Palazzolo Acreide

The smallest Greek theatre in the world

Located at the entrance to the archaeological site, beyond a small gateway is the Greek Theatre of Akrai. It is small and can accommodate around 600 spectators.

It is not carved into the rock, but lies on the natural slope that was previously prepared with dry stone. Its càvea is composed of 9 voussoirs and 12 steps, which, according to the rules of classic antiquity, are facing north. The space where the choir moved during theatrical performances, called the orchestra, is semi-circular in shape.
It is a unique element because other Greek theatres have a circular orchestra.
It was modified in the Roman-Imperial age. A new and wider raised scene was built, reducing the space of the orchestra, which is still intact today.
Like other structures of this type, it has excellent natural acoustics and is still used today for classical performances in the summer months.
One of the main activities organised by the Istituto Nazionale del Dramma Antico (National Institute of Ancient Drama) is an international initiative where young people become the festival’s true protagonists by staging works by ancient tragedians and playwrights.

Foto fil di ferro i cunei
I cunei
A Nobel Prize in Modica

The interior and works of art

Baroque and the loss of balance in the 16th century

One city, three sites

The church and the monastery

The senses tell the story of the Church of San Paolo

The senses tell the Cathedral of San Giorgio

Piazza Duomo, the elephant fountain, the heart of the city

Akrai and Syracuse: an unbreakable bond

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell about Palazzo Beneventano

Reconstruction after the earthquake

The beginning of an authentic Baroque conception

The Church of St. Paul

St. Agatha and the candelore

Fountain of the Nymph Zizza: public water in the town

The articulated interior spaces

Expanded spaces, stucco and colourful lights

Majestic exteriors, grandiose interiors

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Palazzo Trigona: a building with a complex shape

The Church of St. Benedict

The two churches

Garden of Novices and the restorations by Giancarlo De Carlo

A compromise between Neoclassicism and Baroque

The city within the city

Religious architecture

The senses tell the Church of San Michele

Altars, saints and sculptural works

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Expansion, spatiality and light in the church of San Domenico

Rebirth and urban planning of the city of Noto

The Church of St. Mary of the Mountain

The senses tell the story of the Church of the Badia di Sant’Agata

The Church of Madonna della Stella

The senses tell the Church of San Domenico

The senses tell about Palazzo Ducezio

The senses tell of Palazzo della Cancelleria

The Franciscan convent

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Antonino Uccello Birthplace Museum

The neo-Gothic seminary chapel: symbols, light and space

Palazzo Trigona di Canicarao

Militello: The story of an enlightened fiefdom

The Church of St. Julian on Via dei Crociferi

Palazzo Zacco, a balance between sobriety and decoration

The dynamics of the Church of San Michele

Scenography, lights and colours of the cathedral

The church and the college

Virtuosity, decorations and altars

The Infiorata of Noto, a modern tradition

The Monte delle Prestanze in the new city layout

Art in the cathedral

Baroque creativity: recurring themes

The interiors: diffused light and Byzantine relics

The Benedictines’ library

The Monastery of the Benedictine nuns

Madonna of the Militia: a singular warrior virgin

The Staircase of Angels

The Church of St. Francis

The art of maiolica

From the end of the world to rebirth from the rubble

The Palazzo dei due mori

The city palace

The senses tell the Cathedral of Sant’Agata

A unifying project for the city of Catania

The smallest Greek theatre in the world

The senses tell the story of the Church of San Benedetto

The Church of St. John the Evangelist

The interior of the church: space and colour

City and nature

The senses tell the story of the Church of San Carlo and the former Jesuit college

The city of Modica, a balance between nature and urbanism

Verticality and dynamism of the façade of the Church of San Carlo

Unusual iconographies: the Burgos crucifix

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell the story of the Church of San Giuliano ai Crociferi

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo Trigona

A casket of precious works

The senses tell the story of the Church of Santa Maria del Monte

The expansion of space and changing reality

A new site for the church of San Giorgio

The Madonna dei Conadomini and the art of devotion

The senses tell about Palazzo Zacco

Views denied, views conquered: the power of the devout Benedictines

A story of rebirth

A heritage of votive works

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell of the Cathedral of San Pietro

The triumph of Baroque: expansion of spaces

Scenography and devotion for St. Agatha

A stone garden

Luminous sacred spaces

The eagle-shaped city

The casket of austerity under the great dome

Scicli, the city of Baroque scenery

The palace, the town, the church

The illusion of light and the decorative splendour

The new roads of the city

The works in the church

San Domenico and Gagliardi’s work

Palazzo della Cancelleria: from former stable to the Nicastro family