Noto

Verticality and dynamism of the façade of the Church of San Carlo

The final element that gives vertical thrust to the long elevation on the Corso is the façade of the church of San Carlo, located on the left corner of the block.
The façade is formed of five bays of which the three central ones are taller than the cornice, the unifying element of the elevation.
The dynamism that distinguishes the structure can be seen in the concave mixtilinear shape that protrudes forward towards the street, bringing it out of alignment with the convent’s elevation.
The façade is divided into three levels with free-standing columns surmounted by Doric order capitals in the first section, Ionic   in the second, and Corinthian in the third. The central part has openings and niches on each level: the finely decorated entrance portal flanked by two niches with a broken tympanum , the large central window surmounted by a triangular tympanum and niches with a curved tympanum and the three openings on the last level.
All this gives the elevation a dynamism and alternation of full and empty spaces.
The building material used is local lime in golden hues.

Baroque and the loss of balance in the 16th century

One city, three sites

The art of maiolica

Majestic exteriors, grandiose interiors

A new site for the church of San Giorgio

San Domenico and Gagliardi’s work

The senses tell the Cathedral of Sant’Agata

The Franciscan convent

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Expanded spaces, stucco and colourful lights

The senses tell the story of the Church of San Benedetto

The Antonino Uccello Birthplace Museum

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The church and the college

The palace, the town, the church

The senses tell about Palazzo Zacco

The triumph of Baroque: expansion of spaces

A story of rebirth

Militello: The story of an enlightened fiefdom

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Palazzo Zacco, a balance between sobriety and decoration

The Monastery of the Benedictine nuns

Luminous sacred spaces

Reconstruction after the earthquake

Unusual iconographies: the Burgos crucifix

Views denied, views conquered: the power of the devout Benedictines

The senses tell the story of the Church of San Paolo

Madonna of the Militia: a singular warrior virgin

The senses tell the Church of San Michele

The Monte delle Prestanze in the new city layout

Baroque creativity: recurring themes

Akrai and Syracuse: an unbreakable bond

The interiors: diffused light and Byzantine relics

From the end of the world to rebirth from the rubble

A compromise between Neoclassicism and Baroque

Virtuosity, decorations and altars

The Church of St. Paul

City and nature

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Palazzo dei due mori

The city of Modica, a balance between nature and urbanism

A heritage of votive works

A casket of precious works

The senses tell the story of the Church of San Giovanni Evangelista

The city palace

The Church of St. Francis

The senses tell the Cathedral of San Giorgio

Fountain of the Nymph Zizza: public water in the town

The city within the city

The neo-Gothic seminary chapel: symbols, light and space

The senses tell the Church of San Domenico

The beginning of an authentic Baroque conception

The expansion of space and changing reality

The Staircase of Angels

The Duomo di San Giorgio (Cathedral of St. George)

The casket of austerity under the great dome

The interior and works of art

The Infiorata of Noto, a modern tradition

A stone garden

The Madonna dei Conadomini and the art of devotion

The illusion of light and the decorative splendour

The Church of St. Julian on Via dei Crociferi

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Religious architecture

The senses tell the story of the Church of the Badia di Sant’Agata

Palazzo Trigona di Canicarao

The senses tell about Palazzo Trigona

The senses tell the story of the Church of Santa Maria del Monte

Art in the cathedral

The senses tell the story of the Church of San Carlo and the former Jesuit college

Garden of Novices and the restorations by Giancarlo De Carlo

Palazzo Trigona: a building with a complex shape

The Benedictines’ library

Expansion, spatiality and light in the church of San Domenico

Palazzo della Cancelleria: from former stable to the Nicastro family

Scenography and devotion for St. Agatha

The senses tell about Palazzo Ducezio

The Church of Madonna della Stella

The senses tell of Palazzo della Cancelleria

The senses tell about Palazzo Beneventano

The Church of St. John the Evangelist

Rebirth and urban planning of the city of Noto

The works in the church

The interior of the church: space and colour

St. Agatha and the candelore

The senses tell the story of the Church of San Giuliano ai Crociferi

Verticality and dynamism of the façade of the Church of San Carlo

The church and the monastery

The eagle-shaped city

The senses tell of the Cathedral of San Pietro

The Badia di Sant’Agata (St. Agatha’s Abbey)

A Nobel Prize in Modica

The articulated interior spaces

The smallest Greek theatre in the world

Altars, saints and sculptural works

The two churches

The senses tell the Cathedral of San Giorgio

The dynamics of the Church of San Michele

The new roads of the city

Scenography, lights and colours of the cathedral

A unifying project for the city of Catania

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Scicli, the city of Baroque scenery

Piazza Duomo, the elephant fountain, the heart of the city

The Church of St. Mary of the Mountain

The Church of St. Benedict