Catania

The senses tell the story of the Church of San Benedetto

touch
The illusion of marble: marble stucco

Marble stucco is an ancient technique that tends to imitate marble and is far cheaper.
The finish of this type of stucco can be of such high quality that it is indistinguishable from natural marble.

sight
The illusion of movement

The interior of the church creates a continuously moving illusory effect thanks to some of its characteristic elements: the lateral arcades, the vault and the apse arcade seems to bring the gaze towards the altar.
With its countless stuccoes and frescoes, the vault creates the sensation of participating in a whirling motion where art and architecture interact.
Nothing seems motionless in this space and there is a continuous tension throughout.

The Monastery of the Benedictine nuns

Scenography and devotion for St. Agatha

A Nobel Prize in Modica

The palace, the town, the church

Luminous sacred spaces

The senses tell the story of the Church of San Giovanni Evangelista

A casket of precious works

Garden of Novices and the restorations by Giancarlo De Carlo

The articulated interior spaces

The senses tell the Church of San Michele

Expanded spaces, stucco and colourful lights

Madonna of the Militia: a singular warrior virgin

Verticality and dynamism of the façade of the Church of San Carlo

The Monte delle Prestanze in the new city layout

The Church of St. Paul

The city of Modica, a balance between nature and urbanism

The city within the city

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The illusion of light and the decorative splendour

Virtuosity, decorations and altars

Expansion, spatiality and light in the church of San Domenico

San Domenico and Gagliardi’s work

A heritage of votive works

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

From the end of the world to rebirth from the rubble

The senses tell the story of the Church of San Carlo and the former Jesuit college

A unifying project for the city of Catania

The eagle-shaped city

The church and the monastery

The Infiorata of Noto, a modern tradition

The Staircase of Angels

The senses tell about Palazzo Trigona

Religious architecture

The senses tell the story of the Church of the Badia di Sant’Agata

The church and the college

The neo-Gothic seminary chapel: symbols, light and space

The art of maiolica

Views denied, views conquered: the power of the devout Benedictines

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The two churches

The new roads of the city

The senses tell about Palazzo Ducezio

A stone garden

The senses tell the story of the Church of Santa Maria del Monte

Palazzo Trigona: a building with a complex shape

A new site for the church of San Giorgio

Majestic exteriors, grandiose interiors

The works in the church

The interior and works of art

The smallest Greek theatre in the world

A compromise between Neoclassicism and Baroque

The interiors: diffused light and Byzantine relics

The triumph of Baroque: expansion of spaces

The Church of Madonna della Stella

Scenography, lights and colours of the cathedral

The senses tell about Palazzo Zacco

The senses tell the Cathedral of San Giorgio

Palazzo della Cancelleria: from former stable to the Nicastro family

City and nature

The expansion of space and changing reality

The Church of St. John the Evangelist

The Duomo di San Giorgio (Cathedral of St. George)

The Madonna dei Conadomini and the art of devotion

The senses tell of Palazzo della Cancelleria

A story of rebirth

Rebirth and urban planning of the city of Noto

The dynamics of the Church of San Michele

The senses tell the story of the Church of San Benedetto

Scicli, the city of Baroque scenery

Reconstruction after the earthquake

Militello: The story of an enlightened fiefdom

Art in the cathedral

Baroque and the loss of balance in the 16th century

St. Agatha and the candelore

The senses tell the Cathedral of San Giorgio

The senses tell the Cathedral of Sant’Agata

The Church of St. Francis

Palazzo Zacco, a balance between sobriety and decoration

The interior of the church: space and colour

The casket of austerity under the great dome

The city palace

The senses tell the story of the Church of San Giuliano ai Crociferi

Akrai and Syracuse: an unbreakable bond

Unusual iconographies: the Burgos crucifix

Piazza Duomo, the elephant fountain, the heart of the city

One city, three sites

Altars, saints and sculptural works

The Franciscan convent

The senses tell of the Cathedral of San Pietro

The senses tell the story of the Church of San Paolo

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell about Palazzo Beneventano

The Church of St. Benedict

Palazzo Trigona di Canicarao

The Church of St. Julian on Via dei Crociferi

The Church of St. Mary of the Mountain

The Badia di Sant’Agata (St. Agatha’s Abbey)

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Benedictines’ library

Fountain of the Nymph Zizza: public water in the town

The senses tell the Church of San Domenico

The beginning of an authentic Baroque conception

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Baroque creativity: recurring themes

The Palazzo dei due mori

The Antonino Uccello Birthplace Museum