Ragusa

The senses tell of Palazzo della Cancelleria

sight
Portals as front curtains

The entrance portal to the Palazzo della Cancelleria stands out from the façade, occupying a large part of it. It unravels like a front curtain, ready to welcome an equally admirable scene inside. It is animated by the mixtilinear trabeation that surmounts it.

touch
Pietra pece, a rock from Ragusa with multiple uses

Pietra pece is one of the most commonly used materials in the Hyblaean landscape.
Also called bituminous rock, this stone takes on different shades of grey and brown and is characterised by veins and surface irregularities.
Touching the stone is the best way to appreciate its nature.

Views denied, views conquered: the power of the devout Benedictines

A casket of precious works

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Staircase of Angels

Religious architecture

Palazzo Zacco, a balance between sobriety and decoration

The church and the monastery

Art in the cathedral

The city within the city

The senses tell of Palazzo della Cancelleria

The two churches

The Church of St. Benedict

The expansion of space and changing reality

Baroque and the loss of balance in the 16th century

Akrai and Syracuse: an unbreakable bond

The Infiorata of Noto, a modern tradition

The palace, the town, the church

The Madonna dei Conadomini and the art of devotion

The senses tell the story of the Church of the Badia di Sant’Agata

A heritage of votive works

A unifying project for the city of Catania

Madonna of the Militia: a singular warrior virgin

The senses tell the story of the Church of Santa Maria del Monte

Rebirth and urban planning of the city of Noto

The articulated interior spaces

Palazzo Trigona: a building with a complex shape

St. Agatha and the candelore

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The eagle-shaped city

The senses tell the story of the Church of San Benedetto

Scenography and devotion for St. Agatha

Majestic exteriors, grandiose interiors

The senses tell of the Cathedral of San Pietro

The city palace

The smallest Greek theatre in the world

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Benedictines’ library

The Monte delle Prestanze in the new city layout

Militello: The story of an enlightened fiefdom

The new roads of the city

The Church of St. Paul

The church and the college

The senses tell the Cathedral of Sant’Agata

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Franciscan convent

The illusion of light and the decorative splendour

Expansion, spatiality and light in the church of San Domenico

The interior and works of art

The senses tell about Palazzo Ducezio

The senses tell the Church of San Domenico

The Palazzo dei due mori

A story of rebirth

The senses tell about Palazzo Trigona

A new site for the church of San Giorgio

Baroque creativity: recurring themes

A stone garden

The senses tell the story of the Church of San Giuliano ai Crociferi

The Monastery of the Benedictine nuns

The interiors: diffused light and Byzantine relics

The senses tell about Palazzo Beneventano

The Antonino Uccello Birthplace Museum

The Church of Madonna della Stella

The works in the church

The Church of St. Mary of the Mountain

The art of maiolica

Altars, saints and sculptural works

Garden of Novices and the restorations by Giancarlo De Carlo

Unusual iconographies: the Burgos crucifix

Palazzo Trigona di Canicarao

Reconstruction after the earthquake

The Duomo di San Giorgio (Cathedral of St. George)

The triumph of Baroque: expansion of spaces

The senses tell the story of the Church of San Giovanni Evangelista

Expanded spaces, stucco and colourful lights

The dynamics of the Church of San Michele

Verticality and dynamism of the façade of the Church of San Carlo

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

City and nature

Scicli, the city of Baroque scenery

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

One city, three sites

The casket of austerity under the great dome

Scenography, lights and colours of the cathedral

The neo-Gothic seminary chapel: symbols, light and space

The senses tell about Palazzo Zacco

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the story of the Church of San Paolo

The interior of the church: space and colour

The Badia di Sant’Agata (St. Agatha’s Abbey)

Virtuosity, decorations and altars

A Nobel Prize in Modica

Fountain of the Nymph Zizza: public water in the town

The senses tell the Cathedral of San Giorgio

The city of Modica, a balance between nature and urbanism

From the end of the world to rebirth from the rubble

A compromise between Neoclassicism and Baroque

The Church of St. Julian on Via dei Crociferi

The Church of St. Francis

The beginning of an authentic Baroque conception

The senses tell the Church of San Michele

Piazza Duomo, the elephant fountain, the heart of the city

The Church of St. John the Evangelist

San Domenico and Gagliardi’s work

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the Cathedral of San Giorgio

Luminous sacred spaces