Catania

Views denied, views conquered: the power of the devout Benedictines

The original site of the monastery was near the hill of Santa Sophia, outside the city walls, but in the 13th century the nuns moved into the city in the Civita district and founded the cloistered monastery dedicated to St. Julian.
After the terrible earthquake of 1693, the complex was razed to the ground and the Duke of Camastra was assigned the task of designing the city’s new urban plan, which envisaged rebuilding the monastic building in the same place. This fact caused the nuns great distress because, after the great earthquake, the route of the saint’s procession changed and they could no longer watch the passage of St. Agatha and her worshippers.
Consequently, the nuns, who came mostly from noble families in Catania, decided to move to a better area. In 1698 they moved to Via dei Crociferi.
They swapped the old Benedictine monastery for the Ospedale San Marco (St. Mark’s Hospital), modifying the buildings and beginning to build their new monastery, finally conquering an excellent view of the procession of St. Agatha that passed by Via San Giuliano then turned on to Via dei Crociferi.

The senses tell the story of the Church of Santa Maria del Monte

The works in the church

The senses tell the story of the Church of the Badia di Sant’Agata

Expanded spaces, stucco and colourful lights

The senses tell of Palazzo della Cancelleria

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The interior and works of art

A story of rebirth

The city palace

The senses tell the Church of San Domenico

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell the story of the Church of San Benedetto

Akrai and Syracuse: an unbreakable bond

The Church of St. Francis

The church and the monastery

Luminous sacred spaces

The Franciscan convent

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Monastery of the Benedictine nuns

The senses tell of the Cathedral of San Pietro

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell about Palazzo Ducezio

Fountain of the Nymph Zizza: public water in the town

Views denied, views conquered: the power of the devout Benedictines

The Church of St. John the Evangelist

The new roads of the city

A Nobel Prize in Modica

The eagle-shaped city

Garden of Novices and the restorations by Giancarlo De Carlo

The church and the college

The Church of Madonna della Stella

Militello: The story of an enlightened fiefdom

The interior of the church: space and colour

The senses tell the Church of San Michele

Art in the cathedral

The Antonino Uccello Birthplace Museum

Baroque creativity: recurring themes

A stone garden

The Church of St. Mary of the Mountain

The triumph of Baroque: expansion of spaces

City and nature

Palazzo Trigona di Canicarao

Palazzo della Cancelleria: from former stable to the Nicastro family

Majestic exteriors, grandiose interiors

The city within the city

The neo-Gothic seminary chapel: symbols, light and space

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Zacco, a balance between sobriety and decoration

The Staircase of Angels

The senses tell the story of the Church of San Paolo

The palace, the town, the church

The senses tell about Palazzo Beneventano

From the end of the world to rebirth from the rubble

Rebirth and urban planning of the city of Noto

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Unusual iconographies: the Burgos crucifix

The city of Modica, a balance between nature and urbanism

San Domenico and Gagliardi’s work

The Monte delle Prestanze in the new city layout

The Infiorata of Noto, a modern tradition

A new site for the church of San Giorgio

Verticality and dynamism of the façade of the Church of San Carlo

The Palazzo dei due mori

The senses tell the Cathedral of San Giorgio

The Church of St. Paul

Madonna of the Militia: a singular warrior virgin

A compromise between Neoclassicism and Baroque

A unifying project for the city of Catania

Altars, saints and sculptural works

The senses tell about Palazzo Trigona

Scenography and devotion for St. Agatha

Virtuosity, decorations and altars

Scicli, the city of Baroque scenery

The Madonna dei Conadomini and the art of devotion

The articulated interior spaces

The Benedictines’ library

The dynamics of the Church of San Michele

The Church of St. Julian on Via dei Crociferi

The casket of austerity under the great dome

The senses tell the Cathedral of San Giorgio

A casket of precious works

The Church of St. Benedict

A heritage of votive works

The illusion of light and the decorative splendour

Baroque and the loss of balance in the 16th century

The smallest Greek theatre in the world

One city, three sites

Reconstruction after the earthquake

Religious architecture

St. Agatha and the candelore

Scenography, lights and colours of the cathedral

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The interiors: diffused light and Byzantine relics

The expansion of space and changing reality

The senses tell the Cathedral of Sant’Agata

The two churches

Piazza Duomo, the elephant fountain, the heart of the city

The beginning of an authentic Baroque conception

The senses tell about Palazzo Zacco

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The art of maiolica

Palazzo Trigona: a building with a complex shape

Expansion, spatiality and light in the church of San Domenico

The senses tell the story of the Church of San Giovanni Evangelista

The Duomo di San Giorgio (Cathedral of St. George)