Noto

Verticality and dynamism of the façade of the Church of San Carlo

The final element that gives vertical thrust to the long elevation on the Corso is the façade of the church of San Carlo, located on the left corner of the block.
The façade is formed of five bays of which the three central ones are taller than the cornice, the unifying element of the elevation.
The dynamism that distinguishes the structure can be seen in the concave mixtilinear shape that protrudes forward towards the street, bringing it out of alignment with the convent’s elevation.
The façade is divided into three levels with free-standing columns surmounted by Doric order capitals in the first section, Ionic   in the second, and Corinthian in the third. The central part has openings and niches on each level: the finely decorated entrance portal flanked by two niches with a broken tympanum , the large central window surmounted by a triangular tympanum and niches with a curved tympanum and the three openings on the last level.
All this gives the elevation a dynamism and alternation of full and empty spaces.
The building material used is local lime in golden hues.

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Reconstruction after the earthquake

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Virtuosity, decorations and altars

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The Badia di Sant’Agata (St. Agatha’s Abbey)

Palazzo Zacco, a balance between sobriety and decoration

Palazzo della Cancelleria: from former stable to the Nicastro family

Piazza Duomo, the elephant fountain, the heart of the city

The city palace

The senses tell the Church of San Domenico

The works in the church

Baroque and the loss of balance in the 16th century

The senses tell about Palazzo Trigona

The interior and works of art

The city within the city

The Franciscan convent

The smallest Greek theatre in the world

Majestic exteriors, grandiose interiors

Garden of Novices and the restorations by Giancarlo De Carlo

Palazzo Trigona: a building with a complex shape

A heritage of votive works

The senses tell about Palazzo Zacco

Scicli, the city of Baroque scenery

St. Agatha and the candelore

Fountain of the Nymph Zizza: public water in the town

A story of rebirth

A unifying project for the city of Catania

City and nature

Militello: The story of an enlightened fiefdom

The Monte delle Prestanze in the new city layout

The beginning of an authentic Baroque conception

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

From the end of the world to rebirth from the rubble

The Duomo di San Giorgio (Cathedral of St. George)

Unusual iconographies: the Burgos crucifix

The Infiorata of Noto, a modern tradition

A casket of precious works

The Church of St. Francis

The expansion of space and changing reality

The illusion of light and the decorative splendour

The senses tell the story of the Church of San Carlo and the former Jesuit college

The dynamics of the Church of San Michele

The two churches

The Church of St. Benedict

Luminous sacred spaces

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Giovanni Evangelista

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The palace, the town, the church

The casket of austerity under the great dome

The senses tell the story of the Church of Santa Maria del Monte

The Church of St. Mary of the Mountain

The Antonino Uccello Birthplace Museum

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One city, three sites

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The senses tell the Cathedral of Sant’Agata

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The Benedictines’ library

The Church of St. Julian on Via dei Crociferi

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A compromise between Neoclassicism and Baroque

Baroque creativity: recurring themes

The Church of Madonna della Stella

A stone garden

Religious architecture

The interiors: diffused light and Byzantine relics

The Madonna dei Conadomini and the art of devotion

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

A Nobel Prize in Modica

Palazzo Trigona di Canicarao

The Church of St. John the Evangelist

The Staircase of Angels

The eagle-shaped city

Rebirth and urban planning of the city of Noto

The senses tell of Palazzo della Cancelleria

The articulated interior spaces

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The interior of the church: space and colour

The church and the monastery

The senses tell the story of the Church of San Paolo

The senses tell of the Cathedral of San Pietro

Verticality and dynamism of the façade of the Church of San Carlo

San Domenico and Gagliardi’s work

The senses tell the story of the Church of the Badia di Sant’Agata

The city of Modica, a balance between nature and urbanism

Art in the cathedral

The senses tell the Cathedral of San Giorgio

The senses tell about Palazzo Ducezio

Scenography and devotion for St. Agatha

The new roads of the city

The art of maiolica

The Church of St. Paul