Catania

The Staircase of Angels

The most famous architectural element of the entire monastic complex is the Scala degli Angeli (staircase of the angels). The majestic main entrance leading into the church was completed in 1712 and is a characteristic example of Sicilian Baroque.
The staircase of the angels, so called because of the sculptures depicting the heavenly creatures, is made of marble stucco, a less valuable material than marble but one cleverly used to highlight the opulence of the church.
For this reason, everything outside the entrance portal of the church had to be less valuable, so as not to distract the worshippers from their prayers. With its convexity, concavity, stucco and ellipses, the staircase reflects the dynamics of Baroque architecture.
It was built to connect the church floor to street level, which was seven metres lower.
The floor composed of two-tone marble slabs is very old and stylistically in contrast to the exuberant Baroque staircase. The portal, by an unknown artist, dates back to 1708. It is entirely carved in wood, with 8 panels depicting scenes from the life of St. Benedict.

Palazzo Trigona di Canicarao

A stone garden

The Palazzo dei due mori

The Staircase of Angels

The senses tell the story of the Church of the Badia di Sant’Agata

The articulated interior spaces

The new roads of the city

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell of Palazzo della Cancelleria

The beginning of an authentic Baroque conception

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Franciscan convent

Art in the cathedral

The two churches

The Church of St. Mary of the Mountain

Baroque creativity: recurring themes

Expanded spaces, stucco and colourful lights

City and nature

Scenography and devotion for St. Agatha

Religious architecture

The senses tell the story of the Church of San Carlo and the former Jesuit college

The smallest Greek theatre in the world

Majestic exteriors, grandiose interiors

The city palace

The senses tell the Cathedral of San Giorgio

The casket of austerity under the great dome

The Church of St. Paul

The Church of St. Benedict

The Monastery of the Benedictine nuns

The interior of the church: space and colour

The senses tell about Palazzo Beneventano

The senses tell of the Cathedral of San Pietro

The senses tell the Cathedral of Sant’Agata

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Verticality and dynamism of the façade of the Church of San Carlo

The Infiorata of Noto, a modern tradition

Palazzo Trigona: a building with a complex shape

The interior and works of art

Altars, saints and sculptural works

The Church of St. Francis

The interiors: diffused light and Byzantine relics

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Trigona

St. Agatha and the candelore

The works in the church

Expansion, spatiality and light in the church of San Domenico

The eagle-shaped city

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The church and the monastery

The illusion of light and the decorative splendour

San Domenico and Gagliardi’s work

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Church of Madonna della Stella

Akrai and Syracuse: an unbreakable bond

Views denied, views conquered: the power of the devout Benedictines

Piazza Duomo, the elephant fountain, the heart of the city

The triumph of Baroque: expansion of spaces

The Duomo di San Giorgio (Cathedral of St. George)

The Church of St. John the Evangelist

Palazzo Zacco, a balance between sobriety and decoration

A casket of precious works

Militello: The story of an enlightened fiefdom

Rebirth and urban planning of the city of Noto

A story of rebirth

The art of maiolica

The senses tell the Church of San Domenico

The city within the city

A compromise between Neoclassicism and Baroque

The expansion of space and changing reality

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Madonna dei Conadomini and the art of devotion

A unifying project for the city of Catania

Virtuosity, decorations and altars

Scenography, lights and colours of the cathedral

The Church of St. Julian on Via dei Crociferi

The senses tell the story of the Church of San Paolo

One city, three sites

Fountain of the Nymph Zizza: public water in the town

Scicli, the city of Baroque scenery

The Benedictines’ library

From the end of the world to rebirth from the rubble

The church and the college

Madonna of the Militia: a singular warrior virgin

The neo-Gothic seminary chapel: symbols, light and space

The dynamics of the Church of San Michele

Reconstruction after the earthquake

The senses tell about Palazzo Ducezio

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of Santa Maria del Monte

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Cathedral of San Giorgio

The palace, the town, the church

The Antonino Uccello Birthplace Museum

The Badia di Sant’Agata (St. Agatha’s Abbey)

A new site for the church of San Giorgio

The senses tell about Palazzo Zacco

Unusual iconographies: the Burgos crucifix

The senses tell the Church of San Michele

A Nobel Prize in Modica

A heritage of votive works

Baroque and the loss of balance in the 16th century

The city of Modica, a balance between nature and urbanism

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Luminous sacred spaces

The Monte delle Prestanze in the new city layout