Noto

Verticality and dynamism of the façade of the Church of San Carlo

The final element that gives vertical thrust to the long elevation on the Corso is the façade of the church of San Carlo, located on the left corner of the block.
The façade is formed of five bays of which the three central ones are taller than the cornice, the unifying element of the elevation.
The dynamism that distinguishes the structure can be seen in the concave mixtilinear shape that protrudes forward towards the street, bringing it out of alignment with the convent’s elevation.
The façade is divided into three levels with free-standing columns surmounted by Doric order capitals in the first section, Ionic   in the second, and Corinthian in the third. The central part has openings and niches on each level: the finely decorated entrance portal flanked by two niches with a broken tympanum , the large central window surmounted by a triangular tympanum and niches with a curved tympanum and the three openings on the last level.
All this gives the elevation a dynamism and alternation of full and empty spaces.
The building material used is local lime in golden hues.

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The city palace

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Majestic exteriors, grandiose interiors

Virtuosity, decorations and altars

The city of Modica, a balance between nature and urbanism

The interior of the church: space and colour

From the end of the world to rebirth from the rubble

The senses tell of the Cathedral of San Pietro

Rebirth and urban planning of the city of Noto

The senses tell about Palazzo Ducezio

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The Badia di Sant’Agata (St. Agatha’s Abbey)

A unifying project for the city of Catania

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The senses tell the story of the Church of San Giuliano ai Crociferi

Reconstruction after the earthquake

Baroque and the loss of balance in the 16th century

The senses tell the Cathedral of Sant’Agata

The Madonna dei Conadomini and the art of devotion

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

A story of rebirth

Unusual iconographies: the Burgos crucifix

The art of maiolica

Fountain of the Nymph Zizza: public water in the town

A stone garden

The Duomo di San Giorgio (Cathedral of St. George)

Expansion, spatiality and light in the church of San Domenico

Militello: The story of an enlightened fiefdom

Religious architecture

Palazzo della Cancelleria: from former stable to the Nicastro family

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Expanded spaces, stucco and colourful lights

The city within the city

Altars, saints and sculptural works

The senses tell the story of the Church of Santa Maria del Monte

The Church of St. Mary of the Mountain

The senses tell the story of the Church of San Paolo

Garden of Novices and the restorations by Giancarlo De Carlo

The two churches

The dynamics of the Church of San Michele

The Franciscan convent

The neo-Gothic seminary chapel: symbols, light and space

Palazzo Zacco, a balance between sobriety and decoration

Luminous sacred spaces

The senses tell the Cathedral of San Giorgio

The casket of austerity under the great dome

Scicli, the city of Baroque scenery

The works in the church

The senses tell about Palazzo Beneventano

The Monastery of the Benedictine nuns

The senses tell the Church of San Domenico

Views denied, views conquered: the power of the devout Benedictines

Art in the cathedral

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell the story of the Church of San Giovanni Evangelista

A new site for the church of San Giorgio

The Church of St. Julian on Via dei Crociferi

Akrai and Syracuse: an unbreakable bond

Scenography and devotion for St. Agatha

The senses tell of Palazzo della Cancelleria

Scenography, lights and colours of the cathedral

Palazzo Trigona: a building with a complex shape

Palazzo Trigona di Canicarao

A compromise between Neoclassicism and Baroque

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The expansion of space and changing reality

City and nature

The Antonino Uccello Birthplace Museum

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell about Palazzo Zacco

The Palazzo dei due mori

A Nobel Prize in Modica

A casket of precious works

One city, three sites

The senses tell the Church of San Michele

The church and the monastery

The Church of St. Paul

The Church of St. Benedict

San Domenico and Gagliardi’s work

The interior and works of art

The eagle-shaped city

The Church of St. John the Evangelist

The interiors: diffused light and Byzantine relics

The Benedictines’ library

The illusion of light and the decorative splendour

The Monte delle Prestanze in the new city layout

A heritage of votive works

The senses tell about Palazzo Trigona

The palace, the town, the church

The church and the college

The Infiorata of Noto, a modern tradition

The smallest Greek theatre in the world

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The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The articulated interior spaces

St. Agatha and the candelore

Piazza Duomo, the elephant fountain, the heart of the city

The Church of Madonna della Stella

The triumph of Baroque: expansion of spaces

The beginning of an authentic Baroque conception