVI Maggio) is one of the most characteristic and celebrated examples of Sicilian Baroque and is a sequencing element within the town, used as a reference point by the other buildings.
The façade of Noto’s cathedral dominates the scene like a final backdrop at the top of the scenic staircase. The contraction and expansion of the spaces, the sudden changes of perspective of the minor side streets and the scenographic changes make this square an architecturally dynamic place of unparalleled beauty.

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The city within the city

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The new roads of the city

The works in the church

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The Church of St. Benedict

Luminous sacred spaces

Majestic exteriors, grandiose interiors

The Monastery of the Benedictine nuns

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Baroque and the loss of balance in the 16th century

Garden of Novices and the restorations by Giancarlo De Carlo

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Unusual iconographies: the Burgos crucifix

The art of maiolica

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The beginning of an authentic Baroque conception

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The Staircase of Angels

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The expansion of space and changing reality

Palazzo Zacco, a balance between sobriety and decoration

San Domenico and Gagliardi’s work

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Verticality and dynamism of the façade of the Church of San Carlo

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The Antonino Uccello Birthplace Museum

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The illusion of light and the decorative splendour

The eagle-shaped city

The casket of austerity under the great dome

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The Franciscan convent

Art in the cathedral

A heritage of votive works

A stone garden

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Scenography and devotion for St. Agatha

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Fountain of the Nymph Zizza: public water in the town

The interior of the church: space and colour

Reconstruction after the earthquake

City and nature

Expanded spaces, stucco and colourful lights

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A Nobel Prize in Modica

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The Benedictines’ library

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The Badia di Sant’Agata (St. Agatha’s Abbey)

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Militello: The story of an enlightened fiefdom

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The neo-Gothic seminary chapel: symbols, light and space

Views denied, views conquered: the power of the devout Benedictines

The triumph of Baroque: expansion of spaces

Religious architecture

A compromise between Neoclassicism and Baroque

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From the end of the world to rebirth from the rubble

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The two churches

The Madonna dei Conadomini and the art of devotion

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The smallest Greek theatre in the world

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The Church of St. Francis