Catania

The senses tell the story of the Church of San Benedetto

touch
The illusion of marble: marble stucco

Marble stucco is an ancient technique that tends to imitate marble and is far cheaper.
The finish of this type of stucco can be of such high quality that it is indistinguishable from natural marble.

sight
The illusion of movement

The interior of the church creates a continuously moving illusory effect thanks to some of its characteristic elements: the lateral arcades, the vault and the apse arcade seems to bring the gaze towards the altar.
With its countless stuccoes and frescoes, the vault creates the sensation of participating in a whirling motion where art and architecture interact.
Nothing seems motionless in this space and there is a continuous tension throughout.

The senses tell the story of the Church of San Benedetto

A new site for the church of San Giorgio

The Franciscan convent

Baroque creativity: recurring themes

A stone garden

Altars, saints and sculptural works

Madonna of the Militia: a singular warrior virgin

The articulated interior spaces

The Church of St. Benedict

The Monte delle Prestanze in the new city layout

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The dynamics of the Church of San Michele

Virtuosity, decorations and altars

Unusual iconographies: the Burgos crucifix

Expansion, spatiality and light in the church of San Domenico

The church and the monastery

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the story of the Church of the Badia di Sant’Agata

The illusion of light and the decorative splendour

The senses tell about Palazzo Beneventano

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The works in the church

The Church of St. Francis

The two churches

The senses tell the Church of San Michele

The senses tell the Church of San Domenico

Piazza Duomo, the elephant fountain, the heart of the city

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The city within the city

Expanded spaces, stucco and colourful lights

Baroque and the loss of balance in the 16th century

The senses tell the story of the Church of San Giuliano ai Crociferi

The Duomo di San Giorgio (Cathedral of St. George)

The Church of Madonna della Stella

The senses tell the Cathedral of San Giorgio

Views denied, views conquered: the power of the devout Benedictines

The new roads of the city

Palazzo Trigona di Canicarao

The Benedictines’ library

Religious architecture

A Nobel Prize in Modica

The senses tell about Palazzo Zacco

Fountain of the Nymph Zizza: public water in the town

The eagle-shaped city

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Church of St. John the Evangelist

The triumph of Baroque: expansion of spaces

A casket of precious works

Scenography, lights and colours of the cathedral

Akrai and Syracuse: an unbreakable bond

The church and the college

A unifying project for the city of Catania

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell the story of the Church of Santa Maria del Monte

The senses tell of Palazzo della Cancelleria

A heritage of votive works

The senses tell of the Cathedral of San Pietro

Art in the cathedral

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Cathedral of San Giorgio

Reconstruction after the earthquake

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Militello: The story of an enlightened fiefdom

The Church of St. Paul

The Infiorata of Noto, a modern tradition

One city, three sites

The smallest Greek theatre in the world

The Monastery of the Benedictine nuns

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the story of the Church of San Paolo

The senses tell about Palazzo Ducezio

The Church of St. Mary of the Mountain

Scicli, the city of Baroque scenery

The casket of austerity under the great dome

The senses tell about Palazzo Trigona

The Palazzo dei due mori

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Staircase of Angels

The beginning of an authentic Baroque conception

The Badia di Sant’Agata (St. Agatha’s Abbey)

San Domenico and Gagliardi’s work

The city of Modica, a balance between nature and urbanism

From the end of the world to rebirth from the rubble

The interiors: diffused light and Byzantine relics

Luminous sacred spaces

Majestic exteriors, grandiose interiors

The expansion of space and changing reality

Scenography and devotion for St. Agatha

The Madonna dei Conadomini and the art of devotion

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the Cathedral of Sant’Agata

The Church of St. Julian on Via dei Crociferi

Rebirth and urban planning of the city of Noto

A story of rebirth

The interior of the church: space and colour

The interior and works of art

A compromise between Neoclassicism and Baroque

The neo-Gothic seminary chapel: symbols, light and space

The art of maiolica

The palace, the town, the church

The Antonino Uccello Birthplace Museum

The senses tell the story of the Church of San Giovanni Evangelista

The city palace

City and nature

Palazzo Trigona: a building with a complex shape

St. Agatha and the candelore