Catania

The senses tell the Benedictine Monastery and San NicoIò l’Arena

smell
Odours and aromas from the kitchens

Try to imagine the smells coming from the basement kitchens that rose to the upper floors and the spaces connected to the two refectories.
One of these spaces used to prepare rich dishes is home to the prodigious 18th-century fireplace hood named “il fornetto” (the little oven), built atop the ancient lava flow of 1669.
The kitchen was one of the most important rooms for monastery life, a sort of factory that fed a large number of monks, like a small world of its own inside the colossal monastery.

touch
Lava and marble

One of the most characteristic elements of the Benedictine monastery is, without a doubt, the strong two-tone colour of the main materials used to build it.
Try to touch a marble column on the staircase then one of the lava stone steps leading to the library, and you’ll immediately notice how different they are.
If you touched them you would feel an immediate difference between the two materials: the marble is smooth with no superficial imperfections, while the lava stone is porous and rough.

hearing
Singing and prayer

The life of the Benedictine monks followed the strict rule of Ora et Labora (Pray and Work).
The days were organised into a series of activities: prayer, work and study.
Nor were the monks exempt from prayer at night or early in the morning; they gathered in the night-time chapel, the “night choir”, and sang choruses and prayers to the Lord.

sight
Wow, the colours!

When you think of a kitchen, somewhere clean and full of food, pots and spoons comes to mind. Perhaps for normal, trivial kitchens… because for the monastery kitchen the first thing that comes to mind are the colours of the floor and central structure; a triumph of white, blue, yellow, green and orange.

taste
Bon Appetit!

The kitchen prepared tasty lunches and dinners every day.
In particular, the New Year’s lunch in 1785 had a delicious menu. Shrimp, swordfish and a soup of pasta and fish were prepared as first courses; cod and sunfish with a herb and anchovy sauce were served for the second course, followed by cabbage with tuna and eggs.
The dinner ended with a custard, accompanied by some fruit to finish, in this case apple.
With such a respectable lunch, tasty and rich in every food, you could say the monks were not lacking in anything at all!

The senses tell about Palazzo Nicolaci

Prominent façade

Corbels: a celebration of the Nicolaci family

A Nobel Prize in Modica

The city of museums

From the contrast of the exterior to the internal jubilation of colours

Wonderful quick decorations

The chocolate of Modica

The Supernatural dimension of the chapel of the Santissimo Sacramento

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

The wall comes to life

A colourful floor

The colours of the cathedral

Limestone, the colour of harmony

A prominent church

One city, three sites

The Feast of San Giacomo (St. James)

The Burgos crucifix

The cathedral of Sant’Agata: a lengthy reconstruction

The Maiolica of the staircase

The theatre of taste

The senses tell the story of the church of San Giuseppe

San Nicolò l’Arena: an unfinished church

Many owners, one palace

A new entrance for Santa Chiara (St. Claire)

The senses tell the Cathedral of Sant’Agata

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Baroque and the loss of equilibrium in the 16th century

The kitchen, a treasure chest of colours

Modica, a city with ancient origins

Some masterpieces

The two churches

The Baroque town by the sea

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Connections with other UNESCO sites

From International Gothic to present day

A feast only for Scicli

Feasting in Palazzolo

The role of the religious orders in rebuilding the Val di Noto

The disastrous earthquake

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Sebastian, so much work!

Searching for colour

A talking palace

The senses tell the story of the church of San Giovanni Battista

The Barresi-Branciforte lords

The senses tell the story of the church of Santa Maria del Carmelo

A small room with a golden entrance

The senses tell the story of the Church of San Benedetto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The interior and its masterpieces

Palazzo Nicolaci di Villadorata, who is the architect?

Garden of Novices and the restorations by Giancarlo De Carlo

The internal colours

A symbol for the town

A museum to save a tradition

The church of Carmine

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Giovanni Evangelista

A long reconstruction

Two illustrious patron saints

Places of knowledge: the Benedictines’ library

Rosario Gagliardi, the maestro of the Val di Noto

A new site for a new church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A half-Baroque church

New roads for Catania

The senses tell the story of the Church of San Sebastiano

A majestic and luminous church

The façade used as a puppet theatre

Feast days

The Benedictine Monastery, one of the largest in Europe

The Staircase of Angels

The Infiorata, a feast of colours and flowers

A new site for a new city

Norman apses

St. Agatha and the giant candelabras

A design by Vincenzo Sinatra

An eagle-shaped city

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Napolino Tommasi Rosso

A city in colour

The senses tell about Palazzo La Rocca

Some prestigious works

The senses tell the story of the Badia di Sant’Agata

A hall for the feasts

From St. Thomas to St. Joseph

San Benedetto: a treasure reopened to the public

A square as the heart of the city

One city, two sites

A triumph of colour

A new palace for the La Rocca lords

Between white and black

Discovering the mother church

A miniature city

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the staircase of Santa Maria del Monte

The character of Badia Sant’Agata