Catania

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

smell
Odours from the kitchens

foto della macchina della cappaTry to imagine the smells coming from the basement kitchens that rose to the upper floors and the spaces connected to the two refectories.
One of these spaces used to prepare rich dishes is home to the prodigious 18th-century fireplace hood named “il fornetto” (the little oven), built atop the ancient lava flow of 1669.
The kitchen was one of the most important rooms for monastery life, a sort of factory that fed a large number of monks, like a small world of its own inside the colossal monastery.

touch
Lava and marble

One of the most characteristic features of the Benedictine monastery is undoubtedly the strong two-tone effect given by its main materials.
If we tried to touch a marble column and a lava stone base, we would immediately notice how they are different to the touch: the cold sensation, the porosity and the polishing.

hearing
Songs and music

The life of the Benedictine monks was marked by the strict rule of Ora et Labora (Prayer and Work), which meant dividing the day between prayer, work and study.
The entire monastery, but especially the courtyards and the church with the large organ, would have been pervaded by the singing of the monks.

sight
The red room in the Monastery’s cellars

The red room is a charming circular room located in the cellars of the Benedictine monastery which today houses the Museo della Fabbrica (Museum of Construction).
As you enter this room, the last one along the museum route, you find yourself beneath a unique red iron construction.
The magnificent structure, designed by surveyor Antonino Leonardi, is a self-supporting attic characterised by an original and contemporary shape.

taste
The room of conviviality: the large refectory

The large refectory now houses the University auditorium, but was once where the monks ate their meals.
The Rule of St. Benedict also dictated some rules in this case.
For example, meals were always to be eaten at the appointed time and in silence, though many drawings and writings of the time document that the monks’ dining was rather lavish.

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St. Agatha and the candelore

The Church of St. John the Evangelist

The city palace

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The Infiorata of Noto, a modern tradition

A stone garden

The church and the monastery

The Antonino Uccello Birthplace Museum

Altars, saints and sculptural works

The Monastery of the Benedictine nuns

The Church of St. Julian on Via dei Crociferi

Luminous sacred spaces

The Palazzo dei due mori

Palazzo Zacco, a balance between sobriety and decoration

The expansion of space and changing reality

City and nature

Scicli, the city of Baroque scenery

The Church of Madonna della Stella

The Duomo di San Giorgio (Cathedral of St. George)

San Domenico and Gagliardi’s work

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The Madonna dei Conadomini and the art of devotion

Palazzo Trigona: a building with a complex shape

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The articulated interior spaces

The Franciscan convent

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The senses tell of Palazzo della Cancelleria

The senses tell the Church of San Domenico

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A heritage of votive works

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Scenography and devotion for St. Agatha

The smallest Greek theatre in the world

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Baroque and the loss of balance in the 16th century

Art in the cathedral

Rebirth and urban planning of the city of Noto

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Palazzo della Cancelleria: from former stable to the Nicastro family

The eagle-shaped city

The two churches

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Militello: The story of an enlightened fiefdom

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The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Views denied, views conquered: the power of the devout Benedictines

Religious architecture

Scenography, lights and colours of the cathedral

The illusion of light and the decorative splendour

One city, three sites

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The senses tell the story of the Church of San Giovanni Evangelista

The city within the city

The Church of St. Benedict

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A casket of precious works

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A compromise between Neoclassicism and Baroque

The casket of austerity under the great dome

The art of maiolica

Akrai and Syracuse: an unbreakable bond

The Church of St. Paul

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The senses tell the story of the Church of San Benedetto

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A Nobel Prize in Modica

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Palazzo Trigona di Canicarao

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the Church of San Michele

The Monte delle Prestanze in the new city layout

The senses tell the Cathedral of San Giorgio

The works in the church

The interior and works of art

The Benedictines’ library

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Staircase of Angels

Unusual iconographies: the Burgos crucifix

From the end of the world to rebirth from the rubble

The interiors: diffused light and Byzantine relics

The palace, the town, the church

The new roads of the city

The Church of St. Francis