Ragusa

The Supernatural dimension of the chapel of the Santissimo Sacramento

The chapel of the Santissimo Sacramento (Most Blessed Sacrament), to the right of the main apse is marvellous, a veritable triumph of colours and materials. Colourful elements welcome worshippers at the entrance and form the basis of the entire chapel’s decoration.

zoom La cappella del Santissimo Sacramento
La cappella del Santissimo Sacramento

The polychrome polychrome altar immediately attracts the attention of passers-by. Red, green, white and gold are featured in the aedicula , where the painting of the Most Sacred Heart of Jesus was placed in the 19th century.
The wall decorations, the stuccoes , the gold and the blue background embellish the interior of the chapel and transport worshippers to a supernatural dimension.

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Using relief, the chapel recounts some of the most important moments in Christ’s life such as the Supper at Emmaus, carved in marble and inserted in the lower part of the altar in a medallion, and other stucco depictions placed at the sides of the altar.
These show the Offering of Melchizedek, a very important figure in the Old Testament who offers bread and wine to God in the name of Abraham, and the Last Supper in imitation of the famous fresco by Leonardo da Vinci, now kept in the church of Santa Maria delle Grazie in Milan.

From International Gothic to present day

The Maiolica of the staircase

The Baroque town by the sea

A prominent church

From St. Thomas to St. Joseph

A design by Vincenzo Sinatra

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The cathedral of Sant’Agata: a lengthy reconstruction

The role of the religious orders in rebuilding the Val di Noto

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A Nobel Prize in Modica

The Burgos crucifix

The Supernatural dimension of the chapel of the Santissimo Sacramento

A city in colour

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of San Giovanni Battista

The Staircase of Angels

The wall comes to life

The Feast of San Giacomo (St. James)

The church of Carmine

One city, two sites

A feast only for Scicli

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Many owners, one palace

Discovering the mother church

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The theatre of taste

The character of Badia Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

Searching for colour

A talking palace

Garden of Novices and the restorations by Giancarlo De Carlo

The interior and its masterpieces

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Some prestigious works

The disastrous earthquake

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo Nicolaci

A museum to save a tradition

An eagle-shaped city

Norman apses

Wonderful quick decorations

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Rosario Gagliardi, the maestro of the Val di Noto

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Two illustrious patron saints

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Some masterpieces

Limestone, the colour of harmony

Fontana della Ninfa Zizza, public water in the town

A half-Baroque church

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A new site for a new church

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Connections with other UNESCO sites

The Infiorata, a feast of colours and flowers

Militello, the story of an enlightened fiefdom

The city of museums

The kitchen, a treasure chest of colours

A hall for the feasts

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The Benedictine Monastery, one of the largest in Europe

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Feast days

A symbol for the town

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A colourful floor

A triumph of colour

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Feasting in Palazzolo

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The internal colours

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The façade used as a puppet theatre

St. Agatha and the giant candelabras

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San Benedetto: a treasure reopened to the public

Palazzo Nicolaci di Villadorata, who is the architect?

A new palace for the La Rocca lords

Between white and black

A square as the heart of the city

St. Sebastian, so much work!

Baroque and the loss of equilibrium in the 16th century

Places of knowledge: the Benedictines’ library

Prominent façade

A small room with a golden entrance

A long reconstruction

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Modica, a city with ancient origins

A miniature city

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