Catania

The senses tell the story of the Church of San Benedetto

touch
The illusion of marble: marble stucco

Marble stucco is an ancient technique that tends to imitate marble and is far cheaper.
The finish of this type of stucco can be of such high quality that it is indistinguishable from natural marble.

sight
The illusion of movement

The interior of the church creates a continuously moving illusory effect thanks to some of its characteristic elements: the lateral arcades, the vault and the apse arcade seems to bring the gaze towards the altar.
With its countless stuccoes and frescoes, the vault creates the sensation of participating in a whirling motion where art and architecture interact.
Nothing seems motionless in this space and there is a continuous tension throughout.

The Madonna dei Conadomini and the art of devotion

Palazzo Trigona di Canicarao

The senses tell about Palazzo Beneventano

From the end of the world to rebirth from the rubble

A compromise between Neoclassicism and Baroque

Palazzo Trigona: a building with a complex shape

The senses tell the story of the Church of San Benedetto

Fountain of the Nymph Zizza: public water in the town

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell the Cathedral of San Giorgio

Views denied, views conquered: the power of the devout Benedictines

The triumph of Baroque: expansion of spaces

Baroque and the loss of balance in the 16th century

Madonna of the Militia: a singular warrior virgin

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Church of St. Benedict

The church and the monastery

Scenography and devotion for St. Agatha

Expanded spaces, stucco and colourful lights

A unifying project for the city of Catania

The Duomo di San Giorgio (Cathedral of St. George)

Art in the cathedral

A casket of precious works

The church and the college

The city palace

The senses tell the story of the Church of San Carlo and the former Jesuit college

Unusual iconographies: the Burgos crucifix

The senses tell the story of the Church of Santa Maria del Monte

The smallest Greek theatre in the world

A story of rebirth

The new roads of the city

The senses tell the Church of San Michele

Religious architecture

The Church of St. Mary of the Mountain

The art of maiolica

The senses tell the story of the Church of San Giuliano ai Crociferi

The beginning of an authentic Baroque conception

The Benedictines’ library

The interior and works of art

The Church of St. Francis

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

City and nature

A Nobel Prize in Modica

Militello: The story of an enlightened fiefdom

The works in the church

The Badia di Sant’Agata (St. Agatha’s Abbey)

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Scicli, the city of Baroque scenery

The articulated interior spaces

The illusion of light and the decorative splendour

The senses tell about Palazzo Zacco

Virtuosity, decorations and altars

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Luminous sacred spaces

A new site for the church of San Giorgio

Akrai and Syracuse: an unbreakable bond

The interiors: diffused light and Byzantine relics

The senses tell about Palazzo Trigona

The senses tell the story of the Church of San Paolo

San Domenico and Gagliardi’s work

The Church of St. John the Evangelist

The senses tell the Cathedral of San Giorgio

The Staircase of Angels

The senses tell the story of the Church of San Giovanni Evangelista

The city of Modica, a balance between nature and urbanism

Altars, saints and sculptural works

The Church of St. Paul

Baroque creativity: recurring themes

The Antonino Uccello Birthplace Museum

Rebirth and urban planning of the city of Noto

Majestic exteriors, grandiose interiors

The dynamics of the Church of San Michele

The expansion of space and changing reality

The Church of Madonna della Stella

The palace, the town, the church

The casket of austerity under the great dome

The interior of the church: space and colour

The neo-Gothic seminary chapel: symbols, light and space

The city within the city

Garden of Novices and the restorations by Giancarlo De Carlo

The Palazzo dei due mori

The senses tell the Church of San Domenico

Expansion, spatiality and light in the church of San Domenico

The senses tell the Cathedral of Sant’Agata

A stone garden

The two churches

Verticality and dynamism of the façade of the Church of San Carlo

The Church of St. Julian on Via dei Crociferi

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell of Palazzo della Cancelleria

The senses tell about Palazzo Ducezio

One city, three sites

A heritage of votive works

Palazzo Zacco, a balance between sobriety and decoration

Reconstruction after the earthquake

Palazzo della Cancelleria: from former stable to the Nicastro family

St. Agatha and the candelore

The Franciscan convent

The Monte delle Prestanze in the new city layout

The senses tell the story of the Church of the Badia di Sant’Agata

Scenography, lights and colours of the cathedral

The eagle-shaped city

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Monastery of the Benedictine nuns

The senses tell of the Cathedral of San Pietro

The Infiorata of Noto, a modern tradition