Noto

The senses tell the Church of San Domenico

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White limestone

The church of San Domenico, like most of the late Baroque architecture of Noto built after the earthquake of 1693, is made of limestone, which gives it great chromatic homogeneity. The white stone is tinged with warm hues at sunset, offering a spectacle of unique beauty.

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A place of silence: the crypt of the Dominican friars

The crypt of the church of San Domenico is where the Dominican friars were taken when they died.
This is one of the main places of silence in the church, a small space characterised by few elements such as an altar and closed arcades.
It is interesting to note the stark contrast between the bare and essential architectural structure of the crypt and the grandeur of the church’s spaces.

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The colourful scenographic elements

The interior of the church of San Domenico is characterised by an entirely white environment, with very high walls decorated with bright stuccoes that give the setting a solemn and scenic appearance.
However, there are some elements that stand out from all the whiteness, including the majestic main altar and the gilded wooden ciborium made by Antonio Basile.
The former is embellished with red and white marble and the latter, made with a wonderful curvilinear structure, encloses the Virgin and Child.

Madonna of the Militia: a singular warrior virgin

The art of maiolica

A stone garden

The senses tell of Palazzo della Cancelleria

St. Agatha and the candelore

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The church and the monastery

The senses tell the Cathedral of San Giorgio

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Infiorata of Noto, a modern tradition

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Luminous sacred spaces

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell the story of the Church of San Benedetto

The expansion of space and changing reality

The dynamics of the Church of San Michele

The Staircase of Angels

The senses tell the Church of San Michele

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Piazza Duomo, the elephant fountain, the heart of the city

A casket of precious works

The Church of St. Benedict

Garden of Novices and the restorations by Giancarlo De Carlo

Scicli, the city of Baroque scenery

The triumph of Baroque: expansion of spaces

The senses tell the Cathedral of Sant’Agata

The Madonna dei Conadomini and the art of devotion

The Duomo di San Giorgio (Cathedral of St. George)

The neo-Gothic seminary chapel: symbols, light and space

From the end of the world to rebirth from the rubble

The Monte delle Prestanze in the new city layout

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Church of the Badia di Sant’Agata

The Monastery of the Benedictine nuns

The senses tell about Palazzo Ducezio

Religious architecture

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Church of St. John the Evangelist

The illusion of light and the decorative splendour

The church and the college

Palazzo Trigona di Canicarao

San Domenico and Gagliardi’s work

Palazzo Trigona: a building with a complex shape

Views denied, views conquered: the power of the devout Benedictines

A heritage of votive works

The Church of St. Mary of the Mountain

The city palace

The two churches

Unusual iconographies: the Burgos crucifix

Baroque creativity: recurring themes

The Franciscan convent

Scenography, lights and colours of the cathedral

A story of rebirth

The senses tell the story of the Church of Santa Maria del Monte

The interior and works of art

The interiors: diffused light and Byzantine relics

A compromise between Neoclassicism and Baroque

The senses tell the Church of San Domenico

The Antonino Uccello Birthplace Museum

The articulated interior spaces

The Church of St. Francis

Fountain of the Nymph Zizza: public water in the town

The senses tell the story of the Church of San Carlo and the former Jesuit college

The palace, the town, the church

The senses tell about Palazzo Beneventano

Majestic exteriors, grandiose interiors

Rebirth and urban planning of the city of Noto

Akrai and Syracuse: an unbreakable bond

Militello: The story of an enlightened fiefdom

The senses tell the story of the Church of San Giovanni Evangelista

The casket of austerity under the great dome

Expansion, spatiality and light in the church of San Domenico

The Church of St. Paul

The Church of St. Julian on Via dei Crociferi

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The beginning of an authentic Baroque conception

Baroque and the loss of balance in the 16th century

Verticality and dynamism of the façade of the Church of San Carlo

A Nobel Prize in Modica

Scenography and devotion for St. Agatha

Virtuosity, decorations and altars

The senses tell about Palazzo Trigona

The eagle-shaped city

Palazzo della Cancelleria: from former stable to the Nicastro family

Altars, saints and sculptural works

Reconstruction after the earthquake

The Benedictines’ library

The senses tell the story of the Church of San Paolo

The Palazzo dei due mori

The senses tell the story of the Church of San Giuliano ai Crociferi

The city of Modica, a balance between nature and urbanism

A unifying project for the city of Catania

The city within the city

The new roads of the city

The interior of the church: space and colour

The senses tell about Palazzo Zacco

One city, three sites

Expanded spaces, stucco and colourful lights

City and nature

The senses tell of the Cathedral of San Pietro

The Church of Madonna della Stella

The smallest Greek theatre in the world

Art in the cathedral

A new site for the church of San Giorgio

The works in the church