Noto

Verticality and dynamism of the façade of the Church of San Carlo

The final element that gives vertical thrust to the long elevation on the Corso is the façade of the church of San Carlo, located on the left corner of the block.
The façade is formed of five bays of which the three central ones are taller than the cornice, the unifying element of the elevation.
The dynamism that distinguishes the structure can be seen in the concave mixtilinear shape that protrudes forward towards the street, bringing it out of alignment with the convent’s elevation.
The façade is divided into three levels with free-standing columns surmounted by Doric order capitals in the first section, Ionic   in the second, and Corinthian in the third. The central part has openings and niches on each level: the finely decorated entrance portal flanked by two niches with a broken tympanum , the large central window surmounted by a triangular tympanum and niches with a curved tympanum and the three openings on the last level.
All this gives the elevation a dynamism and alternation of full and empty spaces.
The building material used is local lime in golden hues.

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San Domenico and Gagliardi’s work

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The church and the college

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Church of San Domenico

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Beneventano

The works in the church

The Palazzo dei due mori

The Madonna dei Conadomini and the art of devotion

The art of maiolica

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The new roads of the city

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The Monastery of the Benedictine nuns

Scicli, the city of Baroque scenery

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The illusion of light and the decorative splendour

The interiors: diffused light and Byzantine relics

The expansion of space and changing reality

The Church of St. Francis

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Palazzo della Cancelleria: from former stable to the Nicastro family

The smallest Greek theatre in the world

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The interior of the church: space and colour

The eagle-shaped city

The senses tell the story of the Church of San Carlo and the former Jesuit college

The two churches

The Church of St. Mary of the Mountain

The Badia di Sant’Agata (St. Agatha’s Abbey)

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

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The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Expanded spaces, stucco and colourful lights

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The dynamics of the Church of San Michele

Baroque and the loss of balance in the 16th century

The Church of St. John the Evangelist

City and nature

A heritage of votive works

From the end of the world to rebirth from the rubble

The senses tell about Palazzo Trigona

The Church of Madonna della Stella

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Church of San Benedetto

Militello: The story of an enlightened fiefdom

A unifying project for the city of Catania

The Church of St. Julian on Via dei Crociferi

The Church of St. Benedict

The city palace

Palazzo Zacco, a balance between sobriety and decoration

Religious architecture

The Franciscan convent

Unusual iconographies: the Burgos crucifix

The articulated interior spaces

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell of the Cathedral of San Pietro

The Antonino Uccello Birthplace Museum

Expansion, spatiality and light in the church of San Domenico

The senses tell the Cathedral of San Giorgio

The triumph of Baroque: expansion of spaces

Palazzo Trigona di Canicarao

The Staircase of Angels

A casket of precious works

Reconstruction after the earthquake

A new site for the church of San Giorgio

Fountain of the Nymph Zizza: public water in the town

The neo-Gothic seminary chapel: symbols, light and space

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The city of Modica, a balance between nature and urbanism

Art in the cathedral

The senses tell the story of the Church of San Giuliano ai Crociferi

The city within the city

The senses tell of Palazzo della Cancelleria

The interior and works of art

Rebirth and urban planning of the city of Noto

Majestic exteriors, grandiose interiors

The senses tell the story of the Church of Santa Maria del Monte

The Infiorata of Noto, a modern tradition

Scenography and devotion for St. Agatha

St. Agatha and the candelore

Palazzo Trigona: a building with a complex shape

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Baroque creativity: recurring themes

Virtuosity, decorations and altars

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The beginning of an authentic Baroque conception

One city, three sites

The palace, the town, the church

The church and the monastery

The Church of St. Paul

Altars, saints and sculptural works