Introduction to Val di Noto

The role of the religious orders in rebuilding the Val di Noto

After the tragic earthquake, the Val di Noto rose from its ashes like a phoenix to be reborn stronger and more beautiful than before.
The commitment of the religious orders to educate a modern generation of artists in the cultural and artistic knowledge of Baroque Rome was crucial in overcoming ancient conceptions and initiating a momentous transformation.
Studies undertaken by young clerics in the rich Roman libraries, the interest in Rome, and observation of the typical architecture of the Counter-Reformation gave rise to a synthesis of figurative elements which set Sicilian Baroque in motion.
In Sicily, Roman artistic influences replaced Spanish cultural dependence. By the hand of specialised workers, the new spirit of the era was inaugurated, not only in religious architecture but also in civic buildings, too. Sicilian Baroque combined the technical knowledge of local culture with the great dynamics of Roman Baroque.

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Prominent façade

The senses tell about Palazzo La Rocca

San Nicolò l’Arena: an unfinished church

A talking palace

A new entrance for Santa Chiara (St. Claire)

A Nobel Prize in Modica

The senses tell the story of the Church of Santa Chiara

A feast only for Scicli

A city in colour

The wall comes to life

A small room with a golden entrance

The Maiolica of the staircase

One city, two sites

Palazzo Nicolaci di Villadorata, who is the architect?

A new site for a new church

Feast days

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The church of Carmine

The Supernatural dimension of the chapel of the Santissimo Sacramento

A symbol for the town

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

St. Sebastian, so much work!

The senses tell the story of the Church of San Sebastiano

A hall for the feasts

Some masterpieces

A triumph of colour

From International Gothic to present day

A museum to save a tradition

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of the Annunciation

The disastrous earthquake

The senses tell the story of the Church of San Benedetto

Connections with other UNESCO sites

Fontana della Ninfa Zizza, public water in the town

The role of the religious orders in rebuilding the Val di Noto

The cathedral of Sant’Agata: a lengthy reconstruction

A half-Baroque church

The interior and its masterpieces

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

A square as the heart of the city

A prominent church

One city, three sites

New roads for Catania

A miniature city

The chocolate of Modica

Between white and black

A new site for a new city

The senses tell the story of the church of San Giovanni Battista

A design by Vincenzo Sinatra

Searching for colour

A new palace for the La Rocca lords

From St. Thomas to St. Joseph

The senses tell the story of the staircase of Santa Maria del Monte

Wonderful quick decorations

The theatre of taste

A long reconstruction

San Benedetto: a treasure reopened to the public

The internal colours

Modica, a city with ancient origins

A colourful floor

The two churches

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Giovanni Evangelista

The Baroque town by the sea

Rosario Gagliardi, the maestro of the Val di Noto

The Staircase of Angels

Some prestigious works

The Infiorata, a feast of colours and flowers

Militello, the story of an enlightened fiefdom

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A majestic and luminous church

The kitchen, a treasure chest of colours

An eagle-shaped city

Discovering the mother church

The colours of the cathedral

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of Santa Chiara

Limestone, the colour of harmony

The senses tell the story of the Badia di Sant’Agata

The city of museums

The Burgos crucifix

Norman apses

Two illustrious patron saints

The façade used as a puppet theatre

The Barresi-Branciforte lords

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of San Giuseppe

The Benedictine Monastery, one of the largest in Europe

Feasting in Palazzolo

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo Napolino Tommasi Rosso

Corbels: a celebration of the Nicolaci family

The character of Badia Sant’Agata

Many owners, one palace

The Feast of San Giacomo (St. James)

St. Agatha and the giant candelabras

From the contrast of the exterior to the internal jubilation of colours