Noto

The senses tell the Church of San Domenico

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White limestone

The church of San Domenico, like most of the late Baroque architecture of Noto built after the earthquake of 1693, is made of limestone, which gives it great chromatic homogeneity. The white stone is tinged with warm hues at sunset, offering a spectacle of unique beauty.

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A place of silence: the crypt of the Dominican friars

The crypt of the church of San Domenico is where the Dominican friars were taken when they died.
This is one of the main places of silence in the church, a small space characterised by few elements such as an altar and closed arcades.
It is interesting to note the stark contrast between the bare and essential architectural structure of the crypt and the grandeur of the church’s spaces.

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The colourful scenographic elements

The interior of the church of San Domenico is characterised by an entirely white environment, with very high walls decorated with bright stuccoes that give the setting a solemn and scenic appearance.
However, there are some elements that stand out from all the whiteness, including the majestic main altar and the gilded wooden ciborium made by Antonio Basile.
The former is embellished with red and white marble and the latter, made with a wonderful curvilinear structure, encloses the Virgin and Child.

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The Franciscan convent

The illusion of light and the decorative splendour

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The two churches

The Benedictines’ library

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The Monastery of the Benedictine nuns

The church and the college

The Palazzo dei due mori

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The casket of austerity under the great dome

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Expanded spaces, stucco and colourful lights

Scenography and devotion for St. Agatha

Reconstruction after the earthquake

Fountain of the Nymph Zizza: public water in the town

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Palazzo della Cancelleria: from former stable to the Nicastro family

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The Badia di Sant’Agata (St. Agatha’s Abbey)

The art of maiolica

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Baroque creativity: recurring themes

Baroque and the loss of balance in the 16th century

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

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The Monte delle Prestanze in the new city layout

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The eagle-shaped city

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Palazzo Trigona: a building with a complex shape

Virtuosity, decorations and altars

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The city palace

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The Staircase of Angels

Altars, saints and sculptural works

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A Nobel Prize in Modica

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The city within the city

Scenography, lights and colours of the cathedral

A compromise between Neoclassicism and Baroque

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The articulated interior spaces

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The Infiorata of Noto, a modern tradition

The senses tell the Church of San Domenico

Madonna of the Militia: a singular warrior virgin

A casket of precious works

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Scicli, the city of Baroque scenery

Piazza Duomo, the elephant fountain, the heart of the city

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One city, three sites

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The expansion of space and changing reality

From the end of the world to rebirth from the rubble

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Garden of Novices and the restorations by Giancarlo De Carlo

Expansion, spatiality and light in the church of San Domenico

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The works in the church

A heritage of votive works

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Palazzo Zacco, a balance between sobriety and decoration

City and nature

San Domenico and Gagliardi’s work

St. Agatha and the candelore

Luminous sacred spaces

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