Catania

The Staircase of Angels

The most famous architectural element of the entire monastic complex is the Scala degli Angeli (staircase of the angels). The majestic main entrance leading into the church was completed in 1712 and is a characteristic example of Sicilian Baroque.
The staircase of the angels, so called because of the sculptures depicting the heavenly creatures, is made of marble stucco, a less valuable material than marble but one cleverly used to highlight the opulence of the church.
For this reason, everything outside the entrance portal of the church had to be less valuable, so as not to distract the worshippers from their prayers. With its convexity, concavity, stucco and ellipses, the staircase reflects the dynamics of Baroque architecture.
It was built to connect the church floor to street level, which was seven metres lower.
The floor composed of two-tone marble slabs is very old and stylistically in contrast to the exuberant Baroque staircase. The portal, by an unknown artist, dates back to 1708. It is entirely carved in wood, with 8 panels depicting scenes from the life of St. Benedict.

The senses tell the story of the Church of San Benedetto

A compromise between Neoclassicism and Baroque

A new site for the church of San Giorgio

The interior of the church: space and colour

The Madonna dei Conadomini and the art of devotion

A stone garden

The Badia di Sant’Agata (St. Agatha’s Abbey)

A heritage of votive works

The senses tell the Church of San Domenico

The new roads of the city

Art in the cathedral

Unusual iconographies: the Burgos crucifix

The Palazzo dei due mori

Palazzo Trigona di Canicarao

The Church of St. Paul

The palace, the town, the church

Virtuosity, decorations and altars

The senses tell the Church of San Michele

The Monte delle Prestanze in the new city layout

Palazzo Zacco, a balance between sobriety and decoration

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

A casket of precious works

Garden of Novices and the restorations by Giancarlo De Carlo

Militello: The story of an enlightened fiefdom

Luminous sacred spaces

Altars, saints and sculptural works

The Church of St. Francis

City and nature

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The eagle-shaped city

The senses tell the story of the Church of San Giovanni Evangelista

Majestic exteriors, grandiose interiors

Rebirth and urban planning of the city of Noto

The senses tell the story of the Church of San Paolo

The senses tell the Cathedral of Sant’Agata

One city, three sites

Scicli, the city of Baroque scenery

The works in the church

The senses tell the story of the Church of Santa Maria del Monte

Religious architecture

The city palace

Madonna of the Militia: a singular warrior virgin

The Church of Madonna della Stella

Expanded spaces, stucco and colourful lights

The interior and works of art

The Infiorata of Noto, a modern tradition

A Nobel Prize in Modica

The Church of St. Benedict

The Church of St. Mary of the Mountain

St. Agatha and the candelore

Reconstruction after the earthquake

From the end of the world to rebirth from the rubble

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell about Palazzo Zacco

The illusion of light and the decorative splendour

Expansion, spatiality and light in the church of San Domenico

The senses tell about Palazzo Ducezio

The senses tell the story of the Church of San Giuliano ai Crociferi

Baroque creativity: recurring themes

The two churches

Scenography, lights and colours of the cathedral

The senses tell of the Cathedral of San Pietro

Palazzo Trigona: a building with a complex shape

The senses tell the story of the Church of San Carlo and the former Jesuit college

The triumph of Baroque: expansion of spaces

Baroque and the loss of balance in the 16th century

The articulated interior spaces

The Antonino Uccello Birthplace Museum

A story of rebirth

The expansion of space and changing reality

The church and the college

Views denied, views conquered: the power of the devout Benedictines

Verticality and dynamism of the façade of the Church of San Carlo

The Church of St. John the Evangelist

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Akrai and Syracuse: an unbreakable bond

Palazzo della Cancelleria: from former stable to the Nicastro family

The Church of St. Julian on Via dei Crociferi

Fountain of the Nymph Zizza: public water in the town

The dynamics of the Church of San Michele

The beginning of an authentic Baroque conception

A unifying project for the city of Catania

Scenography and devotion for St. Agatha

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The casket of austerity under the great dome

The neo-Gothic seminary chapel: symbols, light and space

The Monastery of the Benedictine nuns

The church and the monastery

The senses tell about Palazzo Beneventano

The senses tell the Cathedral of San Giorgio

The art of maiolica

The smallest Greek theatre in the world

The Franciscan convent

The senses tell about Palazzo Trigona

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell of Palazzo della Cancelleria

The Staircase of Angels

The city of Modica, a balance between nature and urbanism

The city within the city

San Domenico and Gagliardi’s work

The Duomo di San Giorgio (Cathedral of St. George)

The interiors: diffused light and Byzantine relics

The Benedictines’ library

The senses tell the Cathedral of San Giorgio