Noto

Verticality and dynamism of the façade of the Church of San Carlo

The final element that gives vertical thrust to the long elevation on the Corso is the façade of the church of San Carlo, located on the left corner of the block.
The façade is formed of five bays of which the three central ones are taller than the cornice, the unifying element of the elevation.
The dynamism that distinguishes the structure can be seen in the concave mixtilinear shape that protrudes forward towards the street, bringing it out of alignment with the convent’s elevation.
The façade is divided into three levels with free-standing columns surmounted by Doric order capitals in the first section, Ionic   in the second, and Corinthian in the third. The central part has openings and niches on each level: the finely decorated entrance portal flanked by two niches with a broken tympanum , the large central window surmounted by a triangular tympanum and niches with a curved tympanum and the three openings on the last level.
All this gives the elevation a dynamism and alternation of full and empty spaces.
The building material used is local lime in golden hues.

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Church of Madonna della Stella

Palazzo Trigona: a building with a complex shape

Religious architecture

San Domenico and Gagliardi’s work

A compromise between Neoclassicism and Baroque

The senses tell the story of the Church of Santa Maria del Monte

Virtuosity, decorations and altars

Baroque creativity: recurring themes

A Nobel Prize in Modica

The two churches

The expansion of space and changing reality

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of the Badia di Sant’Agata

The Church of St. Benedict

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

A casket of precious works

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell about Palazzo Beneventano

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Trigona di Canicarao

Reconstruction after the earthquake

Madonna of the Militia: a singular warrior virgin

Militello: The story of an enlightened fiefdom

The dynamics of the Church of San Michele

The church and the college

The eagle-shaped city

A story of rebirth

The senses tell about Palazzo Ducezio

The Duomo di San Giorgio (Cathedral of St. George)

The smallest Greek theatre in the world

Akrai and Syracuse: an unbreakable bond

Views denied, views conquered: the power of the devout Benedictines

The Palazzo dei due mori

The senses tell about Palazzo Trigona

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

One city, three sites

Unusual iconographies: the Burgos crucifix

The church and the monastery

Scenography, lights and colours of the cathedral

The senses tell the Church of San Michele

Scenography and devotion for St. Agatha

Expansion, spatiality and light in the church of San Domenico

The senses tell the Cathedral of San Giorgio

The Church of St. Julian on Via dei Crociferi

The Monte delle Prestanze in the new city layout

The casket of austerity under the great dome

A stone garden

The senses tell the story of the Church of San Benedetto

The senses tell of the Cathedral of San Pietro

The palace, the town, the church

Majestic exteriors, grandiose interiors

The Badia di Sant’Agata (St. Agatha’s Abbey)

A new site for the church of San Giorgio

Rebirth and urban planning of the city of Noto

The senses tell the Church of San Domenico

The senses tell of Palazzo della Cancelleria

From the end of the world to rebirth from the rubble

The Church of St. Paul

The interiors: diffused light and Byzantine relics

The new roads of the city

The senses tell about Palazzo Zacco

The interior and works of art

Palazzo Zacco, a balance between sobriety and decoration

The Monastery of the Benedictine nuns

Altars, saints and sculptural works

The Church of St. Francis

Piazza Duomo, the elephant fountain, the heart of the city

The city within the city

The Staircase of Angels

The neo-Gothic seminary chapel: symbols, light and space

The city palace

Garden of Novices and the restorations by Giancarlo De Carlo

The interior of the church: space and colour

The triumph of Baroque: expansion of spaces

A heritage of votive works

The senses tell the story of the Church of San Paolo

The Benedictines’ library

The Church of St. Mary of the Mountain

The illusion of light and the decorative splendour

Luminous sacred spaces

The senses tell the Cathedral of Sant’Agata

The art of maiolica

Expanded spaces, stucco and colourful lights

St. Agatha and the candelore

The city of Modica, a balance between nature and urbanism

Verticality and dynamism of the façade of the Church of San Carlo

The Antonino Uccello Birthplace Museum

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The beginning of an authentic Baroque conception

Scicli, the city of Baroque scenery

The Infiorata of Noto, a modern tradition

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

City and nature

Fountain of the Nymph Zizza: public water in the town

A unifying project for the city of Catania

The Church of St. John the Evangelist

The articulated interior spaces

Baroque and the loss of balance in the 16th century

Art in the cathedral

The Franciscan convent

The works in the church

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Madonna dei Conadomini and the art of devotion