Noto

The senses tell the Church of San Domenico

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White limestone

The church of San Domenico, like most of the late Baroque architecture of Noto built after the earthquake of 1693, is made of limestone, which gives it great chromatic homogeneity. The white stone is tinged with warm hues at sunset, offering a spectacle of unique beauty.

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A place of silence: the crypt of the Dominican friars

The crypt of the church of San Domenico is where the Dominican friars were taken when they died.
This is one of the main places of silence in the church, a small space characterised by few elements such as an altar and closed arcades.
It is interesting to note the stark contrast between the bare and essential architectural structure of the crypt and the grandeur of the church’s spaces.

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The colourful scenographic elements

The interior of the church of San Domenico is characterised by an entirely white environment, with very high walls decorated with bright stuccoes that give the setting a solemn and scenic appearance.
However, there are some elements that stand out from all the whiteness, including the majestic main altar and the gilded wooden ciborium made by Antonio Basile.
The former is embellished with red and white marble and the latter, made with a wonderful curvilinear structure, encloses the Virgin and Child.

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The Church of St. Paul

The Church of St. Francis

Baroque and the loss of balance in the 16th century

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The beginning of an authentic Baroque conception

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Baroque creativity: recurring themes

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Reconstruction after the earthquake

The Staircase of Angels

Religious architecture

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A casket of precious works

The church and the college

Garden of Novices and the restorations by Giancarlo De Carlo

The casket of austerity under the great dome

Expansion, spatiality and light in the church of San Domenico

The Palazzo dei due mori

The eagle-shaped city

Virtuosity, decorations and altars

Views denied, views conquered: the power of the devout Benedictines

Fountain of the Nymph Zizza: public water in the town

The palace, the town, the church

Luminous sacred spaces

The Madonna dei Conadomini and the art of devotion

Expanded spaces, stucco and colourful lights

The city of Modica, a balance between nature and urbanism

The Church of St. Benedict

A new site for the church of San Giorgio

From the end of the world to rebirth from the rubble

Verticality and dynamism of the façade of the Church of San Carlo

The church and the monastery

The Monastery of the Benedictine nuns

The triumph of Baroque: expansion of spaces

The dynamics of the Church of San Michele

The Duomo di San Giorgio (Cathedral of St. George)

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Scicli, the city of Baroque scenery

The new roads of the city

The interiors: diffused light and Byzantine relics

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The city within the city

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The Benedictines’ library

City and nature

The Church of St. John the Evangelist

The Franciscan convent

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Palazzo della Cancelleria: from former stable to the Nicastro family

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The senses tell the Church of San Domenico

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Akrai and Syracuse: an unbreakable bond

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Altars, saints and sculptural works

The works in the church

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Majestic exteriors, grandiose interiors

A story of rebirth

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The articulated interior spaces

Militello: The story of an enlightened fiefdom

The illusion of light and the decorative splendour

The two churches

Scenography, lights and colours of the cathedral

San Domenico and Gagliardi’s work

A Nobel Prize in Modica

Piazza Duomo, the elephant fountain, the heart of the city

The art of maiolica

A stone garden

Palazzo Zacco, a balance between sobriety and decoration

The smallest Greek theatre in the world

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The Badia di Sant’Agata (St. Agatha’s Abbey)

The Church of St. Julian on Via dei Crociferi

The Antonino Uccello Birthplace Museum

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Scenography and devotion for St. Agatha

A compromise between Neoclassicism and Baroque

One city, three sites

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St. Agatha and the candelore

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The Monte delle Prestanze in the new city layout

Unusual iconographies: the Burgos crucifix

Rebirth and urban planning of the city of Noto

A heritage of votive works

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A unifying project for the city of Catania

Palazzo Trigona di Canicarao

The Infiorata of Noto, a modern tradition

Art in the cathedral

The senses tell about Palazzo Zacco

The church of San Nicolò l’Arena: the majesty of an unfinished beauty