Palazzolo Acreide

Virtuosity, decorations and altars

As you climb the scenic staircase that meanders up to the inside of the portico, you are led inside the church where the space with three naves is marked by five powerful arcades and enhanced by the precious vault.

The room expands into the side naves where the precious altars are located, two of which are placed in the side chapels. At the back, almost compressed in its majesty, is the main altar with the powerful Solomonic columns in polychrome marble that emerge from the apse.Your gaze is carried upwards above the entrance, where you can see the organ. One of the largest in the town, the organ is located on the upper balcony painted with angels, like an integral part of the heavenly vault of the ceiling.
 
The highly rich artistic repertoire of excellent workmanship contained in this casket includes works by Giuseppe Crestadoro arranged on various altars. Specifically, the painting of the Conversion of St. Paul , concludes the niche of the main altar where the statue of the patron saint is placed, shown to the public only during festive periods.
Sculpted in 1567 by Vincenzo Lorefice from Ragusa, the statue has a long and tormented history.
With the earthquake of 1693 it suffered so much serious damage to the face that its head was completely rebuilt. In the following centuries, it underwent preservation and embellishments that may have altered its original appearance.
 

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The interior of the church: space and colour

Altars, saints and sculptural works

The neo-Gothic seminary chapel: symbols, light and space

The church and the college

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The casket of austerity under the great dome

A stone garden

The Church of St. Francis

The senses tell the Cathedral of San Giorgio

Baroque and the loss of balance in the 16th century

The beginning of an authentic Baroque conception

Religious architecture

St. Agatha and the candelore

The senses tell about Palazzo Beneventano

The Monastery of the Benedictine nuns

The art of maiolica

Piazza Duomo, the elephant fountain, the heart of the city

The Church of St. John the Evangelist

The dynamics of the Church of San Michele

The articulated interior spaces

Scicli, the city of Baroque scenery

The Staircase of Angels

The Antonino Uccello Birthplace Museum

The two churches

San Domenico and Gagliardi’s work

A story of rebirth

Garden of Novices and the restorations by Giancarlo De Carlo

Unusual iconographies: the Burgos crucifix

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the story of the Church of the Badia di Sant’Agata

Majestic exteriors, grandiose interiors

Madonna of the Militia: a singular warrior virgin

The senses tell about Palazzo Ducezio

The senses tell of Palazzo della Cancelleria

A heritage of votive works

The palace, the town, the church

Baroque creativity: recurring themes

Virtuosity, decorations and altars

Expanded spaces, stucco and colourful lights

A new site for the church of San Giorgio

Palazzo della Cancelleria: from former stable to the Nicastro family

Palazzo Trigona: a building with a complex shape

From the end of the world to rebirth from the rubble

The Church of Madonna della Stella

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The city within the city

The illusion of light and the decorative splendour

Militello: The story of an enlightened fiefdom

The senses tell of the Cathedral of San Pietro

Reconstruction after the earthquake

City and nature

Scenography and devotion for St. Agatha

A compromise between Neoclassicism and Baroque

Views denied, views conquered: the power of the devout Benedictines

The senses tell the story of the Church of Santa Maria del Monte

The senses tell the Cathedral of San Giorgio

The senses tell the Cathedral of Sant’Agata

The Monte delle Prestanze in the new city layout

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Verticality and dynamism of the façade of the Church of San Carlo

Expansion, spatiality and light in the church of San Domenico

The senses tell the story of the Church of San Paolo

The senses tell the story of the Church of San Carlo and the former Jesuit college

Fountain of the Nymph Zizza: public water in the town

The interior and works of art

The Palazzo dei due mori

The works in the church

The Madonna dei Conadomini and the art of devotion

The interiors: diffused light and Byzantine relics

The Franciscan convent

The expansion of space and changing reality

The Church of St. Benedict

Luminous sacred spaces

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Church of St. Julian on Via dei Crociferi

Akrai and Syracuse: an unbreakable bond

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell about Palazzo Trigona

The city of Modica, a balance between nature and urbanism

The senses tell the story of the Church of San Giuliano ai Crociferi

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Duomo di San Giorgio (Cathedral of St. George)

One city, three sites

The smallest Greek theatre in the world

Palazzo Trigona di Canicarao

The triumph of Baroque: expansion of spaces

A unifying project for the city of Catania

The eagle-shaped city

Rebirth and urban planning of the city of Noto

Art in the cathedral

The Church of St. Mary of the Mountain

The church and the monastery

The new roads of the city

The senses tell the Church of San Domenico

Scenography, lights and colours of the cathedral

The city palace

The senses tell the story of the Church of San Giovanni Evangelista

The Infiorata of Noto, a modern tradition

A Nobel Prize in Modica

The Benedictines’ library

The Church of St. Paul

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

A casket of precious works

The senses tell the Church of San Michele

The senses tell about Palazzo Zacco