Catania

Views denied, views conquered: the power of the devout Benedictines

The original site of the monastery was near the hill of Santa Sophia, outside the city walls, but in the 13th century the nuns moved into the city in the Civita district and founded the cloistered monastery dedicated to St. Julian.
After the terrible earthquake of 1693, the complex was razed to the ground and the Duke of Camastra was assigned the task of designing the city’s new urban plan, which envisaged rebuilding the monastic building in the same place. This fact caused the nuns great distress because, after the great earthquake, the route of the saint’s procession changed and they could no longer watch the passage of St. Agatha and her worshippers.
Consequently, the nuns, who came mostly from noble families in Catania, decided to move to a better area. In 1698 they moved to Via dei Crociferi.
They swapped the old Benedictine monastery for the Ospedale San Marco (St. Mark’s Hospital), modifying the buildings and beginning to build their new monastery, finally conquering an excellent view of the procession of St. Agatha that passed by Via San Giuliano then turned on to Via dei Crociferi.

The interiors: diffused light and Byzantine relics

The art of maiolica

A new site for the church of San Giorgio

The senses tell about Palazzo Zacco

The senses tell the story of the Church of San Benedetto

A casket of precious works

The senses tell the story of the Church of San Giovanni Evangelista

The Church of Madonna della Stella

The senses tell the Cathedral of San Giorgio

Majestic exteriors, grandiose interiors

The senses tell the story of the Church of San Paolo

The Church of St. Francis

Palazzo Zacco, a balance between sobriety and decoration

A stone garden

The Church of St. Julian on Via dei Crociferi

The Monte delle Prestanze in the new city layout

The senses tell the Cathedral of Sant’Agata

Views denied, views conquered: the power of the devout Benedictines

Scenography, lights and colours of the cathedral

Unusual iconographies: the Burgos crucifix

Baroque and the loss of balance in the 16th century

City and nature

The senses tell the story of the Church of the Badia di Sant’Agata

St. Agatha and the candelore

The new roads of the city

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell of the Cathedral of San Pietro

The city of Modica, a balance between nature and urbanism

Akrai and Syracuse: an unbreakable bond

The Badia di Sant’Agata (St. Agatha’s Abbey)

Fountain of the Nymph Zizza: public water in the town

The senses tell about Palazzo Ducezio

The senses tell the Church of San Michele

From the end of the world to rebirth from the rubble

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The eagle-shaped city

Madonna of the Militia: a singular warrior virgin

The city within the city

The neo-Gothic seminary chapel: symbols, light and space

Virtuosity, decorations and altars

The senses tell the Church of San Domenico

Expansion, spatiality and light in the church of San Domenico

The casket of austerity under the great dome

The city palace

The palace, the town, the church

The illusion of light and the decorative splendour

The senses tell the Cathedral of San Giorgio

The senses tell about Palazzo Beneventano

The Church of St. John the Evangelist

The church and the college

A Nobel Prize in Modica

The beginning of an authentic Baroque conception

The Staircase of Angels

A compromise between Neoclassicism and Baroque

The Duomo di San Giorgio (Cathedral of St. George)

The smallest Greek theatre in the world

The senses tell the story of the Church of San Giuliano ai Crociferi

Religious architecture

Palazzo della Cancelleria: from former stable to the Nicastro family

Luminous sacred spaces

The senses tell the story of the Church of Santa Maria del Monte

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Art in the cathedral

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The interior of the church: space and colour

One city, three sites

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Reconstruction after the earthquake

The two churches

The interior and works of art

The Franciscan convent

Palazzo Trigona di Canicarao

The Infiorata of Noto, a modern tradition

Garden of Novices and the restorations by Giancarlo De Carlo

Rebirth and urban planning of the city of Noto

The Church of St. Mary of the Mountain

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell of Palazzo della Cancelleria

The Church of St. Benedict

The church and the monastery

The senses tell about Palazzo Trigona

The Madonna dei Conadomini and the art of devotion

Scicli, the city of Baroque scenery

The triumph of Baroque: expansion of spaces

The Church of St. Paul

The Benedictines’ library

The works in the church

The Palazzo dei due mori

Baroque creativity: recurring themes

Palazzo Trigona: a building with a complex shape

The articulated interior spaces

Scenography and devotion for St. Agatha

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

San Domenico and Gagliardi’s work

The expansion of space and changing reality

A unifying project for the city of Catania

The dynamics of the Church of San Michele

The senses tell the story of the Church of San Carlo and the former Jesuit college

A heritage of votive works

The Monastery of the Benedictine nuns

Militello: The story of an enlightened fiefdom

Expanded spaces, stucco and colourful lights

A story of rebirth

The Antonino Uccello Birthplace Museum

Altars, saints and sculptural works