Palazzolo Acreide

The two churches

The two main churches of Palazzolo Acreide, the Church of San Paolo (St. Paul) and the Church of San Sebastiano (St. Sebastian),are excellent examples of the particular late Baroque style.
They stand amidst the dense fabric of houses and palaces, taking on particular significance within the town.

Each with their own style, they form a scenic curtain.
Their strong presence not only defines the square, but the entire district that shares the name of the churches.
These sacred buildings have great value for their architectural features and the complexity of their decoration and sculptures.
They also evoke the wealth and power of the local confraternities, who were key players in much of the reconstruction of sacred buildings following the great earthquake of 1693 that struck the entire Val di Noto.
In Palazzolo Acreide, highly popular religious festivals take place from June to October and are dedicated to the city’s patron saints.
The feast of St. Paul the Apostle (29th June) has very ancient origins, is internationally celebrated and attracts thousands of worshippers and tourists every year.

 

The eagle-shaped city

Verticality and dynamism of the façade of the Church of San Carlo

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The neo-Gothic seminary chapel: symbols, light and space

The Benedictines’ library

The senses tell the Church of San Domenico

The Staircase of Angels

San Domenico and Gagliardi’s work

The Palazzo dei due mori

The senses tell about Palazzo Beneventano

Art in the cathedral

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Church of San Carlo and the former Jesuit college

The expansion of space and changing reality

A casket of precious works

Palazzo Trigona: a building with a complex shape

The Monastery of the Benedictine nuns

The triumph of Baroque: expansion of spaces

Scicli, the city of Baroque scenery

The Monte delle Prestanze in the new city layout

The Church of St. Benedict

Palazzo della Cancelleria: from former stable to the Nicastro family

The palace, the town, the church

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

One city, three sites

The interior and works of art

The casket of austerity under the great dome

The Infiorata of Noto, a modern tradition

The Franciscan convent

The art of maiolica

The smallest Greek theatre in the world

The senses tell about Palazzo Trigona

Madonna of the Militia: a singular warrior virgin

The senses tell about Palazzo Ducezio

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The illusion of light and the decorative splendour

City and nature

Expansion, spatiality and light in the church of San Domenico

The senses tell the story of the Church of San Paolo

The interiors: diffused light and Byzantine relics

The senses tell the Cathedral of Sant’Agata

The city palace

A heritage of votive works

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the story of the Church of San Giovanni Evangelista

Majestic exteriors, grandiose interiors

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Luminous sacred spaces

Altars, saints and sculptural works

The interior of the church: space and colour

A story of rebirth

From the end of the world to rebirth from the rubble

The Madonna dei Conadomini and the art of devotion

Garden of Novices and the restorations by Giancarlo De Carlo

Baroque creativity: recurring themes

The city of Modica, a balance between nature and urbanism

Rebirth and urban planning of the city of Noto

The senses tell about Palazzo Zacco

A Nobel Prize in Modica

Baroque and the loss of balance in the 16th century

The Antonino Uccello Birthplace Museum

A unifying project for the city of Catania

Militello: The story of an enlightened fiefdom

Religious architecture

The church and the college

The articulated interior spaces

The Church of St. Mary of the Mountain

The senses tell the story of the Church of San Benedetto

The Church of St. Julian on Via dei Crociferi

Reconstruction after the earthquake

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Church of St. Francis

The Church of St. John the Evangelist

The two churches

The senses tell of the Cathedral of San Pietro

Palazzo Trigona di Canicarao

Unusual iconographies: the Burgos crucifix

Palazzo Zacco, a balance between sobriety and decoration

The Church of St. Paul

A stone garden

Views denied, views conquered: the power of the devout Benedictines

Expanded spaces, stucco and colourful lights

Fountain of the Nymph Zizza: public water in the town

Scenography, lights and colours of the cathedral

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The works in the church

The dynamics of the Church of San Michele

The beginning of an authentic Baroque conception

The Church of Madonna della Stella

The senses tell of Palazzo della Cancelleria

St. Agatha and the candelore

Akrai and Syracuse: an unbreakable bond

The senses tell the Church of San Michele

A new site for the church of San Giorgio

A compromise between Neoclassicism and Baroque

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell the story of the Church of San Giuliano ai Crociferi

The new roads of the city

The senses tell the story of the Church of Santa Maria del Monte

The senses tell the Cathedral of San Giorgio

The church and the monastery

Virtuosity, decorations and altars

Piazza Duomo, the elephant fountain, the heart of the city

The city within the city

Scenography and devotion for St. Agatha

The senses tell the story of the Church of the Badia di Sant’Agata