Noto

Verticality and dynamism of the façade of the Church of San Carlo

The final element that gives vertical thrust to the long elevation on the Corso is the façade of the church of San Carlo, located on the left corner of the block.
The façade is formed of five bays of which the three central ones are taller than the cornice, the unifying element of the elevation.
The dynamism that distinguishes the structure can be seen in the concave mixtilinear shape that protrudes forward towards the street, bringing it out of alignment with the convent’s elevation.
The façade is divided into three levels with free-standing columns surmounted by Doric order capitals in the first section, Ionic   in the second, and Corinthian in the third. The central part has openings and niches on each level: the finely decorated entrance portal flanked by two niches with a broken tympanum , the large central window surmounted by a triangular tympanum and niches with a curved tympanum and the three openings on the last level.
All this gives the elevation a dynamism and alternation of full and empty spaces.
The building material used is local lime in golden hues.

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The Duomo di San Giorgio (Cathedral of St. George)

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A compromise between Neoclassicism and Baroque

The church and the college

Fountain of the Nymph Zizza: public water in the town

The Church of St. Benedict

The articulated interior spaces

Madonna of the Militia: a singular warrior virgin

Art in the cathedral

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

A stone garden

Majestic exteriors, grandiose interiors

The beginning of an authentic Baroque conception

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The senses tell the story of the Church of Santa Maria del Monte

The senses tell the story of the Church of San Carlo and the former Jesuit college

Verticality and dynamism of the façade of the Church of San Carlo

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The art of maiolica

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Virtuosity, decorations and altars

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The senses tell the story of the Church of San Giovanni Evangelista

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The senses tell of the Cathedral of San Pietro

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The senses tell the story of the Church of San Giuliano ai Crociferi

San Domenico and Gagliardi’s work

Reconstruction after the earthquake

The expansion of space and changing reality

The senses tell the Church of San Domenico

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Expansion, spatiality and light in the church of San Domenico

The works in the church

The senses tell the Church of San Michele

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The senses tell the story of the Church of San Benedetto

The senses tell the Cathedral of San Giorgio

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The Church of Madonna della Stella

St. Agatha and the candelore

A casket of precious works

The Franciscan convent

The Infiorata of Noto, a modern tradition

Militello: The story of an enlightened fiefdom

The Church of St. Paul

Scicli, the city of Baroque scenery

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Luminous sacred spaces

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The senses tell about Palazzo Beneventano

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The Staircase of Angels

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The casket of austerity under the great dome

The two churches

The church and the monastery

Palazzo Trigona di Canicarao

Unusual iconographies: the Burgos crucifix

Religious architecture

A new site for the church of San Giorgio

A heritage of votive works

Altars, saints and sculptural works

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Rebirth and urban planning of the city of Noto

The Church of St. Mary of the Mountain

The city within the city

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

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The Church of St. John the Evangelist

The senses tell of Palazzo della Cancelleria

The triumph of Baroque: expansion of spaces

The senses tell the story of the Church of the Badia di Sant’Agata

The dynamics of the Church of San Michele

The senses tell about Palazzo Ducezio

Baroque and the loss of balance in the 16th century

The senses tell about Palazzo Trigona

The smallest Greek theatre in the world

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A story of rebirth